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Bereavement

  • 2010
  • R
  • 1h 49min
VALUTAZIONE IMDb
5,0/10
8445
LA TUA VALUTAZIONE
Brett Rickaby and Alexandra Daddario in Bereavement (2010)
The horrific account of 6 year old Martin Bristol, abducted from his backyard swing and forced to witness the brutal crimes of a deranged madman.
Riproduci trailer1: 46
6 video
99+ foto
Serial KillerSlasher HorrorCrimeHorrorThriller

Martin Bristol, un bambino di sei anni, è stato sequestrato nel dondolo del cortile di casa ed è obbligato a presenziare i brutali crimini di un assassino impazzito.Martin Bristol, un bambino di sei anni, è stato sequestrato nel dondolo del cortile di casa ed è obbligato a presenziare i brutali crimini di un assassino impazzito.Martin Bristol, un bambino di sei anni, è stato sequestrato nel dondolo del cortile di casa ed è obbligato a presenziare i brutali crimini di un assassino impazzito.

  • Regia
    • Stevan Mena
  • Sceneggiatura
    • Stevan Mena
  • Star
    • Michael Biehn
    • Alexandra Daddario
    • Brett Rickaby
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,0/10
    8445
    LA TUA VALUTAZIONE
    • Regia
      • Stevan Mena
    • Sceneggiatura
      • Stevan Mena
    • Star
      • Michael Biehn
      • Alexandra Daddario
      • Brett Rickaby
    • 81Recensioni degli utenti
    • 84Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie totali

    Video6

    Bereavement
    Trailer 1:46
    Bereavement
    Bereavement: It Doesn't Have Any Feelings
    Clip 1:47
    Bereavement: It Doesn't Have Any Feelings
    Bereavement: It Doesn't Have Any Feelings
    Clip 1:47
    Bereavement: It Doesn't Have Any Feelings
    Bereavement: Behind The Scenes Clip 3
    Clip 1:04
    Bereavement: Behind The Scenes Clip 3
    Bereavement: Behind The Scenes (Exclusive Clip)
    Clip 1:20
    Bereavement: Behind The Scenes (Exclusive Clip)
    Bereavement: Clip 1
    Clip 1:08
    Bereavement: Clip 1
    Bereavement: Behind The Scenes Clip 1
    Featurette 1:34
    Bereavement: Behind The Scenes Clip 1

    Foto204

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 198
    Visualizza poster

    Interpreti principali30

    Modifica
    Michael Biehn
    Michael Biehn
    • Jonathan Miller
    Alexandra Daddario
    Alexandra Daddario
    • Allison Miller
    Brett Rickaby
    Brett Rickaby
    • Graham Sutter
    Nolan Gerard Funk
    Nolan Gerard Funk
    • William
    Spencer List
    Spencer List
    • Martin Bristol
    John Savage
    John Savage
    • Ted
    Peyton List
    Peyton List
    • Wendy Miller
    Kathryn Meisle
    Kathryn Meisle
    • Karen Miller
    Valentina de Angelis
    Valentina de Angelis
    • Melissa Barnes
    Greg Wood
    Greg Wood
    • Teacher
    Ashley Wolfe
    Ashley Wolfe
    • Katherine Bristol
    Chase Pechacek
    • Martin Age 6
    Andrea Havens
    Andrea Havens
    • Agatha
    Miriam A. Hyman
    Miriam A. Hyman
    • Waitress
    Tom McNutt
    • Clerk in Store
    Sal Domani
    • Father in Store
    Brendan Martinez
    • Boy in Store
    Lynn Mastio Rice
    • Gym Teacher
    • Regia
      • Stevan Mena
    • Sceneggiatura
      • Stevan Mena
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti81

    5,08.4K
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    Recensioni in evidenza

    4BA_Harrison

    A frustratingly dumb prequel.

