Una notte al museo 2 - La fuga

This film is about the battle between various exhibits to save the world from evil power.

"Night at the Museum: Battle of the Smithsonian" unfortunately falls way short of my expectations. The first "Night at the Museum" was good, as the idea was novel and it was packed with fun adventures. That story unfolded nicely, like removing the wrapping paper to reveal pleasant surprises.

The sequel does not achieve the same. It has a flat and boring plot. Nothing unfolds but just happens for no reason. There are little fun moments, and the supposed jokes fail to make anyone laugh. The childish arguments that happens not once but twice in the movie are simply annoying. Furthermore, moving statues lost its novelty. The "new" elements in the movie are lifted straight from "Harry Potter" films and "The Mummy" films, making "Night at the Museum: Battle of the Smithsonian" so lame. Most parts of the movie bored me.

In this sequel to Night At The Museum, Ben Stiller now a millionaire who does motivational infomercials still finds time to visit his old friends at the Museum of Natural History where he made their acquaintence while working as a night security guard there.

But with his millions he can't stop changes as the Museum is now going for interactive exhibits and many are being packed away and sent to the National Archives, some for exhibit in the Smithsonian.

So Stiller goes back into action and visits the archive which is lots of underground space between the Capitol and Lincoln Memorial.

I wonder myself in both of these films was Stiller really visiting Madame Tussaud's with all the historical figures coming to life.

Theodore Roosevelt's connection with the Museum Of Natural History is well known and Robin Williams is back as our rough riding 26th president. Others are back and new ones added.

Hank Azaria is brilliant as the Egyptian prince whose incantation caused all these exhibits to come to life after sundown. He sounds like he was channeling Boris Karloff.

Amy Adams is a feisty feminist role model Amelia Earhart who gets kind of interested in Stiller. They make a good team.

As for them getting together. A gambit that Meet Joe Black and Bing Crosby's A Connecticut Yankee In King Arthur's Court used is applied here. You have to see the film to see what I mean.

A few good laughs in this nice family entertainment film.

This is a fun movie, no different from its predecessor really, except the threat of "death" for the exhibits being moved to Washington, and thus unable to come to life at night through the magic of the tablet. So what is the status of these walking, talking exhibits anyway? They seem somewhere in between automatons, which can move but don't have personalities, and "real" humans, who are always animated, not just at night. The solution, I think, is to consider the Opening of the Mouth Ritual, especially given the movie's ancient Egyptian thematics. That involved animating a statue with the soul of the departed. So the Teddy Roosevelt statue, for example, would be possessed by the soul of Teddy Roosevelt.

We enjoyed that this took place in the Smithsonian, as we were planning to visit D. C. for the Cherry Blossom festival. Then COVID-19 happened!

Seb's rating: 7 stars Sienna's rating: 7stars Paul's rating: 7 stars.

There's an old saying in Hebrew that claims that if you try and catch as much as you can, you'll end up having nothing at all. After viewing Night at the Museum: Battle of the Smithsonian, I can sadly say that the same can be said when regarding this lesser sequel to the 2006 smash hit.

Even though most film critics despised the original movie, the first Night at the Museum was actually one of my favorite films of that year. For me, the film worked on two levels. First, by waking the inner-child in all of us and making us feel the magic Ben Stiller's character Larry experiences once the exhibits in his museum come to life in all their glory in front of him. Second, by telling a very straight-out and heart warming coming of age story of a grown-up divorced man who has to take control of his life and get his act together (with the museum working more as a metaphor of sorts). I also related to the additional educational values the film had to offer, another theme I felt received a lesser emphasis in the sequel.

In the second installment of the Night of the Museum series, much of the initial magic is already lost from the get-go. We already know the artifacts come to life and how, and the general feeling of suspense is gone. To make things worse, the whole story feels convoluted and unreal. We're expected to believe that Larry has turned from a no-good night guard at the museum in the first film to this mega-successful businessman in the second installment during the course of only a few years (and after being a virtual nobody for the vast majority of his life). I mean come on, Hollywood - Where did the charming loser from the first film go so quickly? Stiller's Larry is hardly likable at the beginning, and once he learns that his lovable exhibits/friends are moving to the Smithsonian museum (after the Museum of Natural History closed for technological renovation) things start happening so fast, that his motives for leaving his comfortable job to help rescue his friends are left undeveloped and unconvincing.

The main course of this sequel is of course the special effects created by the two museum's re-animated exhibits, with the evil Egyptian Kamunrah (The Simpson's Hank Azaria) acting as the main villain who operates the evil Smithsonian exhibits who strive for world domination yadda yadda yadda. Some effects are cute (Al Capone's gangsters brought back to life in black and white, the heroes entering an old painting, the Lincoln memorial rising from his chair, amongst others) and some are once again undeveloped and underused. At times, it seems so much is happening on the screen, that you don't really know where to look or who to concentrate on. Many returning characters from the first film are outrageously underused (including Robin Williams' Teddy Roosevelt and Owen Wilson's Jedediah) and many comedians who are brought specifically for the film contribute blink-and-you-miss-it performances, including Ricky Gervais and Jonah Hill). The only true contribution for the film is the lovely Amy Adams (Enchanted), who portrays a fluffy re-animated Amelia Earhart who seems more lost than ever.

To sum things up, I'd say that Night at the Museum: Battle of the Smithsonian may have been cute at times, but it was mostly useless, as it really didn't add any significant notion to the elements presented in its predecessor. While that film felt like an instant classic to me, this one felt more like a quick money-grab with a lot of missed potential.

When I saw the trailer for this, I was pretty excited. I loved the whole premise of the first one, and having a sequel opened up whole new opportunities. I was excited when I saw all these famous characters from history being mashed together, Al Capone, Napoleon Bonaparte, Amelia Earhart, to name a few.

I walked into the theater not expecting to much, but when I left I was very happy with it. They handled every characters personality beautifully, and the inside jokes were hilarious. I don't want to give much away, but trust me, you'll laugh. It tackles many themes like, a house divided cannot stand, the way to happiness is doing what you love, don't dwell on the past, etc. For a family flick they handle this jumbled cast of characters with complex personalities amazingly. They threw away most of the characters from the first movie to make way for the newer characters, which I didn't like that much, but how many characters can you throw in a story to have it make sense?

This film is an amazing example of a movie made for kids and adults. Kids will enjoy the silly humor, and the monkey. While adults will laugh at the onslaught of in-jokes, and trust me, there's a lot.

All in all, this was a great movie, blew me away. The highlight for me was Hank Azaria, that lisp kills me every time.