L'ambizioso artista Jabari cerca di trovare l'equilibrio tra amore e successo quando trasloca nell'appartamento dei suoi sogni a Manhattan e si invaghisce di una vicina.L'ambizioso artista Jabari cerca di trovare l'equilibrio tra amore e successo quando trasloca nell'appartamento dei suoi sogni a Manhattan e si invaghisce di una vicina.L'ambizioso artista Jabari cerca di trovare l'equilibrio tra amore e successo quando trasloca nell'appartamento dei suoi sogni a Manhattan e si invaghisce di una vicina.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Primetime Emmy
- 2 vittorie e 8 candidature totali
Jessica Williams
- Meadow
- (voce)
Laura Harrier
- Carmen
- (voce)
Ty Dolla $ign
- Ky
- (voce)
Timothée Chalamet
- Jimmy
- (voce)
Vanessa Hudgens
- Karina
- (voce)
Christopher Abbott
- Reed
- (voce)
Keith David
- Mr. Rager
- (voce)
Arturo Castro
- Len
- (voce)
Jaden Smith
- Jordan
- (voce)
Maisha Mescudi
- Ellie
- (voce)
Francesca Reale
- Sydnie
- (voce)
Kerwin Frost
- King of Hip
- (voce)
Kenya Barris
- Moderator
- (voce)
Luis Guzmán
- Huge Mover
- (voce)
Recensioni in evidenza
Kid Cudi's Entergalactic paints a dreamlike Manhattan with a gorgeous color palette. The film is about some ordinary events happening in this city. It is a work of art and beauty. Every frame feels like a painting, some even tell their own stories.
This Netflix special is a visual companion to Cudi's recent album (which I am unfamiliar with). The album is classified as a concept album, so it's only fair to describe this film a "concept movie." It tells simple stories using simple words, but there are emotions beneath the surface. Cudi voices Jabari, a street artist who just got a huge apartment in Manhattan. I assume Jabari is some sort of a fictionalized version of Cudi himself (personality-wise anyway). The story involves his relationship with his next door neighbor (Jessica Williams), a photographer. The similarity here is that they are both artistic people, which is only fitting since the movie has great artistic value. I fell in love with the bright and unique color scheme-rarely has Manhattan been illustrated more beautifully. And do I need to tell you that it has a killer soundtrack?
There are side characters, even some cameos. The voice work is greatly done, and I think the reason it works that well is that the characters resemble their voice actors. Many scenes here are just people hanging out and chilling, having conversations you would have with a good friend. To my surprise, they bring me comfort, instead of boredom. I guess it's because the flow is balanced well enough. This movie and Richard Linklater's Apollo 10 ½ have similarity in tones and how scenes play out. I love them both. They're great comfort movies. It's sad that neither gets enough attention.
This Netflix special is a visual companion to Cudi's recent album (which I am unfamiliar with). The album is classified as a concept album, so it's only fair to describe this film a "concept movie." It tells simple stories using simple words, but there are emotions beneath the surface. Cudi voices Jabari, a street artist who just got a huge apartment in Manhattan. I assume Jabari is some sort of a fictionalized version of Cudi himself (personality-wise anyway). The story involves his relationship with his next door neighbor (Jessica Williams), a photographer. The similarity here is that they are both artistic people, which is only fitting since the movie has great artistic value. I fell in love with the bright and unique color scheme-rarely has Manhattan been illustrated more beautifully. And do I need to tell you that it has a killer soundtrack?
There are side characters, even some cameos. The voice work is greatly done, and I think the reason it works that well is that the characters resemble their voice actors. Many scenes here are just people hanging out and chilling, having conversations you would have with a good friend. To my surprise, they bring me comfort, instead of boredom. I guess it's because the flow is balanced well enough. This movie and Richard Linklater's Apollo 10 ½ have similarity in tones and how scenes play out. I love them both. They're great comfort movies. It's sad that neither gets enough attention.
The story, the soundtrack, the dialogue, and most importantly the visuals - all come at you from different directions pleasantly triggering your senses. The frames per second are lower than 24, yet the movements seem so natural. Facial expressions so real. Emotional reactions so relatable. Lights so beautiful. Moments so memorable.
