The Beast

First off, the show is good, and the reviews don't seem to indicate that. The cast is fantastic, the episodes are well written, and plot thickens with every episode. It's probably more of a guys show than girls, but i can see the cool girls liking it. (If you watch American Idol with your wife every week, good luck!) I feel the best part of a the show is the alacrity of plot development. Every show starts out with no real direction, then 180's to a complicated plot, then throws a 3rd or 4th plot in the mix to confuse you, then it all comes together, but still leaves the overall plot exposed. (If you watch the show, you'll know what that meant.)

It seems that only interpersonal emotional dramas gather the votes. The Beast is emotional, but it is not Little House on the Prairie. Swayze as maverick FBI agent is ably abetted by his new partner, well-portrayed by Travis Fimmel, in catching the bad guys and finding out 'who-dunnit' in an event 15 years prior. The characters are hard men who suppress their emotions to get the job done, yet this is who they are. Why this show has low ratings? I can only guess that there is not enough emotional interaction among the characters, and female interest is definitely low. Yet this is what makes the show gripping. Who will snap? Who will betray and who will be betrayed? Are the 'good' guys really the good guys? Even the bad guys are not what they seem at times. This is action drama that revolves around Swayze, who, health issues in real life or not, delivers a driven performance as if each case might be his last. If you don't like The Beast and don't want more of it, what are you doing watching cop shows? Go back to your reruns of Friends and Seinfeld, instead.

Kudos to Christine Moore for how she put together the Nadia episode of The Beast on A&E with Patrick Swayze. If she ever needs a demo reel of how extraordinarily good she can be, this one surely is it.

An astonishing bit of directing, and best of all it surfaced the remarkable actress Angela Gots (who I never seen before except without recognition in a House episode) in the role of a lifetime.

I see she has worked in movies and TV for 8 years and repeatedly shown flashes of extreme brilliance in small parts, but this is where she really gets to let it all hang out.

Nadia is a really driven character - a Rumanian woman driven to "traffic prostitution" in the United States in hope of tracking down her baby which her family had sold to illegal American adopters when the family were desperate for cash. And she achieves her comeuppance in taking down the villain of the piece - wow does she get her comeuppance!

Everything about this Christine Moore episode is just perfect. Script, casting, locations, lighting, music, and on and on. And she picked Angela Gots and directed her, in this astonishingly compelling and fearless performance - her scene in the warehouse is a classic.

May they both go to showbiz heaven for that.

Patrick Swayze first impressed me with "Dirty Dancing" and I had hoped to see him helm a spate of musicals. After nearly losing hope, I had the pleasure of watching Swayze again in "Ghost" and was impressed by his soothing mix of masculine sweetness. Given the enormous success of these two films, plus his impressive stint in "North and South," I surely expected a spate of impressive Swayze movies. Alas, then came the insipid "Next of Kin" (ruined by a "Hollywood" ending), the turgid "Point Break" and the sleazy "Road House". I was apparently one of few who enjoyed "FatherHood," but I was really beginning to give up hope that Hollywood would EVER take full advantage of Swayze's dramatic abilities. Ironically, but fitfully, along comes "The Beast" to give Swayze a chance to REALLY demonstrate his "acting chops," just as his boyishly handsome looks wasted away to cancer, with "The Beast," which is also the darkest, grittiest "cop show" I have seen since "The Shield".

While I admire this 13 episode homage to the Swayze persona, I really wish the producers would repackage this excellent series with a new leading man. Certainly, any number of fine actors could play rogue FBI agent Charlie Baker; Liam Neeson, Denzil Washington, Russell Crowe, Michael Chiklis, Hugh Laurie, Jamie Bamber, Timothy Oliphant, David Morse and Will Patton come immediately to mind.

NOTE TO PRODUCERS: If you DO decide to revive "The Beast," either for theaters or RV, PLEASE retain the style and music of the original series, as both are superb.

I give "The Beast" a solid "8".

Makes you wonder how many fast and loose agents are out there. In the past one such in the CIA thought Pol Pot was a good idea. But, that too, isn't the point.

And Travis Fimmel gives a good performance from the start as he begins to trust the lunatic he's teamed with. And later in the series shows a style that'll get him re-casted without too much problem.

But three cheers for Patrick Swayze. Always liked Roadhouse, yes, the fighting, but particularly the music. Friend of mine had this problem, and stayed in his bedroom 'til the end - which is certain. Swayze shows tremendous heart by doing what he's always done, and in this case with an inner edge.

This will go down in cinema/TV history as a hell of a swansong.

15th Sept. 2009. Heard the news. My condolences to Patrick's family and friends.