Un giovane orso proveniente dal Perù arriva alla stazione di Paddington a Londra alla ricerca di una nuova casa, dove incontra la famiglia Brown che si offre di ospitarlo.Un giovane orso proveniente dal Perù arriva alla stazione di Paddington a Londra alla ricerca di una nuova casa, dove incontra la famiglia Brown che si offre di ospitarlo.Un giovane orso proveniente dal Perù arriva alla stazione di Paddington a Londra alla ricerca di una nuova casa, dove incontra la famiglia Brown che si offre di ospitarlo.
- Regia
- Sceneggiatura
- Star
- Nominato ai 2 BAFTA Award
- 3 vittorie e 7 candidature totali
- Aunt Lucy
- (voce)
- Paddington
- (voce)
Recensioni in evidenza
His name is Paul King, and his only previous film, Bunny and the Bull (2009), was a funny, sweet odyssey into the weird, similar in many ways to his most popular TV work, The Mighty Boosh. Paddington is an enormous step up into the mainstream, and could have easily been yet another cheap and formulaic Brit-com; films that are churned out quicker and lazier than they are placed in Asda's bargain bin. Yet despite it's thread-bare plot and familiar genre tropes, Paddington not only offers excitement in some slapstick set- pieces that will surely please the kids, but King makes the film an interesting analogy of immigration, a hot topic in modern society.
When Paddington (voiced with adorable naivety by Ben Whishaw) arrives at Paddington station, leaving his Aunt Lucy (Imelda Staunton) and Uncle Pastuzo (Michael Gambon) after an earthquake destroys his home, the image of the tiny bear, adorned with a sign around his neck asking any friendly Londoners to "please look after this bear, thank you", brings to mind the images of poverty-stricken immigrants arriving at Ellis Island in the 1900's as much as it does the child evacuees during World War II, Bond's original inspiration. He is taken in by inner city statistical analyst Henry Brown (Hugh Bonneville) and his wife, artist Mary (Sally Hawkins), and is soon causing chaos in their home.
Evil taxidermist Millicent (Nicole Kidman) shows up about a third of the way in, intent on capturing and stuffing the rare talking bear, teaming up with grumpy (and randy) next-door neighbour Mr. Curry (Peter Capaldi) in what is the only contrived plot-thread of the movie. Her purpose is to be Paddington's antagonist, and it's during these scenes that the film stutters. When the focus is on the curious bear's adventures and pratfalls, and his relationship with the Brown family, this is an incredibly warm, visually engaging experience. It's peppered with wonderful moments, such as Paddington's scribbled addresses appearing out of the London skyline and the ever-changing wallpaper, which blossoms and fades to fit in with the film's various moods. This is a delightful surprise, and I'm eager to see where King will go from here.
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This honors the children series with a bear that is charming and delightful. It's a lot fun comedy without too many pop culture references. That gives it a timeless quality. The family is terrific and Nicole Kidman is interesting as the villain with a real story of her own. This is a perfect little family film.
Written by Paul King and Hamish McColl and directed by King, "Paddington" is a seamless blend of live action and animation, cheery in tone and beautiful to look at, thanks to the highly stylized art direction and production design that adorn the film. The humor ranges from the brittle to the overly broad (Bonneville dressed as an old scrubwoman sounds a discordant note in an otherwise fairly sophisticated screenplay). The movie also includes some subtle little homages to "My Fair Lady," "Home Alone," "Mission Impossible" and, most notably, Walt Disney's "Mary Poppins."
Fast-paced, well acted, and with warmth and charm to spare, "Paddington" is a whimsical treat that should appeal almost as much to oldsters as it does to youngsters.
We're presented with the amusing and entertaining adventures of this strange bear which comes to a big city in search of a new life, but ends up in a lot of trouble, more or less due to his actions. It's a movie which doesn't have an extraordinary plot, but it's enough to keep you interested while making you laugh with almost everything the cute bear does. By the way, the CGI is top notch, and together with the actors' performance, create a good movie for everybody to enjoy. As downsides, it tends to exaggerate in many scenes, while being very simplistic when speaking about the "evil" part which hunts Paddington.
Still, it manages to create a very enjoyable atmosphere which makes this movie a very good watch, especially during winter holidays.
Visually it is a delightful CGI representation of the eponymous bear (politely voiced by Ben Wishaw) and deploys some neat cinematic devices; script-wise it combines humour, word play, and sharp allusions to the plight of the immigrant; while acting- wise we have a slew of marvellous British performers including Hugh Bonneville, Sally Hawkins and Julie Walters as the adults in Paddington's new family and Nicole Kidman who has other plans for our furry friend.
In a movie full of delights, the bathroom scene is a classic. A sequel or even a series is inevitable and would be most welcome.
Lo sapevi?
- QuizThe character of Paddington Bear is based on a lone teddy bear noticed by the author Michael Bond on a shelf in a London store near Paddington Station on Christmas Eve 1956. Bond bought it for his wife and was inspired to write a story. The outline of the lonely bear at Paddington Station was inspired by old newsreels showing trainloads of child evacuees leaving London during World War II with labels around their necks and their possessions in small suitcases.
- BlooperThe first shot of the fictional 'Westbourne Oak' tube station clearly shows the red-tiled name of the real Maida Vale station.
- Citazioni
Paddington: Mrs Brown says that in London everyone is different, and that means anyone can fit in. I think she must be right - because although I don't look like anyone else, I really do feel at home. I'll never be like other people, but that's alright, because I'm a bear. A bear called Paddington.
- Curiosità sui creditiThe credits feature the assurance "No bears were harmed in the making of this film."
- ConnessioniFeatured in Film '72: Episodio datato 5 novembre 2014 (2014)
- Colonne sonoreImperial Echoes
Written by William H. Myddleton (as Arnold Safroni-Middleton)
Arranged by Natalie Holt (as Natalie Holt)
Copyright 1913 by Boosey & Co Ltd
By Permission of Boosey & Hawkes Music Publishers Ltd, An Imagem Company
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- How long is Paddington?Powered by Alexa
- In what time period is the film supposed to take place?
- Why would the presence of a bear (let alone a talking one!) in the middle of a public, crowded train station go practically unnoticed by everyone around?
- Why can Paddington speak (in pristine, posh RADA english no less!), let alone read and write, and why is there literally no scientific interest shown in him for this remarkable ability that completely defies biology, throughout the entire film?
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Gấu Paddington
- Luoghi delle riprese
- Costa Rica(Peru)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 76.271.832 USD
- Fine settimana di apertura Stati Uniti e Canada
- 18.966.676 USD
- 18 gen 2015
- Lordo in tutto il mondo
- 326.088.587 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1