The Free Fall
- 2021
- 1h 22min
VALUTAZIONE IMDb
4,7/10
2241
LA TUA VALUTAZIONE
Dopo aver tentato di togliersi la vita, una giovane donna deve ancora lottare con un marito prepotente.Dopo aver tentato di togliersi la vita, una giovane donna deve ancora lottare con un marito prepotente.Dopo aver tentato di togliersi la vita, una giovane donna deve ancora lottare con un marito prepotente.
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- Sceneggiatura
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Recensioni in evidenza
RATED 6/10
Language: English
The acting was so pathetic and the making is so average. Looks like total miscast except the maid and sister. The first half is slow and testing your patience. The second half is decent and the climax is good. Just because of the conclusion, I rated bit higher, else it is easily avoidable one.
The acting was so pathetic and the making is so average. Looks like total miscast except the maid and sister. The first half is slow and testing your patience. The second half is decent and the climax is good. Just because of the conclusion, I rated bit higher, else it is easily avoidable one.
S. D. T in this case stands for
Slow moving - this movie is moving very slowly, you will get at least 30 mins.. waiting for things to happen, well finally happens at almost at the end. I will not tell you want it is ...
Dumb - I found it very dumb in many ways, acting, plots and display. This film is made in 21 century, and old dial phone and typewriter?!! Come on, even it may signify something (spoiler - but you guess), but it is way too dumb to put those things there in this age of time.
Twist - Yes, there is a twist at the end, but then overall, it is not that great.
I gave it a 5 because of this twist, but acting and the plots are not that great. It could be done better.
Slow moving - this movie is moving very slowly, you will get at least 30 mins.. waiting for things to happen, well finally happens at almost at the end. I will not tell you want it is ...
Dumb - I found it very dumb in many ways, acting, plots and display. This film is made in 21 century, and old dial phone and typewriter?!! Come on, even it may signify something (spoiler - but you guess), but it is way too dumb to put those things there in this age of time.
Twist - Yes, there is a twist at the end, but then overall, it is not that great.
I gave it a 5 because of this twist, but acting and the plots are not that great. It could be done better.
A woman visits her parents' house to celebrate the retaking of their marriage vows, but finds that's not the only ritual on the menu.
Trippy, fractured story with stylish symbolism that kept me on my toes to the end. The opening shot carefully lays a trail of clues - not least a word in capital letters - so I knew to keep questioning what was coming at me. There's plenty of mirror-trickery to raise doubts not just about what's going on but also about who the heroine really is, and the broken up sequence of events keeps everything in confusion.
The risk with trippy story-telling is that it leaves the audience stumbling about until we stub our toe and say, Enough. So I was kinda fatigued by the halfway mark, but then the prospect of a dramatic set-piece was introduced and my attention perked up. Was it worth it? Well, I think the end broke off prematurely, probably because the writer had no good idea what the whole thing was about. I certainly didn't get the sense of all the mysteries in the puzzle locking together to reveal a genuine human experience.
The performances are good, and the editing keeps up a decent pace. The camera work dwelled a lot on mirrors, and was otherwise unremarkable. The original score caught my attention with the accordions in the dance scene, but was never switched off and proved distracting in several scenes where the actors were face to face.
It is an unusual take on this sub-genre of horror, but not as engaging as Grace (2014), and I feel the stilted mood of the set-piece reflected a lack of heart in the writing.
Overall: Intriguing but not so engaging.
Trippy, fractured story with stylish symbolism that kept me on my toes to the end. The opening shot carefully lays a trail of clues - not least a word in capital letters - so I knew to keep questioning what was coming at me. There's plenty of mirror-trickery to raise doubts not just about what's going on but also about who the heroine really is, and the broken up sequence of events keeps everything in confusion.
The risk with trippy story-telling is that it leaves the audience stumbling about until we stub our toe and say, Enough. So I was kinda fatigued by the halfway mark, but then the prospect of a dramatic set-piece was introduced and my attention perked up. Was it worth it? Well, I think the end broke off prematurely, probably because the writer had no good idea what the whole thing was about. I certainly didn't get the sense of all the mysteries in the puzzle locking together to reveal a genuine human experience.
The performances are good, and the editing keeps up a decent pace. The camera work dwelled a lot on mirrors, and was otherwise unremarkable. The original score caught my attention with the accordions in the dance scene, but was never switched off and proved distracting in several scenes where the actors were face to face.
It is an unusual take on this sub-genre of horror, but not as engaging as Grace (2014), and I feel the stilted mood of the set-piece reflected a lack of heart in the writing.
Overall: Intriguing but not so engaging.
This was an amazing exercise in insanity. A young woman has a melodramatic conversation with her sister right before visiting her parents, then suddenly has a vision of pure horror. She wakes up in bed, suddenly has a husband, can't remember anything, gets weird visits from a bearded guy who might or might not exist.
I burst out laughing at least once every five minutes. Everyone is trying so hard to be serious, and the story is trying so hard to be terrifying, that I could feel the movie collapsing under the weight of its own incoherence. When is this supposed to be taking place? I noticed the rotary phones and the typewriter. Yet there is no sense of setting in the story, the old-fashioned props are just there to make things look gothic. Same with the grandfather clock.
