Questo racconto postapocalittico segue Augustine, uno scienziato solitario nell'Artide che cerca di impedire a Sully e ai suoi colleghi astronauti di rientrare sulla Terra, colpita da una mi... Leggi tuttoQuesto racconto postapocalittico segue Augustine, uno scienziato solitario nell'Artide che cerca di impedire a Sully e ai suoi colleghi astronauti di rientrare sulla Terra, colpita da una misteriosa catastrofe globale.Questo racconto postapocalittico segue Augustine, uno scienziato solitario nell'Artide che cerca di impedire a Sully e ai suoi colleghi astronauti di rientrare sulla Terra, colpita da una misteriosa catastrofe globale.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 5 vittorie e 46 candidature totali
Demián Bichir
- Sanchez
- (as Demian Bichir)
Lilja Nótt Þórarinsdóttir
- Frantic Woman - Katherine
- (as Lilja Nótt)
Recensioni in evidenza
I mean, it looks great, filmed great, the actors are good but the story... dear god.. what was the point... it literally goes absolutely nowhere.
A struggle to sit through this tedious behemoth of a movie.
Nothing really happens and you feel ripped off at the end.
Visually engaging space shots. That's it.
When writing a script, a book or creating any sort of story-telling medium, every scene MUST have a purpose to further develop the plot, characters, or atmosphere.
The beginning of the movie starts well-enough. The pacing of the movie, atmosphere and the beginning of the plot is set. You fully understand what is happening and have a general idea of what challenges the protagonist might face. However, after about 30 minutes, the movie slows down. A lot.
Each and every scene thereafter is meaningless to the viewer and useless to the film director. Every challenge the characters face is short-term and has nothing to do with the overall story (oh no, I lost my luggage!) It is only until the last 12 MINUTES of the movie, does the story advance albeit very little.
After sitting through the movie for an hour and a half, I was debating on looking for another movie, but I stuck with it. If not for me, then for my readers.
Pass on this movie. It's not science fiction, but more of a B grade movie with great sci-fi visuals. I enjoy slow-paced science fiction (Interstellar, Gravity), but this is not slow-paced. It's no-paced.
The beginning of the movie starts well-enough. The pacing of the movie, atmosphere and the beginning of the plot is set. You fully understand what is happening and have a general idea of what challenges the protagonist might face. However, after about 30 minutes, the movie slows down. A lot.
Each and every scene thereafter is meaningless to the viewer and useless to the film director. Every challenge the characters face is short-term and has nothing to do with the overall story (oh no, I lost my luggage!) It is only until the last 12 MINUTES of the movie, does the story advance albeit very little.
After sitting through the movie for an hour and a half, I was debating on looking for another movie, but I stuck with it. If not for me, then for my readers.
Pass on this movie. It's not science fiction, but more of a B grade movie with great sci-fi visuals. I enjoy slow-paced science fiction (Interstellar, Gravity), but this is not slow-paced. It's no-paced.
Just a mess of disparite scenes stitched together with little or no narrative. The movie doesn't know what it is trying to be and therefore ends up being nothing new or interesting.
I saw this in a cinema as I was hoping it would be a more immersive experience than waiting for it on Netflix. I have fallen alseep three times in a cinema. This was one of those films.
George Clooney is a good actor and director. Good Night, and Good Luck is one of my favourite films. This was just a disaster.
I saw this in a cinema as I was hoping it would be a more immersive experience than waiting for it on Netflix. I have fallen alseep three times in a cinema. This was one of those films.
George Clooney is a good actor and director. Good Night, and Good Luck is one of my favourite films. This was just a disaster.
It felt like over 3 hours - and that's me fast-forwarding the uselessly long 15 min outdoor repair/karaoke scene as well as some other long pointless scenes. Someone forgot to hire an editor to at least chop this down to 80-90 min max runtime. This film was based on a novel - was it as slow and boring as this film? It could've been much better with some "Hollywood" added into the writing whilst cutting down/out some of the long dragged out and useless scenes. And the screenplay needed to be tighter and lean more towards one genre; if you separated the "arctic adventure" from the "sci-fi", you may have had two much better short films. Combined, it was a lot of filler, with very little substance. Don't get me started on the very predictable and cliched writing-in of the absolutely adorable Caoilinn Springall as Iris in her first ever role. The awesome score also needed to be toned down, as it was too constant and overbearing - something you'd expect in a B-grade film. The S/VFX, set visuals and cinematography were absolutely stunning. The casting was excellent, but their talents were wasted in this poor story-telling that really didn't require much acting talent. Sadly, it's a very generous 6/10 from me, all going towards the visuals and effects.
Lo sapevi?
- QuizSully's pregnancy was the result of Felicity Jones getting pregnant in real life.
- BlooperWhen Clooney's character falls into the water while making the trek to another communications/satellite station, he would likely have succumbed to after just minutes.
- ConnessioniFeatured in Jimmy Kimmel Live!: George Clooney/Amanda Seyfried/Tones and I (2020)
- Colonne sonoreTennessee Whiskey
Written by Dean Dillon and Linda Hargrove (as Linda H. Bartholomew)
Performed by Chris Stapleton
Courtesy of Mercury Nashville Records
Under license from Universal Music Enterprises
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 70.018 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.11 : 1
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