Tamo i ovde

to me this film came across as quiet and contemplative.

i will not get into the story here as that is for the viewer. what i want to express is the acting and pace of the movie. not an action or adventure story but a story of mind and heart. dialog is minimal. actors expressions relate so much of the story dialog is not necessary.

most people won't get it. but i found this movie to be delightful and very easy to believe each character and their emotions. this story is reflective of many lives. just plain people wanting to just live an ordinary life but survival so often dictates our direction.

and seeing Cyndie Lauper is a treat. would like to see her in more movies as i believe she could pull off a character very well.

give this film a try, plus you see NYC scenes different from most film makers.

I don't know what some of the reviewers above were referring to when they said that the film was slow-paced. It's a perfect pace for the story and the characters that drive it.

It's a character-driven narrative beautifully and economically done, in the true spirit of indie greats like Jarmousch or Wenders for example. And it's a story of values that are considered lasting worldwide, so with the clever interlacing of the New York and Belgrade story streams the two cities almost blend into one with love as the glue that binds them together.

The actors' performances are strong and memorable. If you like independent film you will enjoy this one, and it may even leave you thinking as well as engage you emotionally.

We saw "HERE" at the 2009 Orlando Film Festival. My wife and I were so impressed by the film we stuck around for a prolonged Q+A. Luckily, Producer Frank Calo invited us to an "After" get together/party for the production. All this proved to be quite worthwhile, because it gave us some unique inside-track insights into the production, which are shared with you here.

Serbian Director Darko Lungulov studied the art of film-making in New York. His years in the Big Apple are clearly reflected in his savvy instinct in obtaining precisely the right mix of the where/what/when/how/why of the New York backdrop; his foreigner/outsider perspective adds a fingerprint spin. The passion for his labor of love, which blazed so intensely in his eyes, permeates every frame of this multiple award-winning American/Serbian look at how one man's capricious decision to grab a fistful of cash by traveling to Belgrade and marrying a woman to secure her U. S. Visa, indirectly sets him on a path of redemption and self-rediscovery.

David Thorton (Unhooks the Stars) fleshes out his role as a burned-out sax player with a refreshing degree of studied nonchalance that veils a constant and consistent intensity. Mirjana Karanovic("The Serbian Meryl Streep" we were told) as Olga, is living proof that actions speak louder than words. A mature and kind-spirited woman, who knows just how to nurture all those around her, yet never seeking out someone special to nurture her.

HERE's otherworldly treat is its deliciously enticing, traditionally-rooted Serbian musical score by Dejan Pejovic. It set the tone and mood of the film so perfectly it could be used as an example of music for optimum ambience in Film-making classes! Cyndi Lauper (Who JUST happens to be married to David Thorton BTW!) has a cameo that adds cleverly to the overall production and also contributes an original song!

There is one warm, inspirational and unique aspect of HERE and THERE, but to reveal it would amount to a spoiler. So, you must experience this great film for yourself!

...ENJOY! / DISFRUTELA!

Entertaining show. good film. enjoyed it very much. for time passing purposes it is an ideal film. you'll enjoy it... the only thing i was skeptical about is , everyone in the serbian residential area , everyone speaks decent english to run a daily conversation , even the nice lady at the market.

This is an OK film although it is quite slow-paced. The characters are undeveloped and the lack of chemistry between David Thornton (Robert)and Mirjana Karanovic (Olga) is painful to watch. The film is a step in the right direction when it comes to Serbian films, as there is no violence or hatred and the plot is interesting and realistic - people in Serbia really do resort to paying a foreigner to marry your fiancée, in order to make it possible for her to join you if you live and work in Western Europe or North America. However, this theme could have been exploited in a more interesting way. Also it does not do justice to Belgrade, where most of the film is set. Although certainly not the most attractive capital in the world, neither is it the grey, shabby place depicted in the film. Think of the impression one gets of Vienna watching 'Before Sunrise', or of Paris from 'Forget Paris'.