So many times, Sarah would see something or experience something and then wake up, as if it were all a dream - to the point where I had no idea if anything was really happening or not, so I found it impossible to take anything seriously. What difference does it make what happens in this scene? She's just going to wake up again. And then we get so many bizarre shots of Sarah seeing Sarah. A different Sarah? An evil Sarah? A Sarah from the past?
Sarah and her husband have many conversations in this movie. But they do not sound like human conversations. Nick says that he wants to protect Sarah, and Sarah insists that someone is invading the house. Rinse and repeat. There is also the framing device of pig meat - early in the movie we see bacon, and toward the end we get a whole roast pig. Interpret that however you like.
Oh, and the photography. My god. Constant blur effects, and switching back and forth between different visions, to create the sense of confusion. I could feel the director grabbing camera and shouting into it, "THIS IS SCARY! I'M DOING SOME WEIRD THINGS HERE!"
"The Free Fall" is incompetent, preposterous, and insane. If it had been a little more fantastical and done a bit more with practical effects, it could have been another "Troll 2." I know this is a terrible movie, but I was mesmerized. You don't get unintentional hilarity like this just every day.
I burst out laughing at least once every five minutes. Everyone is trying so hard to be serious, and the story is trying so hard to be terrifying, that I could feel the movie collapsing under the weight of its own incoherence. When is this supposed to be taking place? I noticed the rotary phones and the typewriter. Yet there is no sense of setting in the story, the old-fashioned props are just there to make things look gothic. Same with the grandfather clock.
So many times, Sarah would see something or experience something and then wake up, as if it were all a dream - to the point where I had no idea if anything was really happening or not, so I found it impossible to take anything seriously. What difference does it make what happens in this scene? She's just going to wake up again. And then we get so many bizarre shots of Sarah seeing Sarah. A different Sarah? An evil Sarah? A Sarah from the past?
Sarah and her husband have many conversations in this movie. But they do not sound like human conversations. Nick says that he wants to protect Sarah, and Sarah insists that someone is invading the house. Rinse and repeat. There is also the framing device of pig meat - early in the movie we see bacon, and toward the end we get a whole roast pig. Interpret that however you like.
Oh, and the photography. My god. Constant blur effects, and switching back and forth between different visions, to create the sense of confusion. I could feel the director grabbing camera and shouting into it, "THIS IS SCARY! I'M DOING SOME WEIRD THINGS HERE!"
"The Free Fall" is incompetent, preposterous, and insane. If it had been a little more fantastical and done a bit more with practical effects, it could have been another "Troll 2." I know this is a terrible movie, but I was mesmerized. You don't get unintentional hilarity like this just every day.
Bottom line: Free Fall was a fine watch, but the writing was pretty frustrating, and it didn't come together as well as I'd like. I think it was worth the watch for the imagery, but ultimately it was an unsatisfying film.
Free Fall is a little tough to review. I think the writing and pacing would ultimately be a 3/10, but the imagery and general idea would be around a 6/10. At the end of the day, there is enough memorable moments that I'm glad I watched it, but I don't think there was enough for me to really recommend it.
The dialogue and general writing was really poor and often very frustrating. The pace was very slow and repetitive. They ramp up really fast and then just kind of plateau for too long before moving into the final act. It was engaging for a while, but then they stop giving any new information and just repeat the same sorts of scenes a handful of times so you just want it to move on and get to the point.
The imagery was pretty intense though. There are some serious gory scenes, some really weird stuff I liked a lot, and some artistic moments. Similarly, the story and idea were actually pretty good, and the twist was fun.
While I liked the twist, I don't think it was a particularly surprising, or done quite as well as it could have been. I think you're ability to figure it out might effect your overall view of the movie since a lot of the positive reviews seem to find it mind-blowing, but it was one of a few possible endings we all pegged pretty early.
Free Fall is a little tough to review. I think the writing and pacing would ultimately be a 3/10, but the imagery and general idea would be around a 6/10. At the end of the day, there is enough memorable moments that I'm glad I watched it, but I don't think there was enough for me to really recommend it.
The dialogue and general writing was really poor and often very frustrating. The pace was very slow and repetitive. They ramp up really fast and then just kind of plateau for too long before moving into the final act. It was engaging for a while, but then they stop giving any new information and just repeat the same sorts of scenes a handful of times so you just want it to move on and get to the point.
The imagery was pretty intense though. There are some serious gory scenes, some really weird stuff I liked a lot, and some artistic moments. Similarly, the story and idea were actually pretty good, and the twist was fun.
While I liked the twist, I don't think it was a particularly surprising, or done quite as well as it could have been. I think you're ability to figure it out might effect your overall view of the movie since a lot of the positive reviews seem to find it mind-blowing, but it was one of a few possible endings we all pegged pretty early.
Lo sapevi?
- QuizShot in the same house as the Fisher & Sons Funeral Home from Six Feet Under.
- BlooperWhen Nick removes Sarah's bandage for the first time, the blood stain on the inside layer is much less prominent than the outside layer. In reality, if the blood had soaked through to the outer layer of the bandage as is evident, the inner layer would be even more blood-soaked.
- ConnessioniReferences Shining (1980)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 33.311 USD
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Proporzioni
- 1.78 : 1
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