VALUTAZIONE IMDb
7,1/10
11.442
LA TUA VALUTAZIONE
Un uomo di origine coreana americana cresciuto nel Bayou della Louisiana lavora duramente per fare una vita per la sua famiglia. Affronta i fantasmi del passato quando scopre che sarà deport... Leggi tuttoUn uomo di origine coreana americana cresciuto nel Bayou della Louisiana lavora duramente per fare una vita per la sua famiglia. Affronta i fantasmi del passato quando scopre che sarà deportato dall'unico paese che ha mai chiamato casa.Un uomo di origine coreana americana cresciuto nel Bayou della Louisiana lavora duramente per fare una vita per la sua famiglia. Affronta i fantasmi del passato quando scopre che sarà deportato dall'unico paese che ha mai chiamato casa.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 8 candidature totali
Martin Bats Bradford
- Lajon
- (as Martin Bradford)
Recensioni in evidenza
Instant reaction here. Was blown away by this movie. Not overly familiar with Justin Chon but his performance was exceptional and seeing he also wrote and directed this makes me excited for whatever projects he's involved with in the future. Alicia Vikander was solid as always great casting and most importantly the movie raises awareness to an issue most people were likely unaware of. Bravo!
Alicia Vikander is the biggest name of this movie by far, BUT she is not at ll the highlight here, as Justin Chon is just slashing it!
This movie shows us what is wrong with immigration politics in the USA and I knew that these cases exist, but not how common they actually are.
You will follow a heartbreaking story that will probably not leave your eyes dry. I havent seen a movie like this in a long time, where I literally could hear the majority of the people around me in the theatre cry, no matter which age, gender or race... This movie is very touching, even though at times it gets a bit "toooo much" and is slightly over the top, especially in the last wuarter of the movie.
That being said, it is still a very strong movie that tells a heartfelt story that has so much poetry between the lines, that it will make you appreciate your life and everything you have, even more, while still making you very depressed with its brutal honesty and depiction of events.
I can recommend this, especially if you are adopted yourself or are an expat of any kind in another country!
This movie shows us what is wrong with immigration politics in the USA and I knew that these cases exist, but not how common they actually are.
You will follow a heartbreaking story that will probably not leave your eyes dry. I havent seen a movie like this in a long time, where I literally could hear the majority of the people around me in the theatre cry, no matter which age, gender or race... This movie is very touching, even though at times it gets a bit "toooo much" and is slightly over the top, especially in the last wuarter of the movie.
That being said, it is still a very strong movie that tells a heartfelt story that has so much poetry between the lines, that it will make you appreciate your life and everything you have, even more, while still making you very depressed with its brutal honesty and depiction of events.
I can recommend this, especially if you are adopted yourself or are an expat of any kind in another country!
What a beautiful and poignant story. The characters are real, tugs at the heartstrings and lays bare the total lack off empathy in the modern immigration processes. The fact that it depicts real life anguish makes this film signifficant. I really hope it can pass it's message to millions and help to tear down the wall.
Blue Bayou written and directed by Justin Chon is a powerful new film about a Korean-American, Antonio LeBlanc, played by Justin Chon, who is fighting for his family and his status as a US citizen.
Adopted from Korea at the age of 3, Antonio lives in Louisiana. He speaks fluid English. He is married to a US citizen, and he and his wife are expecting their first child. He is a stepfather to Jessie (Sydney Kowalske), the daughter of his wife, Kathy, played by Alicia Vikander, who calls him daddy.
Victim of racial profiling by a police officer, he is arrested and then his immigration status is called into question. Kathy and Antonio seek the counsel of a lawyer, played by Vondie Curtis-Hall, who informs them that before the year 2000, US foreign adoption laws were very ill defined, and in many cases immigration paperwork was never filed by adopting parents. In Antonio's case, his adopting family abandoned him after 6 months and he bounced around in foster care for much of his young life after coming to the US.
