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Rachel sta per sposarsi

Titolo originale: Rachel Getting Married
  • 2008
  • T
  • 1h 53min
VALUTAZIONE IMDb
6,6/10
52.567
LA TUA VALUTAZIONE
POPOLARITÀ
4716
1418
Rachel sta per sposarsi (2008)
This is the theatrical trailer for Rachel Getting Married, directed by Jonathan Demme.
Riproduci trailer2: 26
2 video
55 foto
DramaRomance

Una giovane donna che è entrata e uscita dalla riabilitazione negli ultimi dieci anni, torna a casa per il fine settimana per il matrimonio di sua sorella.Una giovane donna che è entrata e uscita dalla riabilitazione negli ultimi dieci anni, torna a casa per il fine settimana per il matrimonio di sua sorella.Una giovane donna che è entrata e uscita dalla riabilitazione negli ultimi dieci anni, torna a casa per il fine settimana per il matrimonio di sua sorella.

  • Regia
    • Jonathan Demme
  • Sceneggiatura
    • Jenny Lumet
  • Star
    • Anne Hathaway
    • Rosemarie DeWitt
    • Debra Winger
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    52.567
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4716
    1418
    • Regia
      • Jonathan Demme
    • Sceneggiatura
      • Jenny Lumet
    • Star
      • Anne Hathaway
      • Rosemarie DeWitt
      • Debra Winger
    • 323Recensioni degli utenti
    • 235Recensioni della critica
    • 85Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 32 vittorie e 65 candidature totali

    Video2

    Rachel Getting Married: Theatrical Trailer
    Trailer 2:26
    Rachel Getting Married: Theatrical Trailer
    Rachel Getting Married - Director and Composer interviewed
    Featurette 3:54
    Rachel Getting Married - Director and Composer interviewed
    Rachel Getting Married - Director and Composer interviewed
    Featurette 3:54
    Rachel Getting Married - Director and Composer interviewed

    Foto55

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 49
    Visualizza poster

    Interpreti principali99+

    Modifica
    Anne Hathaway
    Anne Hathaway
    • Kym
    Rosemarie DeWitt
    Rosemarie DeWitt
    • Rachel
    Debra Winger
    Debra Winger
    • Abby
    Sebastian Stan
    Sebastian Stan
    • Walter…
    Roslyn Ruff
    Roslyn Ruff
    • Rosa
    Bill Irwin
    Bill Irwin
    • Paul
    Anna Deavere Smith
    Anna Deavere Smith
    • Carol
    Annaleigh Ashford
    Annaleigh Ashford
    • Quick Stop Cashier
    Zafer Tawil
    • Violin Friend
    Beau Sia
    Beau Sia
    • Wedding Czar
    Innbo Shim
    Innbo Shim
    • Wedding Planner
    Eliza Simpson
    Eliza Simpson
    • Wedding P.A.
    Olive
    • The Poodle
    Anisa George
    • Emma
    Tamyra Gray
    Tamyra Gray
    • Singing Friend
    Victoria Haynes
    • Bridesmaid
    Quincy Tyler Bernstine
    Quincy Tyler Bernstine
    • 12-Step Receptionist
    Mather Zickel
    Mather Zickel
    • Kieran
    • Regia
      • Jonathan Demme
    • Sceneggiatura
      • Jenny Lumet
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti323

    6,652.5K
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    Recensioni in evidenza

    6morbeda

    The Dramamine Wedding

    "Rachel Getting Married" is one of those films that leaves you (if you don't leave it first, as I did) with a burning desire to find the director of photography (Declan Quinn), give him a thorough shake, and shout in his face, "WHAT WERE YOU THINKING?!!!" What possible artistic pretension could lead a photographer and director to destroy every ounce of potential by an overused, overworked, unoriginal, seen-it-a-zillion-times style of shooting? Weren't they confident enough to trust the writing and acting with producing the claustrophobia and panic of acute family dysfunction? While the viewer is desperately searching for her dramamine pills, the camera is reeling from side to side, jumping every which way, assaulting the actors with suffocating close-ups--and repeating this cinematic mannerism literally ad nauseam. Stay away.. unless you're a trained pilot and can take motion sickness well.
    6ferguson-6

    Family, Rehab, Wedding and Amends

    Greetings again from the darkness. After the first 5 minutes, I hated Anne Hathaway's character and I was sea-sick from director Jonathan Demme's hand-held camera work. And then two hours later I felt like I had just attended a family wedding! I got fully sucked in by Jenny Lumet's (daughter of Sidney, the master) riveting story of a family ripped apart and trying desperately to hold on to what is left.

