Sztuczki

One of the truly wonderful Eastern European films. "Sztuczki" beautifully captures the spirit of the small post soviet town. I found it very recognizable as I come from that kind of place myself.

The relationship between reality of that kind of life and dream world is shown subtly and accurately in those characters. "Sztuczki" is a deep film, but the aftertaste is light and positive.

I particularly loved the casting – little boy, his sister, boy with motorcycle, mystery guy from the train platform, neighbors and ordinary passers-by – they all were poetical impersonations of the emotions people deal with in a town like that - boredom, longing, coping with everyday life, affection.

Beautiful filming, writing and acting.

"Judge by the engine, not by the mirror or radio" a driver advises another of his car, in this enchanting comedy drama with deep undercurrents. It's a maxim that might equally be applied to Tricks, a film whose well-crafted side-attractions (Tomasz Gassowski's dazzling score, and a rich painterly aesthetic) could divert attention from the finely-tuned engine of the story, ticking away softly in the background as it carries us quietly to our destination.

Precocious six-year-old Stefek (Damian Ul) lives with his adored teenage sister Elka (Ewelina Walendziak) and his rarely seen, shop-bound mother (Iwona Fornalczyk) in a sleepy post-Communist town just outside Warsaw. With no friends of his own age, life for Stefak revolves around playing with his tin soldiers on the railway tracks, cadging motorbike rides from his sister's car mechanic boyfriend Jerzy (Rafal Guzniczak), and attempting to discover the precise combination of factors that makes his neighbour's doves fly their coop on a given signal.

One day, Stefek spots a commuter at the station changing trains whom he convinces himself is their estranged father (Tomasz Sapryk). Although he abandoned his mother when Stefek was just a baby ("trapped by a woman" says Elka), he is able to recognise him from a crumpled and almost completely defaced photograph he carries in his wallet. Though Elka reacts dismissively to his plans, Stefek aims to reunite his parents ("can we reclaim him?") through a game or 'trick' his sister has taught him. As he tells Jerzy, "Careful with her, she knows tricks. She just won't admit it." The trick, which Elka demonstrates in a couple of wonderful vignettes, involves 'bribing' fate - influencing fortune without lifting a finger. All you have to do is announce your intentions to the universe, then sit back while the universe does the job for you. Stefek, however, reckons fate could do with a little shove, and through an ingenious scheme sets out to divert his father off the train platform and straight into his mother's grocery shop.

"Nothing is happening" Stefek glumly tells Elka, after his elaborate plans, involving his tin soldiers, a handful of coins and a flock of doves, seem to have come to nought. Ah, but there always is, his wiser sister replies. "Don't you feel the ground tremble?" It is this sense of something momentous coming, like a train down the tracks, that propels the award-winning Tricks, only the second feature after 2002's 'Zmruz Oczy' ('Squint Your Eyes') for philosophy graduate Andrzej Jakimowski, though it already feels like the work of a more seasoned director.

Indebted to both neo-realist Italian cinema and a gently spellbinding magic realism, Tricks richly succeeds in portraying life from an imaginative child's perspective, in which the most ordinary of objects and places take on an enchanted significance; Fredric Jameson's "poetic transformation of the object world". The importance of local community, and the role it plays in shaping affairs, is often central to the magic realist tradition, and here, Adam Bajerski's lush, golden-hued photography brings Stefan and Elkas's otherwise dingy, working-class mining town to vivid life, with its diverse population of street-sellers, village "sluts" and bird fanciers. Among a cast of non-professional actors, little Damian Ul is terrific as the pugnacious, single-minded Stefek, and Ewelina Walendziak just as good as his slyly practical sister, not long out of girlhood herself but increasingly burdened by adult responsibilities and difficult choices. Their relationship, based on the director's own when he was growing up, feels utterly authentic. In fact, as the opening titles state, the film is dedicated to "my sister, who made me sit on top of the wardrobe".

This is an excellent movie and you will realize that more when you're movies professional or an individual with enormous movie knowledge because when you're watching this movie for let's say over 90 minutes, one question comes every time and that is with what idea the director has shoot ed the movie, even though he knows that, it is very difficult to convince others, i mean the cast and the crew so the movie we are watching and for an movie like this to come to this stage is really surprising and i am happy for the director and also thank him for giving us such a film.

I can give plot synopsis but the director's focus is not at all the plot and when i give the plot here, u might not find it interesting because this movie is all about excellent writing and excellent filming.

There are lot of beautiful ingredients in this movie to admire such as the kid who is really damn cute and he takes over the whole project along with the director, it is as if only the director and the kid knows about what the movie is about and we audience following them all the way.

This is the excellent movie screenplay i have ever seen, no one can write such an screenplay unless the guy has enormous movie making knowledge.

This movie extremely goes with charlie chaplin kind of narration like showing tragedy in a comical way, using kid as protoganist etc..,

please don't miss this excellent poetic picture.

To the DIRECTOR and the KID - you guys rock.....

Had to walk out on this one at a film festival in Sydney, which is something I rarely do. In terms of story, there's no real conflict to drive this film along. I found it tedious and was not moved at all by the young boy's plight to try and get his father back. Lots of scenes of the boy placing his toy soldiers or coins on the train track. I also didn't understand the whole 'fate' angle.

Anyone looking for a strong story about a boy and his father would be advised to watch the Aussie film Romulus My Father a far superior film to this.

I have no idea why anyone would think this film capable of winning a Best Foreign Film award at the Oscars.

'Tricks' (or 'Sztuczki' ) is an utterly charming and delightful film by Polish director Andrzej Jakimowski,. A young Polish boy, Stefek, is determined to find his father, whom he has never met. He has an active imagination and tries various 'tricks' to succeed. He believes in a chain of events, and that one thing will lead to the next, and that he can induce or 'bribe' fate to do what he wants. In this case to find his father. And Stefek is not one to give up lightly.

The backdrop is a small Polish village, where we witness a slice of small town life, where much activity is focused on the railway line that crosses the town.

His sister Elka is trying to find a better job, but also has to look after the boy while their mother works in a shop, and even when Elka is with her boyfriend. We meet several other colourful characters in town as young Stefek continues his quest.

It is the subtleties, the understatements that make this film so special: Stefek hesitating before answering questions, the 'tricks' he plays with coins and toy soldiers, the way how he attempts to discover the combination of factors that makes his neighbour's pigeons fly their coop. Director Jakimowski did an outstanding job.

Technically too this is an excellent film; the richly-hued cinematography by Adam Bajerski and soundtrack by Tomasz Gassowski in particular are outstanding. And then the acting by the non- professional cast; the boy Stefek played by Damian Ul, is a true natural and gave a magic performance, and so too his sister Elka (Ewelina Walendziak).

I am looking forward watching this gem of a film again. 8/10.