Jakub Procházka, rimasto orfano da bambino e cresciuto nella campagna ceca dai nonni, supera le sue difficoltà per diventare il primo astronauta del Paese.Jakub Procházka, rimasto orfano da bambino e cresciuto nella campagna ceca dai nonni, supera le sue difficoltà per diventare il primo astronauta del Paese.Jakub Procházka, rimasto orfano da bambino e cresciuto nella campagna ceca dai nonni, supera le sue difficoltà per diventare il primo astronauta del Paese.
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John Flanders
- Gregor
- (as John Peter Flanders)
Mikulas Cizek
- Naked Man
- (as Mikuláš Čížek)
Jessica Bechynová
- Bellhop
- (as Jessica Bechyňová)
Sona Beaumont
- Spa Staff
- (as Soňa Beaumont)
Recensione in evidenza
Let's be honest, the theme of Spaceman has been done at least once before -- Steven Soderbergh's "Solaris" comes to mind. The macro-microcosm, the struggle of the masculine "outer" vs. Feminine "inner" or however you want to label it -- it's not new on film.
However, in the opinion of this reviewer, a lover of slow-burn cinema, transcendental and timeless themes of space, the Universe and our place in it, this movie has still managed to offer something original and breathe some soul into the otherwise rehashed theme.
Sandler pulls off the role easily and I found the set and the setting of the movie refreshing (I won't spoil it), let me just say... Chechoslovakia?
I don't _really_ understand people who say they love science fiction but who complain this was too slow, too stupid, too predictable and too... unrealistic (not suspending their disbelief). Science fiction is a very broad brush, and we haven't actually colonized even anything in the solar system, so let's dial back the arguing on what is feasible and possible and what is ridiculous.
The important thing this movie did for me is keep me thinking and feeling about the human condition, which is the holy grail of sci-fi in a way -- to get the reader or the viewer reach into the mysterious inner world through outer allegories, which often are about outer space or the extraterrestrial etc.
The fact this movie burns rather slowly is actually what did much of the trick for me. I am very tired of movies that think they have to have something happening all the time. The irony is that while things are happening, not much can be happening, if you know what I mean? And correspondingly when things slow down, through being affected by the \[slowly\] moving image, some kind of reaction between what I am thinking and what I am seeing, produces interesting form of entertainment for me.
Give "Spaceman" a chance, and it may reward you, depending on your mood and predisposition to slow cinema and a bit of the unexpected, if not entirely original.
I loved this movie, which I know by the simple fact that a day after I am still thinking about it and some feeling remains. This is more than I can say about a lot of other supposedly great stuff I watched and have all but forgotten about.
And then there is Hanusz... but Hanusz will introduce themselves.
However, in the opinion of this reviewer, a lover of slow-burn cinema, transcendental and timeless themes of space, the Universe and our place in it, this movie has still managed to offer something original and breathe some soul into the otherwise rehashed theme.
Sandler pulls off the role easily and I found the set and the setting of the movie refreshing (I won't spoil it), let me just say... Chechoslovakia?
I don't _really_ understand people who say they love science fiction but who complain this was too slow, too stupid, too predictable and too... unrealistic (not suspending their disbelief). Science fiction is a very broad brush, and we haven't actually colonized even anything in the solar system, so let's dial back the arguing on what is feasible and possible and what is ridiculous.
The important thing this movie did for me is keep me thinking and feeling about the human condition, which is the holy grail of sci-fi in a way -- to get the reader or the viewer reach into the mysterious inner world through outer allegories, which often are about outer space or the extraterrestrial etc.
The fact this movie burns rather slowly is actually what did much of the trick for me. I am very tired of movies that think they have to have something happening all the time. The irony is that while things are happening, not much can be happening, if you know what I mean? And correspondingly when things slow down, through being affected by the \[slowly\] moving image, some kind of reaction between what I am thinking and what I am seeing, produces interesting form of entertainment for me.
Give "Spaceman" a chance, and it may reward you, depending on your mood and predisposition to slow cinema and a bit of the unexpected, if not entirely original.
I loved this movie, which I know by the simple fact that a day after I am still thinking about it and some feeling remains. This is more than I can say about a lot of other supposedly great stuff I watched and have all but forgotten about.
And then there is Hanusz... but Hanusz will introduce themselves.
- armencho-392-524499
- 16 apr 2024
- Permalink
Trama
Lo sapevi?
- QuizDue to mixed reactions from test screenings, the film was in post-production for almost 3 years.
- BlooperWhen Jakub is about to collect samples, command tells him to "start the collection in T minus 10" as if that were a period of time. Historically it is however a point in time, with "T" marking the exact moment the event will take place.
This jargon misinterpretation is actually present in almost every 'realistic' space travel movie using the phrase.
- ConnessioniFeatured in Weekend Edition: Episodio datato 2 marzo 2024 (2024)
- Colonne sonoreLabyrinth. II Part Kinetic Ballet
Written and Performed by Mr. Václav Kucera
Courtesy of SUPRAPHON a.s.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El astronauta
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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