Musallat

"Musallat" is a well written and good fictioned Turkish horror movie.I think it's unique among other genre movies shot in Turkey.

As being the first movie focusing hugely good on the Islamic exorcism as main theme,it includes also an unusual love story beyond two worlds.The magnetism of the movie is cruel as the story,so we see the characters start to "freefall" into the darkening dynamics of the unknown.

I might say that the chemistry of the visual direction and sound work used in the film are also on a high level.I cannot easily compare these specifications with the other movie examples in Turkish genre cinema.

I think the negativity of this movie is coming up from the dialog scenes between the main character and his best friend in Germany because they look a bit synthetic.

Congratulations and greetings to all the people who worked for this film.

I don't understand the point of the antagonistic comments of people. There are not hundreds of examples, you can find less than a dozen of Turkish horror movies in the Turkish movie history. Most of them are bad experiments, have stolen ideas, include a bunch of clichés. Honestly, young Turkish directors just about to START and experience this genre. Musallat could not became a Hollywood level experience with its humble budget and "non horror experienced" technical crew. But it has the most original story ever based on the myths of Turkish culture. And its the only honest and hard-working effort to make an original Turkish horror movie, not Hollywood, j-horror or Korean imitation. The comments from professional critics and writers in the local media is very positive and neutral. The movie definitely helps to progressing of horror movies in Turkey with its unique storytelling, although some people don't want to see that. If you looking for a Hollywood or far Asian style horror film, Musallat could still be an interesting experience. Though if you are looking for an original piece on new Turkish horror genre, Musallat is definitely the one.

In film business, everybody knows how hard it is to put the film in the can and deliver good results. After reading these harsh reviews, I looked to the other cinema review websites in Turkey if other users think the same way. To my surprise, I found the exact reviews in Turkish word by word. This shows, the reviews of these films are so far written not because the film is bad but some people want to bash it for a reason.

Lastly, the film has a budget of 1 million dollars. For Hollywood, it is a joke to shoot a film that is decent for that price. I think in some parts, it is doing a good job. I give 6 out of 10.

The movie opens with an interesting scene that gets you hooked. Then it moves to Germany. I do not speak Turkish so I cannot tell the difference. The only weakness of this movie if there is one, would be the scenes in Germany. But it does not bother me too much because the story keeps you on your toes. It is riveting. It has some brilliant camera work as the movie gets darker and creepier. At times, it feels like a story from "twilight zone". At other times, I see glimpses of one the great all-time horror favourites "The Exorcist". All in all, it has good special effects and a good climax, all for $1 million? Great work! I found my new hero! This is one director/writer/editor to watch out for. More please!!

Turkish television screen-writer and director Alper Mestçi ("Dikkat Şahan Çıkabilir" & "Gen") re-teams with long-time collaborator Güray Ölgü to make his directorial début with this compelling little horror film which takes a fascinatingly Islamic spin on the exorcism story to create a Turkish box-office hit that was even distributed in Europe.

Turkish labourer Suat (Burak Özcivit) leaves his new bride Nurcan (Bigkem Karavus) behind and joins his childhood friend Metin (İbrahim Can) in Berlin to earn some money. Haunted by dark visions that drive him to attempt suicide Suat returns with and Metin to Istanbul to seek the advice of spiritual healer Haci Burhan Kasavi (Kurtuluş Şakirağaoğlu).

Burak Özçivit puts in an astonishing début performance as the tortured lead and develops a compelling chemistry with strangely ethereal romantic interest Biğkem Karavus as well as the supporting cast headed by İbrahim Can on solid form and including star turns from Selma Kutluğ and "Kurtlar Vadisi" veteran Kurtuluş Şakirağaoğlu.

The film-makers start off somewhat shoddily with some hokey shocks inspired by J-Horror hits such as "The Ring" and "The Grudge" but things soon settle down into a compelling little story that slowly ratchets up the tension with a few jumps and shakes along the way to create a Turco-Islamic horror a cut above most of the countries genre offerings.

"It was a great love but it was wrong!"