Nope

There is so much going on here and ultimately that is the films biggest weakness. It doesn't really commit to any certain genre. It's genre blending to the max! Still, it's a total blast that will have you laughing in one moment and screaming in the next. The horror elements are my favorite. At this point Peele has proven himself to be a horror master. But this is not really a horror film per say. It's got horror elements as well as comedy, thriller, action, and western. Probably the most unique film to come out in the Covid era. It was a total blast.

Seriously someone stepped their game up, good job J Peele you won me over. On that - I went through and read a lot of these 1 star "reviews" and came to the conclusion they are probably fake. I don't think the people that wrote them actually saw the film. A lot of them were distinctly racist, some said "another diversity film"? What does that mean? Because the main characters aren't white it's a diversity film? What a dumb, awful thing to write. Lame, and so sad these people get so scared by not being the center of their little, dark (white) and twisted universe.

FYI I saw the film twice already, each time to packed theaters where everyone was so into the film, that you could have heard a pin drop. And at the end people clapped because they loved it so much. I'll probably see it a third time, but that's because I'm really into the flow of the film and characters, it's a fun as*s film and it's not trying to be as distinctly puzzling and pretentious as "US".

Go see it on the biggest screen possible.

I surmise that the idea for "Nope" came out of a clever idea for a sketch. Imagine a film where the main character says "Nope" to terrifying, unexplainable phenomena instead of rushing forward like a courageous, but dumb movie hero.

Except, bucking that trope only takes a movie so far. And that's the point where the movie "Nope" starts to unravel, when it can't adequately explain why the protagonists are sticking around.

Somewhere between halfway and three fourths of the movie, the dialogue just becomes far too cryptic to make sense of. And that's the point where the actions the protagonists are taking really needs to be clear, as it's the climax of the film.

I wished the director Jordan Peele, one half of the successful Key and Peele comedy duo, would try his hand at the horror/comedy movie genre. I believe this is his third and latest film, and the second one that most fits in that genre.

To his credit, some sequences have great cinematography, tension, and horror. And some moments are really funny. One particular sequence is both terrifying and hilarious, and best encapsulates the title "Nope," as a main character goes head to head with a massive, intimidating force and just closes his car door, and says "nope."

But overall, the horror and comedy sides do not feel totally woven together. It's like at some point budget was lost and some sequences just couldn't get follow through. And the characters had to be stretched to make up for missing plot points, or fill the moments with comedy. The writers and actors and visual effects teams are good enough so they manage it. But there is a sense of "what did I just watch" at the ending, which wasn't there with Peele's two other more finished films.

Whatever the back story is that has given "Nope" its rough landing, I still found the film enjoyable. Sometimes experimental. Mostly unpretentious and original good fun. But also, what did I just watch?

The biggest praise I can give is the cinematography and camera work. I really enjoy looking at wide shots of landscapes and the slow or sudden movements of the camera pushing the tension and anxiety of the scene without having to rely on dialogue or even any acting.

I think the film will be divisive among its audience though. I think this is due to a couple of reasons. First, the story progression feels confusing at times to what we are used to seeing in a thriller or horror. I think labelling it as horror will automatically steer away some people while those that enjoys horror may be disappointed that it lacks enough scares to be called a horror. The trailer I feel also gives away too much and puts the film in a box that might detract viewers. Ultimately, you really have to be open-minded going to this movie. In respect to the genre, Nope really isn't a horror, but more of a blend of some sci-fi, some mystery, some comedy, and luckily, no romance.

Nonetheless, I enjoyed the film. I think for movie lovers this will generally be a good experience. Peele seem to focus more on our shared love for films more than sticking to a particular formula of a single genre. There are many small things you'll enjoy if you already love movies, but it will probably have a visibly different experience to a casual movie goer.

The themes of the film is also a good one, I feel. It feels like a cautionary modern fairy tale and the somewhat real dangers of chasing fame and disrespecting nature.

Jordan Peele is shaping out to be a director whose name alone will generate an audience and I would put Nope as a more captivating experience than Us, and around the same level as Get Out despite being two very different stories. His vision and creativity continues to remain highly interesting and I'm so curious to find out what he goes to work on next!

I can honestly say I have never had any movie grip me with so much curiosity and excitement in the first 30 minutes only to end with so great a weight of disappointment at it's close.

As others have pointed out, it's difficult to understand why - given the plethora of avenues that were available and sure to be imagined by so talented a mind as Jordan Peele - this is where the film was taken.

There was boundless opportunity for storylines that could have classed in the same category of special and original as Get Out and Us - Peele's previous works, but the film became bizarre. No other word for it.

Peele's characters are usually so believable, and it is one of the cornerstones of his work that has best enabled audiences to feel so enraptured and immersed prior to Nope. That convincing forming of character is missing in more than a few here. Not - it should be noted - in the two main characters played by Daniel Kaluuya and Keke Palmer, but when surrounding and still important characters fall so flat and insincere in the majority of the film, it takes a lot away from the strong work Daniel and Keke produce.

I don't know whether I'm more disappointed at the execution of the film, or that so valuable an opportunity for alternative and haunting plot lines was wasted.

It was generally not good - and it really pains me to say that.