Le gemelle silenziose

First the good, the acting is great, I think everyone gives strong performances, no weak links here, also the cinematography is great, some really nice shots and coloring, kudos to the technical team, unfortunately what good is all of this if the story isn't compelling enough, i've seen short films where the acting is less than stellar but great plots that pull you in and make up for weak acting, the problem is these sisters just aren't that interesting, simple as that, or maybe they are, but the writing oddly made this film one dimensional and linear with its plot. We fail to connect with the characters ultimately, and the film just plods along. Honestly the Wikipedia entry is more interesting.

I went into this movie thinking it would be a story of triumph and redemption after a hard isolated life, and it was in a way... This story is much darker than I'd anticipated. These two girls had clear struggles and no one seemed to be able to help them. They lived in their own world of beautiful fantasy, while the world around them was cold and at many times disturbing. I almost stopped watching because I had not been ready to feel the strange unsettling nature of this film, but I'm very glad I didn't.

This story will stay with me for a good while.

Hard to watch at times. Fascinating. Heartbreaking. True.

In a world that's alien and quite distressed, two girls decide how their time will invest, shunning prejudice and hate, they are the masters of their fate, no matter how hard others push and poke and press. In a world that they create to hide and shelter, they're each other's guardian, trustee, curator; but fighting against the tide, just brings torrents that collide, with the damage acting as a separator.

What an incredible piece of filmmaking with two outstanding leads by two incredible actors. For me, I'm happy for the director to have used some poetic licence, if I want the facts verbatim I'll watch a documentary or read a biography, but I'm a lot more engaged with a presentation that allows some interpretation and inspires me to investigate further. Those two performances are top drawer!

I knew nothing about June and Jennifer Gibbons before watching this. Apparently there have been other tellings of their story on the screen and stage, but it still feels like a fresh story. Beautifully shot and acted.

There's something relatable to their story. I definitely would see how long I could go without speaking as a kid, not that I ever made it more than a day or two. You see the young kids deal with being outsiders, bullying, and how happy they seem when they were isolated and using their imagination. I found it incredibly sad, wishing I could befriend them, hoping they succeed in their creative endeavors.

It's not the most direct, action filled storyline but I found myself invested throughout. I really enjoyed the cinematography, at times diving into their imaginations. Overall, it's something I would definitely watch again. It felt different than most things I've seen recently.

Greetings again from the darkness. Twins often have their own language or way of communicating. However, sisters June and Jennifer Gibbons of Wales took this to a new level, creating a mysterious dark connection that no one else every understood. Andrea Siegel has adapted the screenplay from Marjorie Wallace's book, and Polish director Agnieszka Smoczynska (THE LURE 2015) delivers the style and creep factor, while missing out on answering the questions raised with the story.

The young sisters are seen giving a fake radio broadcast, and we get a glimpse of their awkward behavior during childhood ... behavior that left their parents and siblings feeling helpless. Letitia Wright (BLACK PANTHER, 2018) and Tamara Lawrance (KINDRED, 2020) take over as teenage June and Jennifer, respectively. While the young ones are well cast, it's the work of Ms. Wright and Ms. Lawrance that keep this one watchable despite the meandering. The awkward behavior of adolescents evolves into bizarre behavior of teens, and ultimately criminal behavior and some type of mental illness.

Pure elation of a new typewriter is all too quickly erased by irritation and anger that leads to fighting, or worse. Director Smoczynska does well to use stop motion animation periodically in helping to explain what's happening with the two girls. Child psychologists have no luck breaking through and the sisters are ultimately separated and locked away at Broadmoor psychiatric hospital by age 19. By this time, it's difficult not to view them as psychopaths.

It's interesting to watch as these two survive on the fringes of society in near mental isolation, and use writing as a creative outlet to unleash their inner thoughts. We never really know if we should have empathy for the girls, and that becomes even more difficult given their later behavior. Journalist Marjorie Wallace (played here by Jodhi May) documented her interactions with the sisters, but we can't help but wonder if this story is better told in documentary form - despite the strong work from Letitia Wright and Tamara Lawrance.

Opens in theaters on September 16, 2022.