Castle Freak

That's what I get from this movie, even a freak need sex, omg. Low quality content of this totally.

Had its moments where I thought it was going to be a good horror movie and then we had gross sex scenes and a terrible ending. I'm giving it a 2 for the make up on the elder monster. I'm usually an easy 6 or higher on horror so that's how bad this was. You want a great necronomicon based movie watch the evil dead!!!

This is one of those films were right away you know it's not going to be good. Mostly it's about a blind girl wandering around a castle (we know she's blind because she wears sunglasses all the time). I saw review that called this a "reimagining" and I only imagine it's what I would create if I wanted a horrible movie. Don't waste your time move on to something else.

Stuart Gordon's "Castle Freak" was shlocky but entertaining and low-key charming horror romp of the 90's that got a 6/10 from adult me, and it also possesses a considerable amount of personal nostalgia as it was one of the first horror movies I ever saw, peeking through the doors when dad was watching it on VHS. I also happen to be an admirer of H. P. Lovecraft and his ever-reaching influence on the genre, but let me tell you, I believe that both Lovecraft and Gordon would have a lot to say on this here "bold reimagining", may the old ones bless their souls.

There are two prominent, noticeable changes between both "Castle Freak" movies, firstly, the remake/reimagining has added even more gore, gorified perversion and simplistic, cheap vulgarity with lack of any real atmosphere. Eventually, if not for the Lovecraft angle, it feels like yet another cheap "Wrong Turn" installment. Personally, a horror which deliberately prioritizes being offensive - overuse the shock factor - doesn't work nearly as well as those with more investment in story/characters and atmosphere, that use violence as a spice, an added value, and to a much bigger effect. Filmmakers behind "Castle Freak" most definitely knew what they were doing, so at least that's good. Did I already mention all the needlessly inserted soft-core porn scenes? Secondly, there's a lot more Lovecraft in the remake. And it's not good - hear me out though. Before getting to watch "Castle Freak", I had gathered that it will have more story, more Lovecraft lore, Cthulhu mythos, and that people like it. I was definitely excited, for Lovecraft cinema is slowly picking up pace, thanks to successful and awesome adaptations like "The Color Out of Space". When the 100 minutes went by and the credits started rolling, as a fan of all things Lovecraft, I was truly disappointed and almost frustrated. Did it have more lore? Yes. Was it completely void of cosmic horror vibe, lovecraftian atmosphere or anything even remotely spiritually similar to Lovecraft's style and nature? Yes. Did the lore feel forced in, because of the dissimilar modernized b-shlock horror background, and the mere sketch of a character cheese that "The Professor" was? Consequently, did some themes felt disrespected and infused with unintentional humor? Also yes.

As You can see, I'm not too happy. Having said all that, "Castle Freak", for the general viewer, is a potentially fun horror flick, provided you're into gore (practical) and perversion, the usual typical melodrama, and lots of subpar comedy, the intentional or unintentional nature of which is not always readable. All-around a low-budget feature, but decent and fluid enough when it comes to cinematography, production design, locations and such. Crisper, more colorful and, well, modern, of course, but I can't say it provides serious competition for Stuart Gordon's 1995 "Castle Freak", even in the technical fields. Like most elements of "Castle Freak", acting is also an inconsistent wave, with the highlight reasonably belonging to Rebecca Whateley played by Clair Catherine, to whom it's the first leading role, from just two credits on IMDb. I was looking forward to see Jake Horowitz whose performance in "The Vast of Night" blew me away a little, and perhaps it was the passive aggressive antagonistic nature of his character, or the fact that "Castle Freak" was likely filmed earlier, but I didn't particularly enjoy his presence this time around.

They are selling it as "A bold reimagining of a horror classic", I guess perhaps they are defending what came out of it all. Bold it may be, but via cheap (and I don't mean literally) methods and loss of spirit. It's a primitively entertaining movie with very little heart. Guaranteed fun for lovers of the 80's, gore, B flicks, shlock/trash cinema etc. My rating: 4/10.

'Castle Freak' is another tiresome example of why all too many remakes remain such a questionable creative proposition in that they all too frequently tend to subtract from the original's uniqueness, very rarely adding anything worthwhile, which is very much the case with the clumsily 'reimagined' 'Castle Freak', yet another paltry, dully written, wholly unwarranted contemporary upgrade, thereby producing a lacklustre facsimile which has little interest to fans of the evilly atmospheric original cult classic! The major subtraction in this specific instance is in the glaring lack of sympathetic characters, with, perhaps, the exception of poor blind Rebecca (Clair Catherine), whereas one frequently felt enormous empathy for the original's increasingly beleaguered freak-haunted family, thereby giving an extra penetrating frisson of fear to the ill-tempered flesh-flaying castle dweller, whereas in 'Castle Freak' (2020) the entirely welcome slaughter of these irksomely insipid hedonists provide the film's sole satisfaction.

The film's mediocrity resides primarily in the episodic, uninspired screenplay, with its surfeit of disposable, vapid characters, wholly generic dialogue and a frustratingly fright-less climax, with the worthy contributions from maestro Fabio Frizzi's fine score and the remarkably vivid make up FX actively expressing any generosity of artistic spirit. And it takes far more than be-cowled stock B-movie characters monotonously disclaiming 'Yog-Sothoth is the gate!' to invoke genuinely chilling, Lovecraftian discords. Again, why write every character as an asinine, unlikeable imbecile? Unless it was to generate some additional pathos for the poor benighted, bedroom-peeping, catacomb-creeping creature? Perfunctory photography and poor set design failed to engender any tangible eldritch atmosphere, as the over manicured interior looked more like Jimmy Page's nookie parlour than the neglected mildewed nightmare that might suggest the malign presence of some sinisterly spawned wretch!