Kid Cudi's soundtracks really elevate the scenes with emotions and work as excellent transitions from one mood to the next. The art direction and coherency of visuals stitched together is remarkable, and very unique.
I put on the film with zero expectations, and here I am writing an 8* review for one of my favorites of the year.
Kid Cudi's soundtracks really elevate the scenes with emotions and work as excellent transitions from one mood to the next. The art direction and coherency of visuals stitched together is remarkable, and very unique.
I put on the film with zero expectations, and here I am writing an 8* review for one of my favorites of the year.
If you are fans of adults animation you got to the right address.
The movie is creative and gives some tonic vibes.
It's refreshing to see this movie and it is nice to see something that doesn't alike any movie that on the big screen.
The characters are relatable and easy to identify with.
The soundtracks and the songs on the movie are really good and gives cool vibes.
Although the animation and the shots were unique It wasn't the case for the plot.
It was kind of usual classic love story. The plots twist were predictable and on the first half of the movie you could see where it's going to.
And even though it was a cliche it didn't catch me in my feelings and I didn't fluster so much even from the emotional scenes.
The movie is creative and gives some tonic vibes.
It's refreshing to see this movie and it is nice to see something that doesn't alike any movie that on the big screen.
The characters are relatable and easy to identify with.
The soundtracks and the songs on the movie are really good and gives cool vibes.
Although the animation and the shots were unique It wasn't the case for the plot.
It was kind of usual classic love story. The plots twist were predictable and on the first half of the movie you could see where it's going to.
And even though it was a cliche it didn't catch me in my feelings and I didn't fluster so much even from the emotional scenes.
Despite its creators' insistence that it isn't, 'Entergalactic (2022)' is a movie; it's a feature length affair with character arcs and a defined structure. That's sort of besides the point, I suppose, but I just don't see how else you could classify this and think that rumblings of a so-called 'second season' are preposterous simply because there's no first season to begin with. It's all due to the confusion surrounding its production, of course. At one point, this was to be an anthology series, then it was to be short film, then it was expanded into its current form... there's very little this project hasn't been somewhere in its lifecycle. Anyway, the film is an animated romantic comedy that charts the beginnings of a relationship between its central couple. With its Spider-Man: Into The Spider-Verse (2018) aesthetic and its penchant for visual surrealism, the flick takes an energetic and effective approach to its material. Its grounded story is presented in a very stylised way, which makes it more compelling to watch than it otherwise may have been. Though the animation isn't as refined as that of its most obvious inspiration, it's still as distinct, lively and enjoyable as you'd hope. It has moments of alternate stylisation which work surprisingly well to differentiate its stories within its story from the wider story itself. There's a lot to like here, including realistic and likeable characters who interact in believable ways. On top of that, there are several montages that could play as music videos to the plethora of new Kid Cudi tracks that populate the score, something which is sure to please fans of the musician. It's a solid effort that's inarguably one of the most visually appealing in its genre.
I actually listened to the album before I knew there was a movie and was very underwhelmed and disappointed. I usually love Kid Cudi. But when I saw there was a movie I watched it right away. Yeah, it's a rom-com so it's a bit predictable and follows the same basic formula of EVERY rom-com but it still works. I love that the animation matches the actual cast members. This movie has some really cool visuals and the music is completely made better when paired with them. Some good laughs in there too. I'll have to give the album another try after having seen the film to see if it makes more sense now. Definitely worth a watch. It's cool to see creative people branch out into new mediums.
Lo sapevi?
- QuizThis was going to be a television series on Netflix but became a television special instead. Not only that, but Kid Cudi was intended on making it a live-action anthology series centering on the theme of love with one piece of animation, but Kenya Barris convinced him to make it completely animated.
- Citazioni
Downtown Pat: Love is a motherfucker, boys. It'll find us all. It'll hurt us all. But goddamn it, it's the only thing that'll save us all. If you got it, hold on to it.
- ConnessioniReferenced in AniMat's Crazy Cartoon Cast: The Nominees of the Big 50th (2023)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Giải Trí Thiên Hà
- Luoghi delle riprese
- New York, New York, Stati Uniti(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 33 minuti
- Mix di suoni
- Proporzioni
- 1.78 : 1
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