The Hole

My first encounter with the world of Joe Dante was almost twenty years ago when i caught a glimpse of Gremlins at the tender age of four. At the time I was horrified, but as I grew up it soon became one of my favourite films, instantly capable of transporting me back to a time when horror films used to scare me. I was hoping that Dante would be able to recapture this magic, and The Hole left me wishing that I was a pre-teen with a wild imagination once again, heading into a horror film for the very first time. This made me very jealous of the younger crowd in the audience as they were clearly stuck fast in their seats, horrified by the visions that unfolded before them - their silence spoke louder than any screams - and desperate for the frightening film to end.

The nightmare begins when a single sprightly mother, her angst-ridden adolescent son Dane and nervous pre-teen Lucas move into a new house in a strange neighbourhood, only to discover a seemingly bottomless pit locked away under a trapdoor in the basement. Curiosity gets the better of the boys and it is not long before they lower a camera into the mysterious hole in an attempt to film the unknown, but, as video footage shows in one of the films eeriest moments, some things are better left undisturbed.

After exploring the darkness underneath the trapdoor, the boys begin to be haunted by strange events, with the hole seemingly preying on their individual fears. This provides the basis for a number of scary moments which are quite effective considering The hole is aimed at a younger audience, but it is unlikely to have any impact on those familiar with recent scary films such as REC and Paranormal Activity. The story still remains intriguing enough to keep older viewers entertained for the most part, and could well bring back long forgotten memories of their first encounters with the world of the supernatural films.

Horror fans hoping for a repeat of Gremlins will be disappointed, but that's not to say that The Hole should be dismissed; its constant references to classic horror films cannot replace the dark, warped humour that made Gremlins so watchable, but certainly adds to the experience for fans of the genre. Numerous scenes invoke connections to Poltergeist and The Gate, with the icing on the cake being a homage to the Hands of Orlac - a very under-rated thriller from 1935 - that I imagine will pass by unnoticed by the majority of viewers due to unfamiliarity with the source material, and they all serve to remind us that Dante is an ardent horror fan and is not afraid to wear his influences on his sleeve.

As a children's horror film The Hole is excellent but unfortunately it fails to surpass the genre classics such as A nightmare before Christmas and Gremlins due to the lack of appeal to an older audience. The story is fairly entertaining and the references to cult classics are a great addition to the film but they are simply not enough to keep older viewers fully engrossed for the ninety minutes running time. I would definitely recommend this film to families with young teenagers and children eager to be scared, as The Hole is a perfect introduction to horror films for those easily scared, and one of Joe Dante's more accomplished directorial efforts.

6/10

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This movie can easily be summarized: it is like a movie version of a Goosebumps children's "horror" story. Anyone familiar with the Goosebumps book series will know what I mean. This movie is a "horror" movie for young teens and families with children. I watched it without knowing this, and was in for a surprise.

Now, don't get me wrong, this is still a good movie. But if you are expecting to be scared, you are better off watching something more tailored for an adult audience. I am sure lots of the youngsters will find this movie freakishly scary though. There are scenes that might scare younger audiences out of their pants, but at the same time, the movie is still kept at a level where it can be considered suitable for family entertainment somehow. I know it sounds weird, but if you watch the movie, you will know what I mean.

There were some good parts in the movie, but nothing that made me spooked or disturbed. The clown here reminded me somewhat of a mix of the clown doll from "Poltergeist" mixed with Chucky, and it did work well enough.

The effects were good and believable, without being over the top. The movie is not running on special effects, but whatever effects there were being used were straight to the point.

And also the people in the movie put on good performances, and that helped the movie along a good long way. And I think the young actors and actress help appeal to the younger audience.

This movie is suitable for a good evening of slight scares for families and younger teens. Worth the time actually, if you have nothing better to do.

Just for the records I live in Thailand and this film is receiving the full theatrical treatment and I just attended the premiere.

The only reason I saw it. Is that I saw the name Joe Dante on the poster.

We are now in a period where 3D is in full swing and I have seen "My Bloody Valentine 3D" and "Avatar".

