Knackningar

This film is a must see! A solid thriller drama with breathtaking acting from Cecilia Milocco. The story is rather simple in one sense. It follows Molly, a women coming home from a psychriatic clinic after dealing with the loss of her girlfriend. Back home she hears noises, knockings, in the walls and ceiling. It sounds like a woman in pain. It drives Molly to investigate where the sounds comes from but no one believes her conviction that a women in the building is getting hurt. This is the setting for this drama taking place in the suburbs somewhere in Sweden. But the big sucess of this film is not a smart plot or a who-done-it-mystery for the viewer to solve. Its the brilliantly performed emotional journey of Molly and the bold storytelling of relying in the moods and senses of the lead role that makes this a magnificent debut film from Frida Kempff. The visionary camerawork is highly emotionally driven and the script makes plenty of room for both moods and tensions far beyond the written dialogue. The movies core is the suggestive and subjective experience of loneliness and the effects of not being heard. In that sense, this movie suceed of being both a deeply moving drama and a thriller full of suspense. Cecilia Miloccos moving potrayal of Molly, a women struggling with sorrow and depression is masterly performed and makes this film a masterpiece.

A psychological thriller that is handled with a certain suspense, although from the visual point of view it does not have bright ideas. The story benefits from an adequate length (short film based on a short story), although it gives the impression that the path takes us not very far from where we were at the beginning. Good performing by Cecilia Milocco, which is above the predictability of the story.

Well not really - on the other hand what do I know? Not that much to be truthful. I could tell you what happens at the end of the movie - but it would be - well there are certain ways to interpret what actually happens or rather happened there (and before).

The central performance is qute something. Yes this is a slow burning independent movie - I don't think this should come as a surprise. Neither that it uses certain proven tropes (or I guess you could call them "cliches"). Still and because of that powerful performance and because the movie keeps you guessing ... this may tickle your interest. And if it does and it manages to tickle all the right parts ... you will be entertained - for sure.

Having said that, you have to be in the mood for this. And for possible explanations. I read one about the ending and I have to admit that ... well it's not that I disagree, but whoever wrote that, seems too certain to know what the ending meant and how we should interpret it ... I on the other hand am telling you ... you can read it exactly opposite to what I read and what someone else wrote. So if ambiguity does not get you annoyed, I can recommend the movie for sure.

Knocking is more of a psychological thriller than a classic horror film, dealing with the idea of gaslighting and mental illness.

The story could be summed up in a sentence and the pacing is rather slow, but the cinematography is great - and as the film progresses so do the mental prisons of it's protagonist break and reveal the true reality.

Knackningar (or Knocking for the English title) is a Swedish mystery/thriller. It's also categorized as a horror movie but that is absolutely not the case, not a bad movie but just not a horror. Although the running time is rather short (78 minutes) the story development was slow paced and made the movie seem longer. But the ending made up for that, not bad at all. During the entire movie there is a mysterious vibe that keeps you guessing and interested in the story. Cecilia Milocco was good, very believable in her performance. There's only a handful of actors and they all did good. Overall not a bad movie but with a faster pace it could have been better.