The film was a powerful representation of the uncertainty and difficulty many immigrants face in the US. It was both deeply saddening and moving as you watch the turmoil the family endures, especially the child affected by it all. The film brings awareness to an important issue that has yet to be addressed and has been the cause of many, many deportations of adults who have lived in the US for 30 to 40 years and some times longer, do not even know the language of their country of origin, who are deported to this foreign land without any family connections or similar ties to the country they are being sent.
Blue Bayou is an official selection of the 2021 Cannes Film Festival. The film contains some beautiful cinematography of the Louisiana bayou and breathtaking sunset shots taken around New Orleans. The screenplay also stood out in the way that he portrayed both the struggle and impossible choices the protagonist faces. Also, his own identity as an Asian American, looking for his past and a cultural touchstone and comparing it to the over thirty years he spent in Louisiana feeling like an outcast as the "other."
Adopted from Korea at the age of 3, Antonio lives in Louisiana. He speaks fluid English. He is married to a US citizen, and he and his wife are expecting their first child. He is a stepfather to Jessie (Sydney Kowalske), the daughter of his wife, Kathy, played by Alicia Vikander, who calls him daddy.
Victim of racial profiling by a police officer, he is arrested and then his immigration status is called into question. Kathy and Antonio seek the counsel of a lawyer, played by Vondie Curtis-Hall, who informs them that before the year 2000, US foreign adoption laws were very ill defined, and in many cases immigration paperwork was never filed by adopting parents. In Antonio's case, his adopting family abandoned him after 6 months and he bounced around in foster care for much of his young life after coming to the US.
The film was a powerful representation of the uncertainty and difficulty many immigrants face in the US. It was both deeply saddening and moving as you watch the turmoil the family endures, especially the child affected by it all. The film brings awareness to an important issue that has yet to be addressed and has been the cause of many, many deportations of adults who have lived in the US for 30 to 40 years and some times longer, do not even know the language of their country of origin, who are deported to this foreign land without any family connections or similar ties to the country they are being sent.
Blue Bayou is an official selection of the 2021 Cannes Film Festival. The film contains some beautiful cinematography of the Louisiana bayou and breathtaking sunset shots taken around New Orleans. The screenplay also stood out in the way that he portrayed both the struggle and impossible choices the protagonist faces. Also, his own identity as an Asian American, looking for his past and a cultural touchstone and comparing it to the over thirty years he spent in Louisiana feeling like an outcast as the "other."
A free preview pass and Alicia Vikander attracted me to the movies this evening. The intense acting and generally good filmcraft are strengths. The regional accents and a certain performance of the namesake song are standouts. But there are diverging subplots all over the place, detracting from the main theme. Sometimes the characters do not ring true and are otherwise too unsympathetic.
This was made expressly to champion the cause of international adoptees who become deportable because their stateside adopting parents failed to satisfy all the formalities. Their plight is akin to that of the Dreamers. The film comes just when a "fix" in the form of the proposed Adoptee Citizenship Act is pending. To get that enacted is indeed a worthy cause.
This was made expressly to champion the cause of international adoptees who become deportable because their stateside adopting parents failed to satisfy all the formalities. Their plight is akin to that of the Dreamers. The film comes just when a "fix" in the form of the proposed Adoptee Citizenship Act is pending. To get that enacted is indeed a worthy cause.
Lo sapevi?
- QuizJustin Chon worked closely with a speech coach as he developed his character, whose accent is based on three actual people.
- BlooperAntonio takes a card out containing the number of his last foster mother, Susanne. But, according to his lawyer, Susanne lives in St Francisville, LA. The number 504-165-8704 would not be correct, 225 is the area code for St Francisville.
- Citazioni
Antonio LeBlanc: I'm not leaving my family.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Dòng Nước Xanh
- Luoghi delle riprese
- New Orleans, Louisiana, Stati Uniti(Film setting)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 788.675 USD
- Fine settimana di apertura Stati Uniti e Canada
- 329.840 USD
- 19 set 2021
- Lordo in tutto il mondo
- 919.649 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Proporzioni
- 1.66 : 1
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