    While Hathaway's Kym is getting all the pub, I found Rosemarie DeWitt's Rachel every bit as mesmerizing, though a bit less laser-tongue equipped. Their scenes together are mind-warping ... truly like watching footage of a train wreck over and over. They love and hate each other, all while being loved and hated by everyone else in the family. So much self-destructiveness that it makes one wonder why apparent sweet guy Sidney (played oddly by Tunde Adedimpbe of TV on the Radio) wants to have anything to do with this ghastly group.

    Just to make sure you are absolutely uncomfortable, Lumet tosses in the rarely seen Debra Winger as Kym and Rachel's estranged mother, who has emotionally backed out of their life completely so as not to feel the guilt she deserves for the death of the youngest sibling.

    There is no way to watch this movie without numerous moments of being squeamish or uncomfortable. That is really the strength of the film ... it draws you into this world that you just don't want to be a part of.
    6dayXexists

    Strong Performance from Anne Hathaway Saves an Otherwise Average Film

    Well the movie itself wasn't anything special. I was wondering why every person in the cast had to give a speech, or sing a song, or whatever. The shaky cam as well was not necessary. It's not a documentary so don't treat it like one.

    The film's obvious strong point, and really the only reason worth watching is Anne Hathaway's performance. Speaking as someone with a sister who is a (sometimes recovering) drug addict, I think she nailed it in the way her character was unstable yet narcissistic, starved for attention, and over the top emotional. I could really relate to her sister in that sense- how annoyed she gets the way people coddle her sister because she is immature and makes stupid decisions. It was just the little details that I think made Hathaway's performance so realistic- the tone she would use when she would make a joke about rehab, that trying to be sarcastic to get a laugh, but really just saying it to bring attention to the fact that she has issues. It showed that even if somebody is in recovery that doesn't necessarily mean they are recovered- that they have personality traits that are never going to change. I think she really captured the essence of that type of character.

    There was also great performances, though, from the actors who play her mother, father, and sister. So bravo to pretty much the whole cast.

    B-
    6goldwriting

    Performances Outpace Story

    In every actor's career there comes a moment where the critics and audiences rally around jumping for joy about how they've just witnessed a breakthrough performance. As stunning as these performances are, the term "breakthrough" always felt a little out of place to me since it's only on rare occasions the actor in question is relatively new. Most times they are people who have been pounding the boards and scraping the screen for years. In those terms, the breakthrough is nothing more than a large group of people seeing that actor in a new light for the first time, mostly in something they never imagined before. Now the newly colored spotlight falls on Anne Hathaway and her powerful turn as Kym in Rachel's Getting Married.

    The film is a slice of life piece detailing a small space of time, only a few days, where Kym returns home from a rehab clinic just in time for her sister Rachel's wedding. Anyone who has ever taken part in arranging a wedding, especially one taking place in the family home, knows the extreme stress already present, so toss a young, partially unstable girl into the mix and top it off with a nice coating of family denial and dark skeletons in the hallway closet, then you get the full picture of this film. Relationships are strained, ties pulled so tight and taut they could snap and still they try to work it out through screaming, laughing and crying (not necessarily in that order). After all, it's about a wedding, who's not happy at those? Before giving Anne her due credit, let me shed some light on someone most people won't know off the top of their heads. Rosemarie DeWitt plays the title role of Rachel and she does it with the utmost tenderness and subtlety. What she brings across is the inherent hatred, resentment and unending compassion sisters can feel for each other, even through the worst of storms. With a film more comfortable in the category of "ensemble piece", Rosemarie is the catalyst and pushes the energy along, changing and charging every one of her scenes. But the light shines brightest on Anne Hathaway as Kym, the ex-junkie, ex-alcoholic, ex-return rehab patient bordering on becoming an ex-family member. Audiences claim this as a breakthrough performance because they fell in love with Anne in The Princess Diaries movies, Ella Enchanted and the wonderfully wicked The Devil Wears Prada. Yet what they might not remember is she's played rougher, tougher roles in Havoc and Brokeback Mountain, showing the more mature and adult side of her skills. So I wasn't all that shocked to witness the brilliance she brought to this film, but I will celebrate it all the same. Anne jumps in and exposes a vulnerability, a cavern of pain and lost love, which drives the emotional core of the picture. From opening credits to the closing moment, she is the elephant in the room everyone must deal with and the magical point is this is the first time where the audience can begin to empathize with the elephant and not the onlookers. I can't end the acting portion of this review without bringing up Bill Irwin and Debra Winger as well. Bill plays her father and churns out a tenderness only an accomplished actor such as himself could generate. There are such small moments, such tiny fractures in his facade which allow you to peer into the heart of a man trying to choose between his greatest love and his greatest loss. On the other side, Debra Winger plays her mother, who has chosen to block out the pain in her past and skate by the rest of her life, allowing the blackness and hurt to fester and suffocate any chance at a real connection with her daughters. As you can read, the acting on display here is sensational and will undoubtedly be remembered during awards season.

