Midnight Son

I have been a fan of vampire films since I was young, and grew up with the classic vampire myths, no day walkers, no fighting werewolf's and no teenage never die over the top Hollywood type of films. Sure there are some great films about bloodsuckers that had huge budgets, great cast. great script, and then there are all those oh so forgettable cheap teen kiss love over the top vampire films of late, but this small budget B grade film fits in with the better ones.

Don't sit there and wait for a well know actor to show up, the acting is kind of stiff at times, not to much blood, but those short comings are well made up for with a fresh new story line, sure it sort of grabs bits of other films, but it still stands by it self.

It is well paced, direct to the point, and a whole lot better then some of the garbage of late, give it a go! I gave it a 7 out of 10

MIDNIGHT SON is an ultra low budget obscurity about a mild-mannered young man, hanging out on the streets of Los Angeles at night, who comes to discover that his rare skin condition (he burns in sunlight) is actually vampirism. The film follows two separate paths, following the guy's coming to terms with his real nature alongside his developing romance with an equally damaged drug addict.

For a really low budget film set within an overworked sub-genre, MIDNIGHT SON is a surprisingly decent little movie. It helps that the script is smart and literate, but it's the likable actors who really make you pay attention to this one. Zak Kilberg is fine and sympathetic as the newly fledged vampire while Maya Parish is heartbreaking as the object of his affections.

Although romance plays a big part in MIDNIGHT SON, the story is so dark and brooding that I didn't mind. This is much, much better than the big budget nonsense of TWILIGHT, filled as it was with silly scenes and bad acting; MIDNIGHT SON is much more realistic and downbeat. I particularly liked the evocative soundtrack, full of held notes and distorted sounds which add to the sense of growing unease.

Got to see this at the Toronto After Dark Film Festival. Wasn't really expecting a whole lot, as these are generally low budget movies. Except, this film ended up being the type that transcends the need for a large budget.

Can a movie about Vampires feel plausible? This one can. Everything was done with subtlety and grace, there was no need for suspension of disbelief. There were no unbelievable premises, sparkles or holy water.

Ultimately, there are lots of issues that could be applied allegorically to this particular brand of vampirism. It could have been a story about AIDS, Drug Addiction or Religious Zealots. Any condition, communicable, debilitating and ostracizing.

The casting was great, characters seemed organic and multifaceted. Everyone has their flaws and they are better for it. This is a gritty, raw film which never treats the audience like idiots. Never causes one to ask why, or shake their head in idle disbelief. It is smart and honest, authentic and unyielding.

A great first full length effort which will hopefully propel the careers of all involved.

Jacob works a night shift as a security guard in a building in Los Angeles. He has a rare skin condition, preventing him from being able to be out in the daylight. He develops a need for blood, which he satisfies at first, by getting it from a butcher. His body soon rejects the animal source and he finds a way to buy the human variety from a street hustler. He meets Mary, a strange girl selling candy and cigarettes outside a club. They begin an offbeat romance of sorts, and the first time they try to have sex, Jake's eyes turn cat like, and Mary leaves. When she returns and sees paintings of sunsets, she asks to take one home. An art gallery is shown the work, and Mary convinces him to let her try to sell them at a show. In the meantime, the vampire artist/security guard, struggles to obtain fresh blood. The romance is on again, off again, as the odd couple dance around the truth. The story is a standard one with two very good performances by Zak Kilberg and Maya Parish. They have chemistry, and made me want to see them make it and survive their troubles. It is certainly a step above the Twilight series of Stephenie Meyer.

An excellent, atmospheric and brooding horror film with a soul. This is not a cheap and tacky gore fest, it is a sharply written and engaging story of a young man who develops a condition that utterly changes his life.

The lead actor, Zac Killberg, inhabits his role totally. He is surely a massive name in the making, the other parts are all solid and convincing. The director, Scott Leberecht is now on my film stalker list. I'll hunt down his next film eagerly.

It is appalling that a film like this is barely heard of while utter drivel like "Transformers" rakes in the millions.

It deserves to be widely seen, so see it.