VALUTAZIONE IMDb
6,2/10
1255
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA series of horrifying events plague a Korean hospital in the 1940s.A series of horrifying events plague a Korean hospital in the 1940s.A series of horrifying events plague a Korean hospital in the 1940s.
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- 5 vittorie e 6 candidature totali
Recensioni in evidenza
Epitaph is an South-Korean horror film taking place on hospital in South-Korea year 1941.Its during world-war II and Japan occupation on Korea.Its more an mixed horror/love-story as the film has like 3 separate love- stories that at first seems a bit confusing but in the end make sense and linked together.Don't get me wrong the movie has some fine scares and is mostly an horror-film.The hospital look is creepy.I must say one of the best Asian films I ever seen.Its so very beautiful movie and nothing like I watched before from Asia.I also like the music-score that fit the film near perfect.Acting is very good.Not a very bloody and violent film, but it has some nice scenes of pure horror.Story is a bit hard to follow but anyhow its an excellent piece of film.Epitaph played on cinema in South-Korea Summer 2007 and its now out on DVD in S-Korea.Don't now if it was an box-office hit in S-Korea but it would surprise me if not as horror films are very popular over there.Not to be missed if you like Asian horror.I give the move 9/10
One of the two or three most beautiful ghost story movies ever made, and probably the most complex. The 6.3 on IMDb is driven by people who don't seem to understand this movie.
A very general spoiler ahead.
It took three viewings, including two back-to-back on the same night, for me to really understand what was going on across the three interrelated stories which constitute the plot of this movie. I finally figured out that there are three types of ghost stories unfolding within Epitaph. One involves ghosts which are actually nightmares (as in dreams) brought on by guilt. Another involves ghosts which are schizophrenic delusions brought on by (seemingly literal) soul-crushing grief. And the third is an actual supernatural ghost story. This combination is brilliant, and I don't think any movie before or since has attempted anything like it.
As a movie, Epitaph is creepy in parts, scary in parts, and poignant throughout. It also consists of countless beautifully composed shots, accentuated by gorgeous lighting, imaginative editing, and a beautiful score (which twice includes a somewhat jarring if fitting Bernard Hermann homage). Thematically, it is steeped in grief, guilt, the human yearning for love and companionship, all set within a rich historical context.
I can't say enough about Epitaph. This movie is egregiously underrated and overlooked in world cinema, especially by ghost story aficionados. It should be at or near the very top of every list of best filmed ghost stories.
A very general spoiler ahead.
It took three viewings, including two back-to-back on the same night, for me to really understand what was going on across the three interrelated stories which constitute the plot of this movie. I finally figured out that there are three types of ghost stories unfolding within Epitaph. One involves ghosts which are actually nightmares (as in dreams) brought on by guilt. Another involves ghosts which are schizophrenic delusions brought on by (seemingly literal) soul-crushing grief. And the third is an actual supernatural ghost story. This combination is brilliant, and I don't think any movie before or since has attempted anything like it.
As a movie, Epitaph is creepy in parts, scary in parts, and poignant throughout. It also consists of countless beautifully composed shots, accentuated by gorgeous lighting, imaginative editing, and a beautiful score (which twice includes a somewhat jarring if fitting Bernard Hermann homage). Thematically, it is steeped in grief, guilt, the human yearning for love and companionship, all set within a rich historical context.
I can't say enough about Epitaph. This movie is egregiously underrated and overlooked in world cinema, especially by ghost story aficionados. It should be at or near the very top of every list of best filmed ghost stories.
This movie is heavily structured (we have three subplots that revolves around different types of hauntings) but, imho, uselessly so. The three stories are pretty straightforward per se but the historical setting, the impeccable aesthetic and slow pacing give an impression of complexity. It is a good a movie but I felt slightly defrauded when it ended because the story was really just that.
People that enjoy movies that sustain a horrific atmosphere and internal logic that allows "the suspension of disbelief" should give the 2007 Korean horror movie "Epitaph" ("Gidam") a chance. It is really good looking throughout and I thought the last minute or so was really great.
Even better, the visual effects have accessible meaning the way they do in some of the best Thai movies, aren't just eye candy or so obscure you'd have to be a film student to get them.
It has an irritatingly convoluted plot, but it does come together at the very end. I think the typically Asian sincerity more than makes up for the typically Asian convolution.
Even better, the visual effects have accessible meaning the way they do in some of the best Thai movies, aren't just eye candy or so obscure you'd have to be a film student to get them.
It has an irritatingly convoluted plot, but it does come together at the very end. I think the typically Asian sincerity more than makes up for the typically Asian convolution.
...But if you do watch it anyway, you won't be disappointed. Just don't expect an all-out horror film; there's lots of drama and love story in this one too. Yes, the story is a little jumbled because of its non-linearity, but if you have the patience, this movie is worth it.
Parts of this film reminded me of The Cell, which is not a bad thing at all. The surrealistic imagery is successful, and even though it was hard to follow, the stories were entertaining.
In conclusion, this movie requires patience, and it is a little hard to follow, but if you keep with it, the interesting story elements will entertain you.
7 from me.
Parts of this film reminded me of The Cell, which is not a bad thing at all. The surrealistic imagery is successful, and even though it was hard to follow, the stories were entertaining.
In conclusion, this movie requires patience, and it is a little hard to follow, but if you keep with it, the interesting story elements will entertain you.
7 from me.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 4.592.196 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 1.85 : 1
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