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4,9/10
2287
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA screenwriting teacher is forced to live out the plot of a screenplay idea he stole from a student, who now seeks revenge.A screenwriting teacher is forced to live out the plot of a screenplay idea he stole from a student, who now seeks revenge.A screenwriting teacher is forced to live out the plot of a screenplay idea he stole from a student, who now seeks revenge.
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Recensioni in evidenza
Joel Brandt (Matthew Lillard) is an efficient screen writing professor in the university but has never succeeded as a screenwriter. When Brandt receives a weird phone call asking for help, he believes that it is a prank of his best friend Adam Brickles (Michael Eklund) and he deletes the message. When he is having a conversation with his girlfriend Claire (Chiara Zanni) on the sidewalk of a bar, the body of the caller falls off a building in front of them on the sidewalk. Brandt tells to the Detective Lavery (Deborah Kara Unger) and Detective Breedlove (Serge Houde) that are in charge of the investigation about the call that he had received and he becomes a suspect.
When he receives another mysterious call from a woman also calling for help in his answering machine, he goes to the location and finds that she is dead. Brandt becomes the prime-suspect of Detectives Lavery and Breedlove when they find that the message was deleted from his answering machine. When Brandt discovers that the killer is following the only screenplay that he had sold to the cinema industry, "Senseless Killing", he tries to guess the next move of the serial-killer.
"Messages Deleted" is a senseless, annoying and absurd thriller about a screenwriter that is informed about murders that are following a screenplay that he had written stolen the idea from another screenplay.
Joel Brandt is irritating, hysterical, clumsy and imbecile, and takes all the possible wrong attitudes along the story. The plot is based on deleted messages in times when it is possible to have traceability of phone calls, technical means to retrieve a deleted message and surveillance (bugging) a phone number. The stupid open conclusion is never clear but the worst is the use of the word "cliché" along the story. The writer had the intention of making a cult-movie but unfortunately he has totally failed. My vote is one (awful).
Title (Brazil): "Mensagens Deletadas" ("Deleted Messages")
When he receives another mysterious call from a woman also calling for help in his answering machine, he goes to the location and finds that she is dead. Brandt becomes the prime-suspect of Detectives Lavery and Breedlove when they find that the message was deleted from his answering machine. When Brandt discovers that the killer is following the only screenplay that he had sold to the cinema industry, "Senseless Killing", he tries to guess the next move of the serial-killer.
"Messages Deleted" is a senseless, annoying and absurd thriller about a screenwriter that is informed about murders that are following a screenplay that he had written stolen the idea from another screenplay.
Joel Brandt is irritating, hysterical, clumsy and imbecile, and takes all the possible wrong attitudes along the story. The plot is based on deleted messages in times when it is possible to have traceability of phone calls, technical means to retrieve a deleted message and surveillance (bugging) a phone number. The stupid open conclusion is never clear but the worst is the use of the word "cliché" along the story. The writer had the intention of making a cult-movie but unfortunately he has totally failed. My vote is one (awful).
Title (Brazil): "Mensagens Deletadas" ("Deleted Messages")
I had very low expectations going into this movie. It has absolutely no marketing or buzz factor (hence I am the first to review it on IMDb) and Matthew Lillard seems to be beyond his prime. Although the plot seemed very original and intriguing. After watching the film, I must admit I am hungry for more. The ideas are unique and the the story is beyond catchy. Without giving away spoilers, the story reminded me of looking at a photograph within a photograph. At first glance it seems too abstract to be realistic but once you uncover the idea behind it you are left memorized. Lillard gave a stunning performance beyond what I thought he was capable of. It's not just a slasher horror, yet an intense mystery thriller that could have twisted in any way, shape or form towards the end. After everything unraveled I found myself wanting to watch it again to full grasp the plot in a new light. Here we have a prime example of true film screen magic where it does not take a hundred plus million dollar budget or an A-list actor/actress in order to entertain. I give this movie a strong recommendation for anyone who appreciates it's respected genre and the art of film in general.
Screenwriter Larry Cohen has over the past few decades churned out a number of screenplays that are offbeat and entertaining. However, not even Cohen is always perfect, and "Messages Deleted", which he scripted, is a big disappointment. The movie goes wrong in a number of ways. The main protagonist is a big turn-off - he's annoying in ways that are not interesting, and it's hard to be on his side as his predicament gets worse. He's also stupid, doing things no person of reasonable sense would do that get him further in trouble. Though the police are also stupid as well, missing some obvious clues that would show them that the protagonist is innocent of the charges against him. The movie has passable production values for a low budget independent Canadian production, but you don't go to a movie just for that.
A movie that starts off with a mockery of clichés and then goes on to show that it contains each one of them. There is blood, there is a workaholic cop, a struggling professional in a dysfunctional relationship who realizes he cares for his girl in the moment of crisis, the prodigal protégé' and a "twist" that could be spotted from the moon. I had narrowed down on the eventual villain 20 mins into the movie, and so will you.
Performances are forgettable, a very lame and unconvincing attempt by the actors to show sexual tension between their respective characters, and its as if death, even of your loved ones, can be forgotten in a matter of minutes.
I am not even writing this review properly, coz seriously, even trashing this movie seems like a waste of time. You wanna stay away from this one, trust me.
Performances are forgettable, a very lame and unconvincing attempt by the actors to show sexual tension between their respective characters, and its as if death, even of your loved ones, can be forgotten in a matter of minutes.
I am not even writing this review properly, coz seriously, even trashing this movie seems like a waste of time. You wanna stay away from this one, trust me.
7/10.
I thought it would be a boring movie, but to my surprise it was very tense and exciting and not at all predictable.
It's good, recommended. Look.
I thought it would be a boring movie, but to my surprise it was very tense and exciting and not at all predictable.
It's good, recommended. Look.
Lo sapevi?
- QuizFinal screenwriting credit for Larry Cohen prior to his death in 2019 .
- BlooperAt the end of the movie when the female protagonist finishes pouring gasoline all over the main character she drops the can to the ground, landing on its side. After she lights the match and is shot by the male cop, the can is placed back up-right.
- Colonne sonoreUn bel dì vedremo
From "Madama Butterfly"
Music by Giacomo Puccini
Performed by Ana María Martínez
Courtesy of Naxos
By arrangement with Source Q
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Dettagli
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Mix di suoni
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