Cold Feet

A unique take on the possession genre, with some laughs mixed in with a twisty, crazy plot. You definitely haven't seen a film like this one, so if you appreciate originality in a genre that struggles to find new ways to tell a story, you'll dig this one. As you watch, you'll see an homage or two from past horror films, making it even more fun and unexpected.

Yes, it starts a little slow and you may be tempted to click off, but you will be rewarded for sticking around. The actual storyline is quite good, which sets it a step above a 4 or 5 star horror. The comedy is cheeky and fun, rather than sight gags. The acting was a little uneven - less a cohesive whole than an array of people playing characters (but some of those characters... :::chef's kiss:::) Also, there were 8 main characters which is about 3 more than an audience can really keep track of in a buddy movie. Those are my only two "complaints", if you could even call them that. The story really took off in the second act and had me rethinking and re-evaluating all that had come before. Something I sincerely did not expect. I'm rarely surprised by a movie with so few ratings, but pleasantly surprised I am!

Are done posting their bogus reviews.

This is FRESHMAN quality in every way, thats being very liberal. This ismpoorly written contrived and stupid . Plain and simple. Nothing redeeming, funny, clever or well.....good.

Cold Feet is my first exposure to the work of producer-director Brad Ellis and writer-director-actor Allan C. Gardner. I received a festival screener by way of October Coast promotions as a critic at B&S About Movies. While B&S reviews new films, those reviews are mostly for low-budget indies.

This particular indie is a well-written not-sure-where-this-is-going surprise. If you mixed Judd Apatow's raunch with Sam Raimi's cabins and tossed in a few Dario Argento-red herrings, you'd be inside the cabin environs of this, the seventh writing-directing effort of Allan C. Gardner. Only not as tasteless-funny as an Apatow flick and not as bloody-campy as a Raimi flick. There's loads of potential exhibited in the frames to encourage one to visit the Gardner-Ellis back catalog as well as looking forward to their newer films.

A group of ex college buddies rent a house to give their soon to be married friend a last bachelor blow out. The men haven't seen each other in a while, and quickly find they are at varying stages of success and maturity in their personal lives. The bromance ends for good when a stripper arrives, and two of the.men in the party suddenly begin telling the truth about themselves. And then, as you have seen in a dozen other movies, the stripper dies.

In this movie, the screenwriter knows you have seen the dead stripper trope in a dozen other movies, and uses it to subvert the viewer's expectations in much the same way SCREAM subverts the slasher trope. It works in parts of the plot creating a little confusion, a few laughs and a strange movie.

The movie suffers from mediocre acting and uneven pacing, but I enjoyed the overall goofiness of a horror comedy.