VALUTAZIONE IMDb
5,8/10
18.826
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA traveling art saleswoman tries to shake off a flaky motel manager who falls for her and won't leave her alone.A traveling art saleswoman tries to shake off a flaky motel manager who falls for her and won't leave her alone.A traveling art saleswoman tries to shake off a flaky motel manager who falls for her and won't leave her alone.
Don Burns
- Businessman
- (as Don Stewart Burns)
Mark Boone Junior
- Jack
- (as Mark Boone Jr.)
Josh Lucas
- Barry
- (as Easy Dent)
Recensioni in evidenza
This film is about a man who works in his parents' motel who falls for a beautiful lady who is a guest of the motel.
"Management" is a disappointing despite a strong cast. The story is far too dull, slow and flat to be remotely entertaining. There is no joke. The relationship between Jennifer Aniston and Steve Zahn is forced and unconvincing. Their chemistry is poor, which kills the film's remaining chance of becoming a romantic comedy. The only character that shines is Woody Harrelson, but his scenes are few and far in between to make any positive impact on the snooze factor.
In summary, even Jennifer Aniston fans is unlikely to enjoy this film.
"Management" is a disappointing despite a strong cast. The story is far too dull, slow and flat to be remotely entertaining. There is no joke. The relationship between Jennifer Aniston and Steve Zahn is forced and unconvincing. Their chemistry is poor, which kills the film's remaining chance of becoming a romantic comedy. The only character that shines is Woody Harrelson, but his scenes are few and far in between to make any positive impact on the snooze factor.
In summary, even Jennifer Aniston fans is unlikely to enjoy this film.
First of all, I'd like to start by saying that I'm not a frequent movie comments writer, or any other sort of writer apart from my academic essays, hence, the lack of experience or proper writing structure which, more than probably would be blatant to a knowledgeable reader. However, I'm more than passionate about cinematography and I do believe without a shadow of a reasonable doubt that I've developed a fine taste for my viewing themes.
That said, I'm more than willingly commenting on this movie is because I have read an unjust and undermining comment about it right after I've watched it. So, the reasons I'd like to point out why this movie is more than a decent flick and contradict the over demanding (perhaps) commentator are:
A. It's a comedy slash romance flick (for crying out loud). So, it's quite obvious that if you are going to see this with expectations of such grandiose productions as of, in my opinion, Citizen Kane and 12 Angry Men, or Schindler's List, then you would more than likely be quite disappointed.
B. From where I stand, the casting was ingenious. In other words, it couldn't have been better (surprisingly enough since I've never appreciated Jenny as an actress, but this was just her ideal role).
C. The story is not over exaggerated which adds to its credibility. It's simple, well digestible and, not just funny, but harmfully hilarious at some points. On top of that, it's heart warming and free of "superficial additives".
D. The whole execution was flawless, starting from acting to photography and visual/audio presentation.
And, to rap things up, compared to its own kind, this flick stands in the top 10. So, it's a must see for sure.
That said, I'm more than willingly commenting on this movie is because I have read an unjust and undermining comment about it right after I've watched it. So, the reasons I'd like to point out why this movie is more than a decent flick and contradict the over demanding (perhaps) commentator are:
A. It's a comedy slash romance flick (for crying out loud). So, it's quite obvious that if you are going to see this with expectations of such grandiose productions as of, in my opinion, Citizen Kane and 12 Angry Men, or Schindler's List, then you would more than likely be quite disappointed.
B. From where I stand, the casting was ingenious. In other words, it couldn't have been better (surprisingly enough since I've never appreciated Jenny as an actress, but this was just her ideal role).
C. The story is not over exaggerated which adds to its credibility. It's simple, well digestible and, not just funny, but harmfully hilarious at some points. On top of that, it's heart warming and free of "superficial additives".