Avatar was great in his own right, but I found the whole thing over the top. Now I like simpler movies in general. So my preference is a question of taste.

Also I not have wide knowledge of 3D and special effects, but I was satisfied.

Anyways back to a normal review. Like Dante promised it's a horror film for the family, and he does what he does best again. Unlike Gremlins or any of his previous family horror film this one scares you as well as being clean.

I had a few jump and was spooked by some scenes.

Also I went with a date and it was a proper film for that. She was holding on to me and the rest... And we were watching a proper film without a ton of gore.

I am not a fan of horror film with too much gore so I was happy. If you like that stuff it's not on "The Hole" menu.

Well the story is simple there is a trap in the basement. Kids open it a their greatest fears become true. Well acted, and well directed with a fresh concept.

A touchdown for Dante.

Fear and nostalgia don't often go hand in hand, but the two were riding high in my mind after the screening of The Hole. Coulrophobia, or a fear of clowns, seems to be quite a common phobia amongst my peers and for 99% of us it can be traced back to a certain television show. The Sky One adaptation of Stephen King's It, which aired in 1990. It's main antagonist, a clown named Pennywise, gave me my first real post-horror-film sleepless night. Up to that point the only fear-inducing villains I had been exposed to were Darth Vader and the Wicked Witch of the West. But a samurai robot and a middle-aged woman in green make-up didn't seem quite so scary after watching the terrifying killer clown. Echoes of Pennywise are evident in the ghoulish Jester doll of The Hole. The fact that Joe Dante brings us a family film that manages to instill some levels of discomfort and even fear in adults reminds us why he was such a big name in the 80's. With The Hole, the man behind Gremlins and The 'Burbs goe's back to what he does best; frightening yet family friendly. And he almost succeeds in giving us another great kids film. Almost.

Featuring the aforementioned Jester doll, the corpse of a young girl and some Beetlejuice like nightmare sequences, there are a lot of horror elements of the film to like. These elements are executed well and the use of some traditional stop-motion special effects gave the film an endearing charm. However all of this just served to highlight how awful the 3D was. The digital effect only served to ruin what would otherwise have been a great thowback-to-the-80's look. I ended up watching the second half of The Hole with my Roy Orbison style specs removed.

In my experience, and a lot of people I've discussed it with, the novelty of 3D lasts for roughly the first ten minutes of a film. Afterwards it simply distracts from whats going on and tends to blur any action above a certain speed. It adds nothing to the vast majority of the films released in the format and ultimately becomes headache inducing. Let's hope it's just a Smell-O-Vision style fad that fades away sooner rather than later.

The storyline of The Hole is in no way original and the dialogue is ridiculously bad at times, but on the whole it had a certain charisma about it. Had this been released when I was between eight and twelve years of age it may have been a favourite of mine, along with Ghostbusters and two of Dante's other works Innerspace and Gremlins. It pushes the boundaries of whats acceptable in a film rated 12A, is nicely stylised and has genuinely frightening moments. For a certain age group in years to come, The Hole will evoke great memories of how much fun the cinema can be. If they happen to see a 2D version, all the better.

Susan (Teri Polo) and her sons Dane (Chris Massoglia) and Lucas Thompson (Nathan Gamble) move from Brooklyn to Bensonville, in the countryside. Dane is upset with the constant changes of address and the family has lived in many cities. Lucas and Dane befriend their next door neighbor, the gorgeous Julie (Haley Bennett) and the brothers find a bottomless hole in the basement of their house locked with several padlocks. They take the locks off and sooner they are haunted by their darkest fears. Further, they believe that the hole might be a gateway to hell.

"The Hole" is a fantasy film directed by Joe Dante, with a story that is a compilation of several horror movies. I immediately recall "The Gate", "House" (1996); "Child Play" and "Nightmare on Elm Street" as direct references. This forgettable movie is entertaining and Haley Bennett is very beautiful. My vote is six.

Title (Brazil): "O Buraco" ("The Hole")