Segui H, un uomo freddo e misterioso che lavora per una società di camion per trasporto di contante, responsabile dello spostamento di centinaia di milioni di dollari per Los Angeles ogni se... Leggi tuttoSegui H, un uomo freddo e misterioso che lavora per una società di camion per trasporto di contante, responsabile dello spostamento di centinaia di milioni di dollari per Los Angeles ogni settimana.Segui H, un uomo freddo e misterioso che lavora per una società di camion per trasporto di contante, responsabile dello spostamento di centinaia di milioni di dollari per Los Angeles ogni settimana.
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Rocci Boy Williams
- Hollow Bob
- (as Rocci Williams)
Recensioni in evidenza
In L. A., an armored truck is robbed and the two drivers are killed. Patrick Hill (Jason Statham) barely passes the tests to be the new hire at the company. When his truck gets hit, he turns into the Terminator.
This is a Guy Ritchie film. It's a mid-level action thriller. It mostly works although it insists on following the story from all sides which leaves the film at almost two hours. By grouping the different sides separately, they do feel a bit split especially the story of the robbers. I do wonder if the search for the inside man would be a more compelling path. Ritchie is trying for a tighter thriller than his usual. It's him slimmed down. He uses his action skills but this is not going to be considered one of his best or most inventive.
This is a Guy Ritchie film. It's a mid-level action thriller. It mostly works although it insists on following the story from all sides which leaves the film at almost two hours. By grouping the different sides separately, they do feel a bit split especially the story of the robbers. I do wonder if the search for the inside man would be a more compelling path. Ritchie is trying for a tighter thriller than his usual. It's him slimmed down. He uses his action skills but this is not going to be considered one of his best or most inventive.
Always the cool tough guy that noone can beat.
Full of suspense, gripping the entire time, intense, two stories in parallel that come together, somewhat predictable betrayals and twist, felt a bit dark at times, satisfying ending, not a huge amount of action but a solid storyline that keeps you on edge.
Watch it on the big screen with a good sound system for greater intensity.
Full of suspense, gripping the entire time, intense, two stories in parallel that come together, somewhat predictable betrayals and twist, felt a bit dark at times, satisfying ending, not a huge amount of action but a solid storyline that keeps you on edge.
Watch it on the big screen with a good sound system for greater intensity.
Good movie. Some reviews say the story is predictable but I disagree.
Sticking to the lower budget roots that got him a start in a big way thanks to Lock, Stock and Two Smoking Barrels and Snatch, Guy Ritchie has followed up his minor but well-received The Gentleman with Wrath of Man, a crime thriller that sees the divisive but entertaining director get his favorite lad Jason Statham back on leading man duties.
The last time these two long term friends teamed up was for the near forgotten about Revolver, a film that is actually a lot better than you may remember it being, and Wrath of Man is far more straight forward than that affair, with Ritchie remaking European film Cash Truck to deliver a hard-boiled and gritty 90's like action/thriller that gives Statham some of his best material in years.
It may surprise many that this reforming of Ritchie and Statham see's the usually flamboyant director dial things back a notch or two with his hyperkinetic visuals and edits few and far between here and his cockney tinged humor reigned right in as we instead get a mostly humorous free affair following Statham's mysterious H in a new job for a cash truck company that has recently been hit by a deadly heist and seems destined to be targeted once more by a group of elite robbers looking to make a quick buck.
With some bleak but atmospheric cinematography from Alan Stewart, some moody and effective scoring from composer Christopher Benstead and some grizzled performances from co-stars Holt McCallany, Jeffrey Donovan, Scott Eastwood and for what feels like the first appearance in eons from Josh Hartnett, Wrath of Man is a solid all round package that benefits from Ritchie's experience hands as he delivers a non-linear examination of what lead H down this new employment path and who exactly is behind a string of well-oiled robberies taking place across Los Angeles.
There's certainly nothing new or unique about Wrath of Man's central plot or the moments that litter its runtime, in many ways this the definition of a vengeance/crime thriller rulebook in action but there's a sheen and professionalism on display throughout the film and with Statham having an absolute blast (figuratively and at times literally) being back with one of his longest serving collaborators and with some genuinely great set-pieces that ramp up to a pulse-pounding finale, Wrath of Man may not be top-shelf Ritchie, but its top-class crime thriller fare that will please all genre diehards.
Final Say -
Refrained Ritchie with just enough pizazz and flair to make you remember whose behind the camera, Wrath of Man is a throwback crime thriller with a killer lead character and some great set-ups, making this a consistently fun and impressively filmed watch without ever doing anything of a true noteworthy nature.
3 1/2 burritos out of 5.
The last time these two long term friends teamed up was for the near forgotten about Revolver, a film that is actually a lot better than you may remember it being, and Wrath of Man is far more straight forward than that affair, with Ritchie remaking European film Cash Truck to deliver a hard-boiled and gritty 90's like action/thriller that gives Statham some of his best material in years.
It may surprise many that this reforming of Ritchie and Statham see's the usually flamboyant director dial things back a notch or two with his hyperkinetic visuals and edits few and far between here and his cockney tinged humor reigned right in as we instead get a mostly humorous free affair following Statham's mysterious H in a new job for a cash truck company that has recently been hit by a deadly heist and seems destined to be targeted once more by a group of elite robbers looking to make a quick buck.