    Kudos to writer/director Stevan Mena for making Bereavement, his prequel to the impressive Malevolence, such a downbeat, mean-spirited and bloody little psycho flick, and also for casting delicious Alexandra Daddario in the lead, an actress who deservedly finds a place in my 'Big Breasted Babe In A Small Vest' Horror Hall of Fame. No such praise, however for Mena's woeful script, which is both incredibly clichéd at times and deeply flawed, making the film frustratingly mediocre as a whole.

    First and foremost, why did Mena have his serial killer drive around in a truck that reveals his identity on the side? Loitering outside schools, driving slowly down suburban streets, and prowling round parking lots for victims are the kind of thing best done in an unmarked vehicle (or so I am lead to believe—ahem!); nut-job Sutter has his name painted on the door of his distinctive rusty heap and would surely have been the prime suspect for any local disappearance. Amazingly, though, he continues to abduct and kill with no interference from the police. And then there's the little matter of Sutter's lair, a dilapidated meat packing factory which sits next to a main highway and yet has never aroused the suspicion of anyone passing by, despite screams clearly being audible from the road; incredibly, the place even has power and a fully functional furnace!!!

    Considering the sheer stupidity of this basic set-up, it shouldn't come as much of a surprise to learn that the characters act as though they have sawdust for brains. Track star Alison (Daddario) has obviously never seen a horror film in her life, since she is happy to continue exploring the creepy meat factory even after finding pools of blood and a scrapbook full of newspaper cuttings about missing local women. Alison's boyfriend William suffers the ultimate price for displaying a similar lack of self preservation, as does a waitress who makes so much noise while attempting to escape from Sutter that it's not long before she's hanging from a meat-hook. Hell, it's almost as though people actually want to be killed by this guy.

    Unfortunately, that's just the tip of the iceberg when it comes to the idiocy on display in this film, with moments that will make you want to scream at the screen in frustration coming thick and fast, right up to the bleak and bloody finale that could have been avoided if only someone had just displayed a little common sense.
    5Hellmant

    No epic but it's cool to see Michael Biehn in anything!

    'BEREAVEMENT': Two and a Half Stars (Out of Five)

    Director Steven Mena wrote, directed, produced and did the music for this horror prequel to the cult slasher film that got him his start 'MALEVOLENCE'. This film shows the origins of the main villain of 'MALEVOLENCE', as a child, when he himself was abducted by a psychopath and held captive in a farmhouse, where he was forced to not only witness but take part in the madman's brutal killings. The filmmaker says this film was intended to be more of a psychological character study horror film than the more routine slasher film that the original was. I don't see a difference; in my opinion this is a pretty standard B horror film. I haven't seen the original to compare it to but this one is mediocre at best.

    The film begins with it's central character Martin Bristol (Spencer List) swinging alone on a swing in his front yard when he's kidnapped by a man named Graham Sutter (Brett Rickaby). It's explained that Martin has no physical feelings in his body, by his mother right before he's taken, so the killer continues to cut and abuse him, as he feels no pain, while also making him bare witness to the killings of other innocent victims he kidnaps. He's held captive in a farmhouse for quite some time while the movie changes focus to a family in the same town where a young woman named Allison (Alexandra Daddario) comes to live with her aunt and uncle after her parents die. Her uncle Jonathan (Michale Biehn, one of my old favorite actors) made a promise to his brother that he'd watch over her if anything happened to him. While dealing with her new situation Allison meets a young man in the area named William (Nolan Gerard Funk) who she develops feelings for. Of course her path eventually crosses with that of the killer and the young boy and things get complicated.

    I've read that the original cut was 3 hours long and Mena wanted the film to be an epic horror film. Even at 103 minutes the movie could have used some better editing and I think a longer cut would be excruciatingly dull and unnecessary. The film as it is is barely worth it's time to watch. It does have a nice 80's feel to it though and fans of gore will definitely get what they're looking for. I also love seeing Michael Biehn in anything (especially the sci-fi/horror genres) so getting to see him in action again was a treat in itself (he is underused though). As a whole I'd say the film is pretty average, nothing more and nothing less, just you're average routine horror film; which is not of course how the filmmaker describes it but that's what it is.

    Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=wGWqCYOhcJs
    8ace61502

    Much better if you know what it is

    Did ANY of you prior reviewers realize this movie doesn't need an explanation because it IS an explanation? This movie is a prequel for the movie Malevolence. And a good one. The acting wasn't top billing actors (take a look at the budget), but it wasn't the worst I've seen by far. Not sure how anyone could say there's no plot. It won't replace my favorite horror movie, but I did enjoy it. Either watch Malevolence first, or watch it knowing what it is. I can see how confusing and open ended it would seem not knowing that, especially since, as far as I saw, IMDb didn't bother to mention it, either.

    This movie does a great job telling the background story of how Martin became the psychopath he was in Malevolence. There were still surprises along the way. It would be nice for it to be more obvious what this movie is, because it really is not a stand alone movie like some other prequels and sequels are.
    lewiskendell

    Vicious and brutal.

    "Brought home a boy from the valley. He's young enough to learn the business my way."

    This recent entry in the "small town psychopathic serial killer" genre isn't exactly a game-changer and it doesn't try to be that scary, but it is a tense, nasty affair that will probably appeal to some horror fans. 

    We've got out deranged killer that preys on young women, a young boy he kidnaps to "assist" him, and a new arrival from out of town (Alexandra Dadarrio) that enjoys taking long runs alone that just happen to pass by a sinister looking and isolated rundown meat-packing plant. If you're guessing that's a recipe for blood, brutality and death, then you're right.

    Bereavement is fine for what it is, but I doubt I'll be compelled to watch it more than once. There's nothing really exceptional about it, though some of the outdoor cinematography is beautiful, there's a concentrated effort to give depth and a back-story to most of the main characters, and Alexandra is undoubtedly nice eye candy (if there was an Academy Award for filling out a halter top, she'd have it in the bag). The bottom line, though, is that this is such a thoroughly bleak movie that it's almost too realistically grim and hopeless to find entertainment in. That's not necessarily a "flaw", but it's definitely something some viewers will respond less favorably to than others. 

    Oh, and I don't think I've heard this much screaming in a film in quite a while. Have your ears prepared to be assaulted.
    5Tweetienator

    The Too Dumb to Survive Syndrom

    Bereavement is a slasher movie with some strong points - good acting (Michael Biehn, Alexandra Daddario and the rest of the cast) and a good cinematography and production value. The weakest point: the behavior of the victims is so dumb like they never heard any news of serial killers and maniacs or never watched some horror movies. So watching them killed I always thought - well , that's survival of the fittest, baby ;)

    In a teenie-slasher with some elements of comedy such "behavior" of course is part of the deal, in a "serious" slasher like Bereavement it is not. On top, there are some implausibility and issues with the story: many girls disappear but nobody checks on the weird guy living in a old slaughterhouse, is just one of them. Also the "twist" (no, I won't spoil) I saw miles ahead coming and is just a cliche that wants to shock but can't, at least not the "serious" horror audience.

    Well, with a more refine and plausible plot this movie could be easy a really good slasher. So it is a solid one, that is in the end not in every aspect convincing.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film was shot in the fall of 2007, nearly four years before it was finally released.
    • Blooper
      Allison is a track athlete, yet doesn't face oncoming traffic when running - even more implausible with headphones.
    • Citazioni

      Wendy Miller: Great! I don't have any brothers or sisters because Dad's lazy, and now he's scared her off, too!

    • Curiosità sui crediti
      At the end of the credits, there is an additional scene that actually begins as a scene taken from Malevolence, tying the two movies together. The scene is updated with Courtney's introduction to Martin after running for help.
    • Connessioni
      Followed by Malevolence 3: Killer (2018)

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    Dettagli

    Modifica
    • Data di uscita
      • 29 novembre 2011 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Malevolence: Bereavement
    • Luoghi delle riprese
      • Allentown, Pennsylvania, Stati Uniti
    • Aziende produttrici
      • Aurilia Arts Productions
      • Crimson Films
      • Mena Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 3.600.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 43.712 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 20.744 USD
      • 6 mar 2011
    • Lordo in tutto il mondo
      • 43.712 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 49 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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