The Free Fall
- 2021
- 1h 22min
VALUTAZIONE IMDb
4,7/10
2233
LA TUA VALUTAZIONE
Dopo aver tentato di togliersi la vita, una giovane donna deve ancora lottare con un marito prepotente.Dopo aver tentato di togliersi la vita, una giovane donna deve ancora lottare con un marito prepotente.Dopo aver tentato di togliersi la vita, una giovane donna deve ancora lottare con un marito prepotente.
- Regia
- Sceneggiatura
- Star
Recensioni in evidenza
Simplistic idea for a film presented in the convoluted nature of amnesia. The film takes slight chances with production leaving much to be desired with the confusion and tension that it needed to be suspenseful. Instead, the musings of what is true were uninspired images that ultimately felt heavy handed. Acting was decent so it wasn't a complete waste. Overall, the way that the plot toyed with us didn't lead to much. And the potential twist at the end wasn't very imaginative. Lackluster effort overall that didn't create much magic in the end. Had potential but something didn't quite blend together for something better.
Let's get the overall review out of the way: this movie is lamer than a three legged horse in the Kentucky Derby. It's slow, it's dull, and it's big twist is as dumb as dirt. At least I think. It's hard to tell if it was as bad as I thought because it is nearly impossible to hear some of the dialogue. I'm sure it was a conscious decision to have a muted, echoey quality to the dialogue while background music plays at the same volume. Why? Who knows. I'm not sure it would make a difference. Good cast, bad script, daytime television level directing, and local public access sound make this one a hard pass.
Grimmfest 2021
Hard to comment without giving it away and honestly, you deserve to go into this one cold and experience it yourself.
For the most part, an urban spin on a Daphne DuMaurier style gaslighting tale. We can tell things ain't right but we don't know why or how.
The three leads play it straight - Ashmore and the stunning Ms Lando are more than watchable throughout.
Then, it careers into its final act and it has to be seen to be believed...
Critic proof - a sure fire future cult classic.
Hard to comment without giving it away and honestly, you deserve to go into this one cold and experience it yourself.
For the most part, an urban spin on a Daphne DuMaurier style gaslighting tale. We can tell things ain't right but we don't know why or how.
The three leads play it straight - Ashmore and the stunning Ms Lando are more than watchable throughout.
Then, it careers into its final act and it has to be seen to be believed...
Critic proof - a sure fire future cult classic.
A woman visits her parents' house to celebrate the retaking of their marriage vows, but finds that's not the only ritual on the menu.
Trippy, fractured story with stylish symbolism that kept me on my toes to the end. The opening shot carefully lays a trail of clues - not least a word in capital letters - so I knew to keep questioning what was coming at me. There's plenty of mirror-trickery to raise doubts not just about what's going on but also about who the heroine really is, and the broken up sequence of events keeps everything in confusion.
The risk with trippy story-telling is that it leaves the audience stumbling about until we stub our toe and say, Enough. So I was kinda fatigued by the halfway mark, but then the prospect of a dramatic set-piece was introduced and my attention perked up. Was it worth it? Well, I think the end broke off prematurely, probably because the writer had no good idea what the whole thing was about. I certainly didn't get the sense of all the mysteries in the puzzle locking together to reveal a genuine human experience.
The performances are good, and the editing keeps up a decent pace. The camera work dwelled a lot on mirrors, and was otherwise unremarkable. The original score caught my attention with the accordions in the dance scene, but was never switched off and proved distracting in several scenes where the actors were face to face.
It is an unusual take on this sub-genre of horror, but not as engaging as Grace (2014), and I feel the stilted mood of the set-piece reflected a lack of heart in the writing.
Overall: Intriguing but not so engaging.
Trippy, fractured story with stylish symbolism that kept me on my toes to the end. The opening shot carefully lays a trail of clues - not least a word in capital letters - so I knew to keep questioning what was coming at me. There's plenty of mirror-trickery to raise doubts not just about what's going on but also about who the heroine really is, and the broken up sequence of events keeps everything in confusion.
The risk with trippy story-telling is that it leaves the audience stumbling about until we stub our toe and say, Enough. So I was kinda fatigued by the halfway mark, but then the prospect of a dramatic set-piece was introduced and my attention perked up. Was it worth it? Well, I think the end broke off prematurely, probably because the writer had no good idea what the whole thing was about. I certainly didn't get the sense of all the mysteries in the puzzle locking together to reveal a genuine human experience.
The performances are good, and the editing keeps up a decent pace. The camera work dwelled a lot on mirrors, and was otherwise unremarkable. The original score caught my attention with the accordions in the dance scene, but was never switched off and proved distracting in several scenes where the actors were face to face.
It is an unusual take on this sub-genre of horror, but not as engaging as Grace (2014), and I feel the stilted mood of the set-piece reflected a lack of heart in the writing.
Overall: Intriguing but not so engaging.
What could have been a straight forward supernatural thriller has been overdone.
The plot and scenes, too incoherent to enjoy, making you lose interest by the time you get to the end.
The plot and scenes, too incoherent to enjoy, making you lose interest by the time you get to the end.
Lo sapevi?
- QuizShot in the same house as the Fisher & Sons Funeral Home from Six Feet Under.
- BlooperWhen Nick removes Sarah's bandage for the first time, the blood stain on the inside layer is much less prominent than the outside layer. In reality, if the blood had soaked through to the outer layer of the bandage as is evident, the inner layer would be even more blood-soaked.
- ConnessioniReferences Shining (1980)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 33.311 USD
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Proporzioni
- 1.78 : 1
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