    As a total film, I'm not sure the story reaches the same heights. A lot of great scenes and spectacular moments are created, but the story lacks cohesion. A particular subplot about the family and its deep love for music is mentioned and referred to over and over, but never fully explained or explored, which weighs down later scenes during the wedding celebration and the overlong musical sequences. During most of the musical moments, all I really wanted was to get back to the story, back to the family and to Kym. Also, the connection between Rosemarie and her soon-to-be husband Sydney (played by Tunde Adebimpe) never quite comes across. There is a wonderful moment during their wedding vows, but it could have been helped even more if their relationship had been more centered earlier on.

    On the directing front, Jonathan Demme, with the assistance of a touchingly tender script from Jenny Lumet, helps craft a reality we can all believe in, a home we can all feel we've been to before. Much of this intimacy and nuance came from the free form style of camera movement, with the actors never knowing where and when the camera was going to appear on them. Everyone was basically playing everything from the moment he yelled action, so there were emotional surprises around every pan of the camera. That technique gave the movie a certain level of improv or even documentary feeling, like the audience was the most silent of voyeurs.

    Recommendation: A powerful series of moments, filled with terrific acting, that don't quite come together as a film. Certainly has great value to witness, but the theater experience might not be necessary. Also, this really is meant for those viewers not afraid to open themselves up to it.
    5IraSez

    Rachel Gets Married, Audience Gets Headache

    A great performance by Anne Hathaway and a good story gets lost inside a horribly shot and edited film. Way to many "why did they do this" questions, way to many overly long scenes, and quite possibly the worst use of hand held camera technology in recent memory. 2 or 3 scenes could have been cut by more then half and gotten twice the effect. The use of music became annoying. People were walking out claiming to be nauseous, have headaches, etc. Would love to see have seen one steady shot, one establishing shot, one non-closeup. With that said, was worth seeing just for the performance of Anne Hathaway who was a revelation and now catapults to the head of the class of the 20 something acting class. This emotional performance marks a turning point in her career and makes me want to revisit some of her past performances to see what was there.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      There is no pre-recorded background scene music throughout the film. All music heard in the film is performed live on-screen.
    • Blooper
      Just before Kym wrecks the family car, the sound of the motor and the rate at which the scenery passes indicates the car is moving at high speed. However, the speedometer needle indicates a speed of only 5 - 10 miles per hour.
    • Citazioni

      [Kym speaks at a twelve-step meeting]

      Kym: When I was sixteen, I was babysitting my little brother. And I was, um... I had taken all these Percocet. And I was unbelievably high and I... we had driven over to the park on Lakeshore. And he was in his red socks just running around in these piles of leaves. And, um, he would bury me and I would bury him in the leaves. And he was pretending that he was a train. And so he was charging through the leaves, making tracks, and I was the caboose, and I was, um... so he kept saying, coal, caboose! Coal, caboose! And, um, we were... it was time to go and I was driving home... and... I lost control of the car. And drove off the bridge. And the car went into the lake. And I couldn't get him out of his car seat. And he drowned. And I struggle with God so much, because I can't forgive myself. And I don't really want to right now. I can live with it, but I can't forgive myself. And sometimes I don't want to believe in a God that could forgive me. But I do want to be sober. I'm alive and I'm present and there's nothing controlling me. If I hurt someone, I hurt someone. I can apologize, and they can forgive me... or not. But I can change. And I just wanted to share that and say congratulations that God makes you look up, I'm so happy for you, but if he doesn't, come here. That's all. Thank you.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: How To Lose Friends & Alienate People/Flash of Genius/Beverly Hills Chihuahua/Nick & Norah's Infinite Playlist/Rachel Getting Married (2008)
    • Colonne sonore
      Bridal Chorus
      Written by Richard Wagner

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    Dettagli

    Modifica
    • Data di uscita
      • 21 novembre 2008 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • El Casamiento de Raquel
    • Luoghi delle riprese
      • Fairfield, Connecticut, Stati Uniti
    • Aziende produttrici
      • Armian Pictures
      • Clinica Estetico
      • Marc Platt Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 12.796.841 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 293.369 USD
      • 5 ott 2008
    • Lordo in tutto il mondo
      • 16.937.968 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 53 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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