Donne di mondo

WORKING GIRLS isn't a film about prostitutes, it is a film about women who work, heroines of the real world who bring food on the table for their families by crossing the French / Belgian border everyday together to work in a brothel. It is a compelling and moving story and the film successfully conveys the special bond between the three main characters who share a secret life.

Working Girls, or Filles de Joie, is a brilliant Belgian film which gives us an insight into the world of three women who are doing what they have to in order to make their way through life.

None of them has it easy and, just like all of us, they have things in their private lives that they battle behind closed doors.

This film is about the close bond between three working girls, Axelle, Conso, and Dominique, and the private misery each of them is dealing with in their personal lives.

The three lead actresses are beyond amazing and turn in gritty performances that both mesmerise and pull you slowly in until by the end of the film you feel you know them intimately.

I was recommended this film by a mate and now I want to recommend it to as many people as possible. It's an intimate slice of life that shines a light on the lives of a sometimes forgotten group of people.

And all the while you are reminded that working girls are indeed people.

Everything seems to have been written and all films seem to have been made on some topics, and yet they never cease to surprise with different points of view and approaches. The subject of prostitution, of its legal status, of the women who are forced by life to choose this 'oldest in the world' profession, is complex and practically inexhaustible. 'Filles de joie' ('Working Girls') directed by Frédéric Fonteyne and Anne Paulicevich (who also wrote the script), a film that represented Belgium in the 'best foreign film' category at the 2020 Academy Awards is another example. The two filmmakers, supported by an excellent team of actors, manage to bring to life an environment and a bunch of characters that capture the attention and the sympathy of viewers, and to highlight some of the key questions about prostitution, life and violence around it, without falling at any time in rhetoric or melodrama.

The heroines of 'Filles de joie' are three women who live in France and cross the border every day into Belgium, where prostitution is legal, to work in a brothel. Each of them faces problems and traumas in her private life. Axelle (Sara Forestier) is the young mother of three children who goes through a traumatic divorce from an obsessive and violent man. Conso (Annabelle Lengronne), a girl of Senegalese origin, dreams of having a child, but she also got into trouble with the wrong man who is also married on top of that. Dominique (Noémie Lvovsky), the eldest of the three, has to support her family comprised of an aging husband, and two teenage children, a boy and a daughter who shows signs of rebellion. For each of them, the practice of prostitution solves, perhaps, some of the financial problems, but the traumas of the profession and of the associated way of life infiltrate in the personal lives. The consequences are dramatic.

The film manages to realistically and credibly portray the social environment and the psychology of the characters. The dialogues are excellently written, with humor mixed with sadness. The narrative moves from one character to another, presenting in turn the perspectives of the three women, with some events related from different points of view. The three actresses create true and moving portraits, and the involvement of the spectators has the effect that the social message, although not explicitly stated, crosses well the screen. 'Filles de joie' is a well-made and true film, sincere and cruel, like the realities it describes. Recommended viewing.

We follow the daily lives of French women who prostitute themselves in Belgium to make ends meet. The film is very moving. It's a slice of the daily lives of these women, each with their own personal, domestic or family problems, their problems of precariousness, but also with their common problems linked to their activities as sex workers in Belgium, sometimes the two coming together.

The dramaturgy may not be subtle, but that wasn't necessarily obvious. The actresses are formidable, Sara Forestier and Noémie Lvosky in the lead, but also Annabelle Lengronne in a moving character. It's a perfect example of dramatic comedy. Comedy, because we smile regularly. And dramatic, because these characters are constantly confronted with elements in their lives that disrupt their ambitions. They fight to get out of their situation and make a better life for themselves. The script regularly integrates small societal elements that disrupt everyday life.

All in all, a fine piece of work by Frédéric Fonteyne and Anne Paulicevich that avoids the sordid while not hiding much.

Belgium's Oscar submission, Frédéric Fonteyne and Anne Paulicevich's delightful and insightful Working Girls, is about a trio of French women who are sex workers in Belgium when they're not at their day jobs. The empowering film shows how men still think they own women and how three of them decide to fight back. All three leads are fantastic (I especially loved Noémie Lvovsky) as is the deft and swift direction (but never at the expense of the character nuances) and smart script. This film deserves recognition.