D. The whole execution was flawless, starting from acting to photography and visual/audio presentation.
And, to rap things up, compared to its own kind, this flick stands in the top 10. So, it's a must see for sure.
the trailer led me to believe this would be a 'charming stalker' movie, and that's about it. but the story and characters are deeper and richer than that, their motivations are realized beautifully, and the conclusion, if not real-life, makes sense. remember the ending of 'annie hall' and Woody Allen's explanation for why we create works of art. so, this isn't, y'know, 'rules of the game' or anything, but it's nice to see Jennifer Aniston playing a real, live person, lonely, uptight, scared, and aspiring to be a good person. Steve Zahn has a hard job, making his character likable and a reasonable facsimile of a guy desperately in love, but without much grounding in why he's stuck on this woman, except it's sort of the closest thing he's got to having a shot, however remote and unattainable. the soundtrack features great songs, well- placed, from the new pornographers, and the supporting cast is really strong. not a Woody Harrelson fan, and he's a bit of a cartoon here, but the script covers him and as unlikely as it seems every step of the way, it works as a journey of two good, lonely people learning to lean on each other and taking risks that have no guarantees. in spite of having lots of opportunities to totally go off the tracks, the filmmakers manage to make it work start to finish.
"Management" isn't necessarily a bad film -- I just found it entirely disengaging. Judging from some of the early feedback, I was expecting a sweet (if predictable) "indie" romantic comedy. I'm not a big fan of Jennifer Aniston, but she plays her types of roles well enough, and Steve Zahn proved with "Rescue Dawn" that he's an underrated actor.
My problem with "Management" is that it plays into the quirky subgenre clichés far too easily. I'd bet the director is a big Hal Ashby or Mike Nichols fan -- this comes off like an uneasy mix of "Harold and Maude" and "The Graduate." Its protagonist is a borderline stalker.
That's not inherently negative, but I just felt like there was no real spark between Aniston and Zahn. The whole thing felt very...calculated. It wasn't naturally offbeat -- and, as a result, I was left wondering why we're supposed to feel any type of entertainment in watching these people.
My problem with "Management" is that it plays into the quirky subgenre clichés far too easily. I'd bet the director is a big Hal Ashby or Mike Nichols fan -- this comes off like an uneasy mix of "Harold and Maude" and "The Graduate." Its protagonist is a borderline stalker.
That's not inherently negative, but I just felt like there was no real spark between Aniston and Zahn. The whole thing felt very...calculated. It wasn't naturally offbeat -- and, as a result, I was left wondering why we're supposed to feel any type of entertainment in watching these people.
In watching this film I felt the same way I did when I first saw Kevin Costner's "Fandango". This is a quirky film with quirky characters you can't help but love. Steve Zahn plays the lead with a subtle sweetness and innocence only he can pull off. He's one of those people who don't seem to have that built in stop button which prevents them from doing something extreme, yet even at his most extreme, you never seem to be intimidated by him. His lonely maintenance man working for his parents at their run-down Arizona motel, meets up with an inhibited, attractive travelling sales woman who is clearly trying to find her identity, but is too afraid of taking a chance. Jennifer Anniston proves time and time again she can handle any role to come her way, and understands this character. What I thought would be a run of the mill romantic comedy, turns out to be a thoughtful character study with it's share of tender moments.
Lo sapevi?
- QuizThe screenplay for this film was featured in the 2007 Blacklist, a list of the "most liked" unmade scripts of the year.
- BlooperNear the beginning of the movie Sue (Jennifer Aniston) is sitting in her hotel room on the bed looking down at the email screen on her laptop. The left-hand side of the screen shows there are 4 unread emails but there are actually 8 unread emails. The top right-hand corner of the screen says 'Viewing messages: 1 to 8 (8 total)' but there are actually 15 messages displayed.
- Citazioni
Sue Claussen: I wrote you a Haiku. Do you wanna hear it?
Mike: Sure.
Sue Claussen: Mike, oh Mike, my man Keeps showing up like UPS Sue, you're such a bitch.
Mike: ...I like it!
- Curiosità sui creditiOfficial Dog-Punk Consultant: Jeremy Norton
- Versioni alternativeThere are three different versions, although only two different runtimes. These are: "1h 34m (94 min), 1h 34m (94 min) (United States)" and "1h 33m (93 min) (Toronto International)".
- ConnessioniFeatured in The Rotten Tomatoes Show: Star Trek/Rudo y Cursi/Next Day Air (2009)
- Colonne sonoreHangover Days
Written by Jason Collett
Performed by Jason Collett
Courtesy of Arts & Crafts Productions, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Management
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 934.658 USD
- Fine settimana di apertura Stati Uniti e Canada
- 378.000 USD
- 17 mag 2009
- Lordo in tutto il mondo
- 2.566.648 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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