La storia della Casa Targaryen ambientata 200 anni prima degli eventi de Il trono di spade.La storia della Casa Targaryen ambientata 200 anni prima degli eventi de Il trono di spade.La storia della Casa Targaryen ambientata 200 anni prima degli eventi de Il trono di spade.
- Vincitore di 2 Primetime Emmy
- 22 vittorie e 98 candidature totali
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Riepilogo
Reviewers say 'House of the Dragon' is acclaimed for its storytelling, political intrigue, and Targaryen saga. Exceptional performances by Paddy Considine, Emma D'Arcy, and Matt Smith are highlighted. Stunning production design, elaborate costumes, and CGI dragons are praised. The show balances epic scale with intimate drama and stays true to George R. R. Martin's lore. However, some note pacing issues and lack of emotional connection.
Recensioni in evidenza
Game of Thrones was one of my favorite shows of all-time so I couldn't wait for House of the Dragon. I've now caught up and seen every episode so far and my main takeaway is...this should be and could've been a lot better. While it's already another hit for HBO I think that has to be on name alone. If this wasn't a spin-off I don't think it would be doing so well. People have to be watching because they liked GoT and are waiting for this to be as good. Well, we're now two seasons into it and this is not GoT quality. I've never read the books to these shows so I had no expectations when it came to that but I wouldn't care if it varied from the source material even if I did. I don't get why so many people care if a movie/show is different from the source material. As long as it's entertaining...who cares? They have to adapt these books for the screen. Well, this is not entertaining. Sure, there are a few minutes here and there but overall disappointing.
House of the Dragon is not merely a prequel; it's a masterfully crafted tragedy that complements Game of Thrones very well by filling in the rich historical tapestry of Westeros. Instead of trying to replicate the sprawling, world-spanning chaos of the original series, it wisely chooses a more focused and intimate approach, zeroing in on a single, doomed family. This laser-like focus allows for a deeper exploration of its characters and their devastating political machinations, driven by ambition, legacy, and patriarchal expectations. It successfully captures the same moral ambiguity and high-stakes political intrigue that made its predecessor a global phenomenon.
A significant part of the show's success lies in its excellent CG, which brings the age of dragons to vivid and terrifying life. The dragons here are not just CGI props; they are fully realized characters with their own personalities and relationships to their riders. Each one, from the ancient and colossal Vhagar to the fierce Caraxes, is rendered with stunning detail and a sense of weight that makes every flight and every fiery breath feel truly epic. The visual effects team deserves immense credit for making these mythical beasts feel so grounded in the world, allowing the story's spectacle to feel both grand and emotionally resonant.
While a few pacing choices in the first season felt rushed, House of the Dragon is an undeniable triumph. It is a compelling, beautiful, and faithful return to a world we thought we knew, proving that even a story we know the end of can still be an unforgettable journey.
Summary: A beautifully shot and compelling prequel that enriches the lore of Westeros, featuring stunning visuals and a more contained, character-driven plot. A must-watch for any fan.
A significant part of the show's success lies in its excellent CG, which brings the age of dragons to vivid and terrifying life. The dragons here are not just CGI props; they are fully realized characters with their own personalities and relationships to their riders. Each one, from the ancient and colossal Vhagar to the fierce Caraxes, is rendered with stunning detail and a sense of weight that makes every flight and every fiery breath feel truly epic. The visual effects team deserves immense credit for making these mythical beasts feel so grounded in the world, allowing the story's spectacle to feel both grand and emotionally resonant.
While a few pacing choices in the first season felt rushed, House of the Dragon is an undeniable triumph. It is a compelling, beautiful, and faithful return to a world we thought we knew, proving that even a story we know the end of can still be an unforgettable journey.
Summary: A beautifully shot and compelling prequel that enriches the lore of Westeros, featuring stunning visuals and a more contained, character-driven plot. A must-watch for any fan.
Season 1 had such a great pace. We moved through years in 2 or 3 episodes, which allowed for the story to move along and milestones to be achieved. This season we are 4 episodes in and the story has only moved a few weeks. This show is eerily slow and nothing is happening. The Dameon story line is boring and useless. Rhanerya has been absent in most of the episodes and not making any decisions. The show writers listened to wasteful criticism from some of last year's audience members, who complained the pace was too fast and now they have destroyed the show!!!! You can't take everyone's critique too serious. This show is way tooo slow and it has lost it magic from last year.
Good first season. Some of the events feel skimmed through because of the time skip, some of the consequences to what happens during the course of the show take place off air because of the abruptly timed time skip. One of the main examples for this would be Viserys' reaction to the illicit relationship between his daughter and Daemon on multiple occasions when she was a child or Lord Corlys' long term response to Viserys' rejection of his proposal. And the relationship between Rhanerya and Daemon itself seemed under developed, the only possible reason Rhanerya had to wed him was it would strengthen her claim to the throne, other than their whole relationship was built on cryptic conversation that takes place in the Valryian language. Other than that the show is too immersive and it's hard to take sides as both of them have done many wrongs and are good in certain instances, it was nice to see all that slow burn drama that took place to unfold.
Despite the high anticipation surrounding the series, it's unfortunate that the only captivating element is the presence of dragons. The actors lack charisma, failing to bring their characters to life in a way that engages the audience. This deficiency in performance makes it nearly impossible to form any emotional connections with the characters. The narrative, which could have been enriched by strong, memorable personalities, instead falls flat, leaving viewers disinterested and detached. The dragons, while visually impressive, aren't enough to carry the entire show and redeem its shortcomings.
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- QuizThe Iron Throne has been greatly redesigned from Il trono di spade (2011). It is larger and more asymmetrical to more closely match the description in George R.R. Martin's novels, although it is still nowhere near that big: the throne in the books is a 40-foot, immovable, asymmetrical behemoth made from 1000 swords welded together, with the seat 20 feet above the ground, and only accessible by a flight of stairs; the person sitting on it addresses people down below from 40 feet away.
- Curiosità sui creditiThe first season's title sequence is centered on a model of the Old Valyria citadel, with blood trails running across the land and marked by symbols of the Targeryn family.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La casa del dragón
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h(60 min)
- Colore
- Mix di suoni
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