VALUTAZIONE IMDb
7,7/10
3129
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA veteran F.B.I. agent is assigned a new partner, unaware that the partner was recruited to investigate the veteran's activities.A veteran F.B.I. agent is assigned a new partner, unaware that the partner was recruited to investigate the veteran's activities.A veteran F.B.I. agent is assigned a new partner, unaware that the partner was recruited to investigate the veteran's activities.
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This is one of the best series I have ever seen (I'm 66). With Patrick's passing it may be that they do not continue the series. In my opinion this would be a major mistake. He worked so hard to make this series what it is. They need to take a long hard look at how to work his passing into the story line and using the actors already in the series continue the storyline. Travis Fimmel (Ellis Dove) plays his part so well and could continue the fight for justice for Charles Barker (Patrick Swayze). Lindsay Pulsipher (Rose Lawrence) so fantastic in her role, who is studying law could become a lawyer along the way and support Ellis in the fight as well as others that were Barkers friends. This series has so many exciting ways it could go and continue being as good and exciting as the first season. I hope you get busy and get some scripts written and get going on the second season. Every person I see on TV comments on how hard Patrick Swayze worked on this series even with his health problems. I believe it would not only honour his hard work to continue the series but also honour him as well. Please keep it going!!! Why not put his younger brother "Don Swayze" into the role. He would fit perfectly and he could be worked in as a younger brother already in the FBI and partnering with Ellis to continue the fight! This series is just too good to drop!
Makes you wonder how many fast and loose agents are out there. In the past one such in the CIA thought Pol Pot was a good idea. But, that too, isn't the point.
And Travis Fimmel gives a good performance from the start as he begins to trust the lunatic he's teamed with. And later in the series shows a style that'll get him re-casted without too much problem.
But three cheers for Patrick Swayze. Always liked Roadhouse, yes, the fighting, but particularly the music. Friend of mine had this problem, and stayed in his bedroom 'til the end - which is certain. Swayze shows tremendous heart by doing what he's always done, and in this case with an inner edge.
This will go down in cinema/TV history as a hell of a swansong.
15th Sept. 2009. Heard the news. My condolences to Patrick's family and friends.
And Travis Fimmel gives a good performance from the start as he begins to trust the lunatic he's teamed with. And later in the series shows a style that'll get him re-casted without too much problem.
But three cheers for Patrick Swayze. Always liked Roadhouse, yes, the fighting, but particularly the music. Friend of mine had this problem, and stayed in his bedroom 'til the end - which is certain. Swayze shows tremendous heart by doing what he's always done, and in this case with an inner edge.
This will go down in cinema/TV history as a hell of a swansong.
15th Sept. 2009. Heard the news. My condolences to Patrick's family and friends.
Kudos to Christine Moore for how she put together the Nadia episode of The Beast on A&E with Patrick Swayze. If she ever needs a demo reel of how extraordinarily good she can be, this one surely is it.
An astonishing bit of directing, and best of all it surfaced the remarkable actress Angela Gots (who I never seen before except without recognition in a House episode) in the role of a lifetime.
I see she has worked in movies and TV for 8 years and repeatedly shown flashes of extreme brilliance in small parts, but this is where she really gets to let it all hang out.
Nadia is a really driven character - a Rumanian woman driven to "traffic prostitution" in the United States in hope of tracking down her baby which her family had sold to illegal American adopters when the family were desperate for cash. And she achieves her comeuppance in taking down the villain of the piece - wow does she get her comeuppance!
Everything about this Christine Moore episode is just perfect. Script, casting, locations, lighting, music, and on and on. And she picked Angela Gots and directed her, in this astonishingly compelling and fearless performance - her scene in the warehouse is a classic.
May they both go to showbiz heaven for that.
An astonishing bit of directing, and best of all it surfaced the remarkable actress Angela Gots (who I never seen before except without recognition in a House episode) in the role of a lifetime.
I see she has worked in movies and TV for 8 years and repeatedly shown flashes of extreme brilliance in small parts, but this is where she really gets to let it all hang out.
Nadia is a really driven character - a Rumanian woman driven to "traffic prostitution" in the United States in hope of tracking down her baby which her family had sold to illegal American adopters when the family were desperate for cash. And she achieves her comeuppance in taking down the villain of the piece - wow does she get her comeuppance!
Everything about this Christine Moore episode is just perfect. Script, casting, locations, lighting, music, and on and on. And she picked Angela Gots and directed her, in this astonishingly compelling and fearless performance - her scene in the warehouse is a classic.
May they both go to showbiz heaven for that.
First off, the show is good, and the reviews don't seem to indicate that. The cast is fantastic, the episodes are well written, and plot thickens with every episode. It's probably more of a guys show than girls, but i can see the cool girls liking it. (If you watch American Idol with your wife every week, good luck!) I feel the best part of a the show is the alacrity of plot development. Every show starts out with no real direction, then 180's to a complicated plot, then throws a 3rd or 4th plot in the mix to confuse you, then it all comes together, but still leaves the overall plot exposed. (If you watch the show, you'll know what that meant.)
It seems that only interpersonal emotional dramas gather the votes. The Beast is emotional, but it is not Little House on the Prairie. Swayze as maverick FBI agent is ably abetted by his new partner, well-portrayed by Travis Fimmel, in catching the bad guys and finding out 'who-dunnit' in an event 15 years prior. The characters are hard men who suppress their emotions to get the job done, yet this is who they are. Why this show has low ratings? I can only guess that there is not enough emotional interaction among the characters, and female interest is definitely low. Yet this is what makes the show gripping. Who will snap? Who will betray and who will be betrayed? Are the 'good' guys really the good guys? Even the bad guys are not what they seem at times. This is action drama that revolves around Swayze, who, health issues in real life or not, delivers a driven performance as if each case might be his last. If you don't like The Beast and don't want more of it, what are you doing watching cop shows? Go back to your reruns of Friends and Seinfeld, instead.
Lo sapevi?
- QuizThe series was discontinued in early June 2009 due to low ratings. It was Patrick Swayze's final acting role, he died on September 14, 2009.
- ConnessioniFeatured in Live from Studio Five: Episodio #1.2 (2009)
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