Beckman

BECKMAN is weird. It's weird in concept, and it's weird in execution. Not because of the filmmaking or anything, but because of precisely how...normal it all is. Unless you knew David A.R. White on-sight or were a Pure Flix obsessive (I'm sure they exist), nothing about this film would indicate that it's from the same people that brought you such classics as GOD'S NOT DEAD and GOD'S NOT DEAD 2: THE QUICKENING. By all measurable standards it just seems like another one of those DTV action flicks that, in this particular instance, apes JOHN WICK. Frankly I think that's kind of an achievement in and of itself, a Pure Flix movie that just seems like...a movie.

The story, of an hitman-turned-preacher (David A.R. White) struggling to escape his violent past after his adopted daughter is abducted by a monologue-loving cult leader (William Baldwin) and his mercenary army of assassins and human traffickers, isn't terribly original (obvious nods to TAKEN, JOHN WICK, and MAN ON FIRE abound), but those are fairly solid potboiler plots and they're effectively recreated here. The inescapable hand of evangelical Christianity that normally pervades Pure Flix's output is kept to minimum here, and the film's much better for it. Sure you could argue that its message of forgiveness and nonviolence is at odds with the unending stream of violence and mayhem, but then again this isn't a movie that you should think about too hard. The religious themes aren't any more pervasive than, say, MEAN STREETS; which might be Pure Flix's attempts at securing a more mainstream audience, but also could be a sign that they've learned the art of subtlety (I hope it's the latter).

Action, performances, cinematography, score, editing, directing. All of these things aren't really that much more than average, but I think when the bar's set so low that has to count for something. My brain still refuses to 100% accept David A.R. White as a gritty action hero but he does give a solid, if somewhat one-note, performance and is fairly believable in his plethora of set-pieces. William "No Not That" Baldwin, Jeff Fahey, and Burt Young (whom I'd hitherto thought had passed away years ago) are all tasked with little more than making glorified cameos, but they're all consummate professionals and Baldwin is at least an effective baddie. The rest of the supporting cast are likewise uniformly solid.

There's a pseudo-DIY quality to the low-budget filmmaking that's rather endearing. Clearly these people didn't have the same money or resources that Chad Stahelski and Co. have, but dammit if they don't try. The fights are well choreographed and staged (and surprisingly bloody in places), and director Gabriel Sabloff has a strong sense of style that helps elevate the otherwise unremarkable material in many places. It helps that Sabloff is no stranger to these things, a veteran of both low-budget action movies and Pure Flix dramas, he clearly knows how to stretch a low budget. His love of DSLRs and gimbals might take a little getting used to, but it never detracted from the viewing experience and actually gave the film a bit of a (possibly unintended) personal touch. Will Musser's score, with its clear overtures toward Vangelis and Jóhann Jóhannsson, is an effective mood setter and helps set the film out from the rest of the DTV crowd.

As a faith-based film, taking into account that this is an action thriller and dips into Christian themes, I thought the film was good. Actors David White, William Baldwin, and Jeff Halley delivered great performances. The action scenes were very good.. but you will notice that all the action scenes take place in a home, warehouse, etc. and you never once see a car chase with vehicles being damaged, shot at, colliding with one another, etc. which leads into realizing the filmmakers had a limited budget for the film.

I am a Christian, and I used to be a filmmaker that made a faith-based police drama called "Streets of Harvest" and a faith-based supernatural horror film called "The Great Altar." I feel at times we try so hard to push the gospel message into these movies without realizing who are target audience is. (Example: We want to speak the language of the culture to reach the unsaved, but we constantly create a product that only speaks to members of the local church) Well.... Why bother saying you're trying to reach the unsaved if your only audience is Christians? I'm not discrediting these films, but I feel a lot of Christian movies are like that including "God's Not Dead," "War Room," "Facing The Giants" and "Heaven Is For Real," where the film is only catering to the Sunday morning church crowd, and leaves several non-believers turned off.

With "Beckman" I feel this is a good example, at the very least, a step in the right direction to make a faith-based film that appeals to non-Christians without coming across as too preachy. So because of that, I enjoyed this film.

My issues are that, and hopefully I'm wrong, but I feel "Beckman" will only be remembered as a rip off of 'John Wick,' and 'Taken.' If you're looking for originality, you won't find it here, which is sad because there was an opportunity for this to be original and not just a copycat of other action thrillers. Even the pacing for this film, and the way it's edited, makes you feel like they were trying really hard to copy 'John Wick.' Because of this, some viewers may watch 30 minutes of it, then try to find something else to watch or say, "y'know, i'd rather watch John Wick 3 rather than this."

This is just my opinion, but maybe this would make a better plot for a faith-based film, maybe even a sequel or spinoff: Eric Beckman is an assassin who abandons the network, becomes a devout Christian / reverend at his local church, but the agency tracks him down and takes both his adopted daughter and church staff hostage; saying that unless he completes one more assignment, they'll kill his daughter and staff, and he's put into a circumstance where he feels he's going against God, but he also wants no harm to come to his congregation. This leads him on a mission to rescue his daughter, hide his church staff and ultimately going after the higher ups of the Network. Yeah, it may seem cliche, but at the very least, you're not deliberately copying what another filmmaker did.

Anyway, I still believe this is a film worth seeing. Give it a shot rather than passing on it because it seems like a copycat. If you're like me, you're proud of your Christian faith, and you love action thrillers, you should see it. It will have its detractors, but I think it's still worth seeing.

Well we just finished this movie after giggling at the trailer and imagining David A. R. White thinking himself a blockbuster action hero. Ooof.

The script was abysmal, the acting was sub-par, but the puffs of blood after every gunshot like they were done by the MS spray-paint effect was a nice touch.

Just get a different haircut already.

First off only ignoramuses would think that this is Christian film, that's just asinine. This was an action movie center around a man seeking redemption, vengeance and a struggle with being someone of faith without hypocrisy or contradiction. So all you self righteous zealots go sell all your goods and give to the poor. Back to the movie, a bit too long get to the point but this was a Taken, John Wick and a Boondock Saints surrogate. Good time killer. 3 stars for the effort. BTW, William Baldwin sucks major ass as an actor.

You like action? It has action, some right at the start so your attention span stays intact. Pretty good action too I might add. You like a good story arc? Well, it's alright, hitman turned preacher rescuing a girl from a spiritual guru with some underworld intertwinings. If Baldwin's cult was fleshed out more earlier on it would have been better. He's not really much of a menacing villain, he's a bit of a pacifist but could at least been more threatening psychologically. The padding out of the story between the action makes it just average, the potential was dropped.