I Hate Suzie

4 episodes in I kinda did hate Suzie... stick it out though. It's a really great at showing what women have to go through in today's world! Loved it by the end.

The low rating and the poor reviews are baffling, especially when this series has been well-reviewed elsewhere. Best guess? It's about a woman and her problems, and our society (US and UK alike) is just misogynistic enough to write that off due to lack of education about what women experience just by virtue of living in the world-- the very education this show seeks to provide.

Is Suzie a good person? Debatable. Does she deserve to have her most intimate moments leaked to the world? If you think so, this show may not be for you-- but then again, if you actually think that, then maybe dating or walking around outdoors isn't for you, either.

If you're interested in a blistering character study of a nuanced, complex person dealing with a nuanced, complex trauma, both in her personal and professional life, check out this show immediately. If you hate women and hate stories about them, you have the entire internet at your disposal.

The opening episode of this was great, with fantastic acting and balancing a sense of doom with chaos. The second was good too, but it declined by the middle, seemingly not sure what it was about.

The later episodes contained some really good moments, but they were harder to find, although plot wise it picked up again.

Overall, I enjoyed it, and it was a refreshing change to everything else on tv, but it felt like it needed a good edit, and perhaps to be a couple of episodes shorter.

Susie isn't exactly the anti-hero, but she isn't the hero either- no one is. All the main characters have flaws and are complex. I enjoyed the quirkinesses of this series which was unlike anything else I'd ever watch. It's not so much a comedy as a dark drama. Excellent acting throughout.

Immediately preceding the first series there was an interview with Lucy Prebble on British radio where she said in the course of writing the series her and Billie Piper wrote a list of things "they couldn't possibly say" but eventually ended up using everything. It's not necessarily easy to imagine which of the many brutally sharp observations on display here came from the list but the concept of it popped into my mind every time the show pushed things into deeply uncomfortable waters.

Piper plays a former child pop star turned sci-fi B-lister whose life crumbles after compromising pictures of her are stolen from her phone and made public. Each episode covers a perceived stage of grief and covers a myriad of subjects from the public to the private about what it is to be, essentially, Billie Piper. This feels like lived experience, in all its gut-wrenching, out-of-control anxietywhirl of nauseating honesty. There are no easy answers, there are no selfless people, there is no safe place. It's not an easy watch at all. It's like watching the slow autopsy of a living person but instead of organs the writhing body is stuffed full of mirrors that reflect everything that's horrible about yourself about society, about everything we never say and always see. It's that kind of a show and not at all for everyone. The second three-parter series "I Hate Suzie Too" is just as breathlessly terrifying, and has an ending I don't think I'll ever forget.

The cast are generally brilliant but it's the role of a lifetime for Piper. She's perfect for this kind of role (herself) and you can feel everything through her almost instantaneously, she changes like the weather, instantly and completely. Her and Prebble's unknowable list hangs over the whole endeavour - everything that should never be said, gingerly taken down piece by piece and crammed into the narrative until there is nothing left to say.