La linea

"The Line" is an overly complicated drugs cartel movie with a very good cast and some first-rate cinematography as well as ambitions above its modest station. Ray Liotta is an assassin, Esai Morales his target, Andy Garcia a dying drugs lord and Armand Assante a very dubious priest. It's almost impossible to follow with too many characters involved in too many double-crosses and with too many needless flashbacks though there is a neat 'explanatory' twist at the end. Fleshed out a bit this might have made a good six part series; as it is it's over before it really gets started. Dedicated to the city of Tijuana it's also unlikely to encourage anyone, not involved in the drugs trade, to go there for a visit.

Wow, it's getting to where I really can't trust IMDb ratings to decide what to watch anymore. This movie is underrated. I suspect many people who rated it low, wanted more explosions and car chases. This is not an action film. It is a subtle yet intense look at how a person can be extremely tough yet so very vulnerable at the same time. There are no feel good characters. No role model action heroes. No clear cut lines between good and bad.

Other reviewers have noted that it was confusing. Admittedly the script was confusing at first. It wasn't clear who was motivated by what, and what flashbacks meant what to whom. But about halfway through the film it starts to come together beautifully and continues to do so to the interesting and somewhat moving end. If you stop waiting for the gratuitous action scenes which never happen, and just watch the story, it works well. Yes, some plot points seem a little unrealistic, but that's why I put the story at only a 7.

While the story is good, the acting is all around superb. I have never been the biggest Liotta fan. He's good, but like a lot of tough guy character actors, sometimes his tough guy persona crosses the line into bluffery in my opinion. Not here. He was near perfect. Almost everyone was, including minor characters played by people I have never heard of. No fake looking bluffery, nothing overdone. I would give this a 7 for story and direction, but the acting puts it up to 8.

Also, the music was as wonderfully chosen as the actors. There was a point in the middle of the movie where one character began to cry. We aren't shown explicitly why, no details, but we are shown enough to understand and fill in her story for ourselves. I found that one scene, with the song from Melody Gardot, particularly beautiful.

In a nutshell, I would describe this as a smoulderingly intense drama. If you are looking for an action thriller you will be disappointed.

An assassin and his partner (Ray Liotta and Kevin Gage) are commissioned to take down the new head of a drug cartel (Esai Morales) that has taken over for the dying drug lord (Andy Garcia). Jordi Vilasuso plays a cartel rival, Armand Assante a padre, Valerie Cruz a woman that befriends the assassin and Bruce Davison a US agent.

"The Line" (2009), aka "La Linea," is a gritty crime thriller taking place in Tijuana that's more moody psychological drama than action flick. It's similar in style, locations and content to "Borderland" (2007), albeit less of a horror flick (yet still containing loads of horror). Like that movie, there are glimmerings of greatness amidst the grey mayhem in the mold of "Apocalypse Now."

Unfortunately, the story's sometimes confusing which would be helped if you use the subtitles since some of the dialogue is difficult to discern (I viewed it on DVD and didn't have that option). But there's a lot to appreciate here, including the quality cast, the style, the melancholy vibe, the music, the poignant drama, the gritty action and several beautiful Mexican women. The movie's obscure, but it shouldn't be.

The film runs 1 hour, 32 minutes, and was shot in Tijuana, the border area, and Los Angeles.

GRADE: B-

I was invited to a private screening of "La Linea" here in Los Angeles, but really didn't know what to expect. I have to say though that I really thought the film was something special, it reminded why I love independent film so much. From the intelligent, refreshing plot, layered and interesting characters,to the beautiful cinematography (reminiscent of Traffic, Man on Fire, etc). I also thought the music was really cool in the film (will have to check out who did it). I just think La Linea delivered on all fronts, and truly deserves all the accolades and attention I feel it will receive.

Im looking forward to seeing it again when it comes out.

La Linea is a great film, but it is also a bit of a trick, which may hurt the film eventually. No doubt that the distributors and the Hollywood machine will try to market this film as a topical action film snatched right out of the headlines. In actuality, La Linea is a classic character study of several complex people who converge and/or collide in the very dangerous city of Tijuana, Mexico.

Ray Liotta plays a hired assassin (whose paymaster we don't know until the end), who heads down in the underbelly of Tijuana to track down a the newly installed head of the Cartel (Esai Morales). The problem is that Esai Morales' character is trying to move the Cartels business from Cocaine (which, in this story, is approved by the US government), to Afghani Heroin. This decision sets into motion an internal struggle for control of the crime syndicate, as well as triggers the US government to send in assassins to get rid of the problem.

Sounds like an action movie for Dolph Lundgren, right? No. Interestingly enough, La Linea is really a multiple character study: An assassin haunted by guilt. An uber-violent Cartel leader that has to go to confession everyday. The assassins sidekick who is more interested in local hookers than getting the hit done. A local prostitute and single mother who takes a stranger in and cares for him. These are all story lines that thread through this very dark tail. I did enjoy the film, and I would definitely recommend it. My only hope is that the powers that be market the film for what it is, so that people who are looking to see a Dolph Lundgren film, don't pick it up and are disappointed. This is a very well done film, with beautiful cinematography and from what I understand, completely independently financed. We need more like it.