Aggiungi una trama nella tua linguaAdora Hall, Gabriel Porter, and Kenzie Barlow must make critical decisions to determine their ultimate destinies.Adora Hall, Gabriel Porter, and Kenzie Barlow must make critical decisions to determine their ultimate destinies.Adora Hall, Gabriel Porter, and Kenzie Barlow must make critical decisions to determine their ultimate destinies.
- Regia
- Sceneggiatura
- Star
Kyler Brookman
- Adora's son
- (as Kyler Brockman)
Recensioni in evidenza
Pleasantly surprised, great storyline, punches well above its weight. My youngest son found this film and thought it would be great for us to watch together. So I sat back and watched it was like wow this one is different. We watch a lot of independent films. This one was special. Three authors that were highlighted in the film who is journeys kind of collided I guess. We really connected on this film had a lot of conversation around it. That's what makes independent films so special to us you get stories and situations and just overall subject matter that you just can't find in mainstream film, that's what makes it fun for us. Good job guys.
10 Doors opens by defining lofty spiritual concepts-reincarnation, purgatory, doglooper, soul mate-before pulling us into an 1865 prayer group where someone warns, "Temptation is the devil's trick." It's a prologue that signals ambition: this is no ordinary horror outing. The film leans on Biblical imagery, particularly the symbolism of the number ten. Whether it evokes the Ten Commandments, salvation through Christ as the "door," or the lamb's blood marking protection in Exodus, the title resonates with spiritual weight.
Written, directed, and produced by Gordy Price and James Person, with Person also handling cinematography and C. Wade Harrington lending a hand in editing, 10 Doors exemplifies the collaborative energy required in independent cinema. Price's earlier work may have been rough, but this feels like a creative rebirth. It's more polished, better staged, and visually engaging, with Person's input clearly elevating the project to a higher plane.
Though marketed as horror, the film resists easy labels. Yes, there is blood-and plenty of it-but 10 Doors thrives as a supernatural thriller laced with religious allegory. It's unpredictable, filled with "what just happened?" moments that surprise in an oddly endearing way. The story doesn't follow the usual horror template, preferring instead to weave a meditative, occasionally disorienting tapestry about temptation, mortality, and fate.
Visually, the film achieves moments of startling beauty. The ethereal "woman in white" drifting through a garden lingers in memory, as does a grisly death scene involving a cross. Such images underscore the duality of 10 Doors: simultaneously poetic and demented, haunting yet strangely tender.
The film isn't without its flaws. Night sequences sometimes suffer from uneven lighting, and a few scenes stretch on longer than necessary, testing the viewer's patience. Yet these are minor quibbles when set against the film's ambition and execution. Unlike bloated blockbusters that promise but fail to transport, 10 Doors succeeds because it's born of sheer will and creative determination.
At its core, 10 Doors feels like an author's twisted love story with death, though the protagonist herself may not realize it. It's unsettling, raw, and surprisingly moving. Independent cinema often thrives on its willingness to take risks, and this film proves it. Hard-hitting, demented, and unafraid to be uncomfortable, 10 Doors is a bold, unforgettable entry in the indie supernatural canon.
Written, directed, and produced by Gordy Price and James Person, with Person also handling cinematography and C. Wade Harrington lending a hand in editing, 10 Doors exemplifies the collaborative energy required in independent cinema. Price's earlier work may have been rough, but this feels like a creative rebirth. It's more polished, better staged, and visually engaging, with Person's input clearly elevating the project to a higher plane.
Though marketed as horror, the film resists easy labels. Yes, there is blood-and plenty of it-but 10 Doors thrives as a supernatural thriller laced with religious allegory. It's unpredictable, filled with "what just happened?" moments that surprise in an oddly endearing way. The story doesn't follow the usual horror template, preferring instead to weave a meditative, occasionally disorienting tapestry about temptation, mortality, and fate.
Visually, the film achieves moments of startling beauty. The ethereal "woman in white" drifting through a garden lingers in memory, as does a grisly death scene involving a cross. Such images underscore the duality of 10 Doors: simultaneously poetic and demented, haunting yet strangely tender.
The film isn't without its flaws. Night sequences sometimes suffer from uneven lighting, and a few scenes stretch on longer than necessary, testing the viewer's patience. Yet these are minor quibbles when set against the film's ambition and execution. Unlike bloated blockbusters that promise but fail to transport, 10 Doors succeeds because it's born of sheer will and creative determination.
At its core, 10 Doors feels like an author's twisted love story with death, though the protagonist herself may not realize it. It's unsettling, raw, and surprisingly moving. Independent cinema often thrives on its willingness to take risks, and this film proves it. Hard-hitting, demented, and unafraid to be uncomfortable, 10 Doors is a bold, unforgettable entry in the indie supernatural canon.
10haythla
Dr. Gabe Gordon and his colleague, Dr. Adora Hall, take a trip through the underworld. They meet some strange and interesting characters along the way.
This is a new kind of movie. This movie has a voice of its own. It's in a category by it self. In a weird way it is motivational, inspirational and spiritual. I watched it with some friends and we all had different opinions but what we viewed in the movie.
It kind of felt like a horror film in real life. But A spiritual film in the way the story was told and the characters journey. The spiritual part and the way they told the story really got me. That's where I connected with this movie and my friends did as well. Bravo to the filmmakers for doing something different and pleasing because that's something you don't see in movies made today.
It kind of felt like a horror film in real life. But A spiritual film in the way the story was told and the characters journey. The spiritual part and the way they told the story really got me. That's where I connected with this movie and my friends did as well. Bravo to the filmmakers for doing something different and pleasing because that's something you don't see in movies made today.
Very different kind of movie ,A breath of fresh air to see something different in the thriller/horror world (im sick of zombies and people terrorized on a camping trip) ,very fast paced horror thriller , you have to pause the remote to go to the bathroom ,definatly a mind f@#k.
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Dettagli
Botteghino
- Budget
- 150.000 USD (previsto)
- Tempo di esecuzione
- 1h 22min(82 min)
- Colore
- Proporzioni
- 1.78 : 1
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