Thankam

Thankam (2023) : Brief Review -

A cowardly crime drama, but that's the life of some middle-class people who have more courage than rich people. Thankam is a crime drama, a murder mystery actually, with a cowardice motive revealed in the climax, but you don't know, or maybe you know, that's the life of some people. Some lower- and middle-class people try too hard throughout their whole lives but still can't make enough money. Some carry debts for a long time and then bury themselves underneath that load. Thankam is about that pressure, that load, and how one middle-class man finds a getaway through it. The point isn't reasonable enough, but like I said, it's life for some people, so it's damn realistic for that chunk of people. Society may call them cowards and losers, but they have the courage to take their lives. Will any rich man have enough courage to do so? I know, that doesn't make any sense. Why would any rich man have to take his life when he has everything in his life? That's why this film would look illogical to a certain section of people, and that's perfectly alright. It deserves some hate for the point that it tries to make, as it might harm the entire point of living life and fighting for it. The film is about two gold brokers, Muthu and Kannan, trying to make more money than they need for a subpar life. They travel to Mumbai for a gold deal, and after that, Kannan disappears. The police have a tough time finding Kannan's whereabouts and what lies ahead of them. Since it's a murder mystery, I don't think I should give away any more plot details. The screenplay is a bit slow in the first half, and then the second half is somewhat pacy. Its length is a major issue here, but the performances of Biju, Vineeth, Aparna, and Girish Kulkarni have recovered a lot of losses here. The key factor is missing in Saheed Arafath's direction, but somewhere down the line, you are bound to feel a little sentimental about the whole thing even if you don't like it.

RATING - 6/10*

By - #samthebestest.

The first half of the film was highly involving and the making deserves an huge appreciation. The wonderful job on the Music by Bijipal helped as well.

I found the second half to be predictable and the story telling lost its pace which it gathered in the first half. Few shorts could have been avoided or bettered.

All the casting were perfect. The character done by Biju Menon, Muth was my personal favourite. But at the end of the day you will be thinking about Vineeth's character, Kannan. Thanks to Girish Kulkarni in trusting Working Class Heros, done amazingly well in the role of police officer. Vineeth Thattil's character was the joker in the pack, helped in the narration of the story, had also done an excellent job.

Highly recommended to watch in theatres!

Watched this one with my family today. This was an adult movie in a way. After an indifferent start, the film becomes so damn gripping. I really enjoyed it. It was a great police procedural. Awesome supporting cast - especially Vineeth Thattil (Kadan Benny Chettan in Angamaly Diaries), Gireesh Kulkarni and Jain Andrews, the actor who played Alex. After a slightly slow and indifferent start, the film suddenly grips you in a way only the best police procedurals can. Writer Shyam Pushkaran throws in a couple of mass scenes towards the end. Background score was jarring on some occasions. But this is a really terrific movie man. Great debut for director Saheed Arafat.

(8/10)

Directed by Saheed Arafath starring Vineeth Sreenivasan, Biju Menon , Girish Kulkarni in lead role.

A gripping thriller with an unexpected twist.

The story tells us about the people in on in the gold business, their stress and strain in executing & what unintentional wrong steps they took which change their life, Thankam displays that grey area of the glitter business which is really not that glittery.

When it comes to performance, Vineeth Sreenivasan had done his best. He convincingly performed the character of Kannan the gold agent. His character represents that section of people in this glittery business falls into the traps which proves to be fatal for them. At one point we fells he is a con man but at the end we feel a sympathy towards that character.

Biju Menon alias Mathew had beautifully performed. His naive attitude, his innocence, his dialogue delivery in such situations where it is serious but when he delivers in his style, moment of laughter comes up.

Girish Kulkarni as shrewd police officer. An another notable performance. A perfect casting for the police officer.

Aparna Balamurali doesn't have much to deliver and in her limited presence had give an Ok performance. It was better to cast a heroine who is a beginner so that minimality of the screen presence and the artist carrying that character will be balanced as today especially post the national award scenario, public will expect more from Aparna Balamurali rather than being portrayed as a cameo heroine role.

Song restricted to 1 was an another positive factor.

Locations were good enough.

A crime thriller which takes like a slow train stopping at all stations wherein one by one a mystery is unlocked thereby not loosing the interest of the audience to watch till the end.

Overall Thankam ( Gold ) reminds us of one thing " All that glitters are not gold"

The most unprecedented aspect of Thankam is its distinct look at gold riders. Shyam Pushkaran's screenplay meticulously approaches its key characters Muthu (Biju Menon), Kannan (Vineeth Sreenivasan), and Jayant Sakhalkar (Girish Kulkarni), pulling you into their realistically gritty world with ease. The proceedings are completely engaging (up until the climax), with Bijibal's score, Kiran Das' cuts, and Gautham Sankar's cinematography serving their purposes well. Little revelations lead to bigger ones, and there are facets to Kannan that we get to know in bits and pieces. I wish Aparna Balamurali's character (Kannan's wife) had more meat to add to the plot, but since revelations surrounding Kannan are gradual, her character appears under-written.

Muthu and Bejoy (a superb Vineeth Thattil) take on the audience perspective, eager to find answers and getting perplexed at how sophisticated things are, beyond what they can imagine. Their internal banter also keeps things a bit light, in an otherwise cynical setup. Girish Kulkarni is fantastic, and the language barriers involved when a team of cops from Maharashtra investigate the case of a missing Malayali in Tamil Nadu are poignantly presented. He also gets at least one unexpectedly massy scene where a change of tone and posture in a conversation with a senior Tamil cop gets the job done faster. Same goes for the "poda koppe!" at the end. The climax, while not weak from a writing perspective, comes across as a bit of a dampener as all hopes of a bigger, more shocking twist are dashed.