With some bleak but atmospheric cinematography from Alan Stewart, some moody and effective scoring from composer Christopher Benstead and some grizzled performances from co-stars Holt McCallany, Jeffrey Donovan, Scott Eastwood and for what feels like the first appearance in eons from Josh Hartnett, Wrath of Man is a solid all round package that benefits from Ritchie's experience hands as he delivers a non-linear examination of what lead H down this new employment path and who exactly is behind a string of well-oiled robberies taking place across Los Angeles.
There's certainly nothing new or unique about Wrath of Man's central plot or the moments that litter its runtime, in many ways this the definition of a vengeance/crime thriller rulebook in action but there's a sheen and professionalism on display throughout the film and with Statham having an absolute blast (figuratively and at times literally) being back with one of his longest serving collaborators and with some genuinely great set-pieces that ramp up to a pulse-pounding finale, Wrath of Man may not be top-shelf Ritchie, but its top-class crime thriller fare that will please all genre diehards.
Final Say -
Refrained Ritchie with just enough pizazz and flair to make you remember whose behind the camera, Wrath of Man is a throwback crime thriller with a killer lead character and some great set-ups, making this a consistently fun and impressively filmed watch without ever doing anything of a true noteworthy nature.
3 1/2 burritos out of 5.
I love Guy Ritchie films, I saw this on a whim and didn't know it was him until the opening credits. So when I saw that I knew I was in for a white knuckle action fueled ride that I would love. And while its obviously not his best, by a long shot actually, I liked it, I enjoyed it, and I recommended it to friends and family. But a masterpiece it was not.
Good thing I didn't watch the trailer because going in blind, not knowing the story that was (for the most part) spoiled in the trailer, I enjoyed the semi-done before revenge plot. But the grit, the tension, and the action is what made it all for me. Jason Statham often become his own cliché in his own movies but not this one. The whole film was dirty, it felt gritty, and I love films that don't just show nice cinematography and sets, but instead have a consistent tone that makes you feel like you're in it. And of course the action is good, we already mentioned who this is coming from, the final "heist" of sorts was very entertaining and the action was intense and well filmed.
I did find the editing weird in a couple of spots, just a couple of moments and one entire segment I felt did not really flow with the rest of the film and kind of take you out of it, It would take up some time to say which scenes but you'll know them when you see them. Oddly cut, either to quick or just in an odd fashion, and an entire segment of the film that serves as backstory for me personally, was placed it a bad spot I also loved the score, it was very simplistic yet unnerving and effective. Only added good to the gritty imagery and tone we were looking at.
All in all its a solid action thriller that is no masterpiece but still worth a watch if you like the genre.
Good thing I didn't watch the trailer because going in blind, not knowing the story that was (for the most part) spoiled in the trailer, I enjoyed the semi-done before revenge plot. But the grit, the tension, and the action is what made it all for me. Jason Statham often become his own cliché in his own movies but not this one. The whole film was dirty, it felt gritty, and I love films that don't just show nice cinematography and sets, but instead have a consistent tone that makes you feel like you're in it. And of course the action is good, we already mentioned who this is coming from, the final "heist" of sorts was very entertaining and the action was intense and well filmed.
I did find the editing weird in a couple of spots, just a couple of moments and one entire segment I felt did not really flow with the rest of the film and kind of take you out of it, It would take up some time to say which scenes but you'll know them when you see them. Oddly cut, either to quick or just in an odd fashion, and an entire segment of the film that serves as backstory for me personally, was placed it a bad spot I also loved the score, it was very simplistic yet unnerving and effective. Only added good to the gritty imagery and tone we were looking at.
All in all its a solid action thriller that is no masterpiece but still worth a watch if you like the genre.
Lo sapevi?
- QuizA vast majority of the interiors, including the Fortico base, were filmed In England. Filming also occurred in Los Angeles.
- BlooperThe crew takes eight weeks to develop a meticulous plan to steal over $150 million. One million dollars in $100 bills weighs 22 pounds; $150 million weighs 3,300 pounds. Jackson describes how the crew will transfer the currency from the loading dock of building D to two Can Am ATVs, and then load the money into a Toyota Prius.
A single duffel bag like those used in the movie to transport the cash is about 36x12x12 inches, or 5,184 cu in. A stack of $100 bills totaling one million dollars is 689 cubic inches. $150 million in $100 bills totals 103,350 cu in, requiring 19 bags, give or take. The remaining two crew members, Bullet and Jan, unload a maximum of 9-10 bags from the armored truck onto the ATVs, about $70 million or 1,655 pounds of cash.
Even with the reduced amount of cash, they would be unable to get away with the currency. The highest-end Outlander X MR 1000R Can Am like those used in the movie has a rear rack that can carry a maximum weight of 200 lbs. The maximum recommended weight that a Prius can carry is 835 lbs.
Despite all their planning, they didn't do some basic math. The most they could have stolen using this equipment would have been $18 million. Their scheme is doomed to fail before they begin.
- Curiosità sui creditiThe film debuts a new MGM logo in the trailer but surprisingly the 2012 MGM logos pops up in the released film.
- Colonne sonoreFolsom Prison Blues (Knownwolf Remix)
Written by Johnny Cash (as John R. Cash)
Performed by Johnny Cash
Courtesy of Columbia Records Nashville
By arrangement with Sony Music Entertainment
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Justicia Implacable
- Luoghi delle riprese
- 635 Mateo Street, Los Angeles, California, Stati Uniti(Fortico building)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 27.466.489 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.309.007 USD
- 9 mag 2021
- Lordo in tutto il mondo
- 103.966.489 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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