VALUTAZIONE IMDb
6,3/10
113.170
LA TUA VALUTAZIONE
Nel prossimo futuro, un uomo incapace di pagare l'ipoteca sul suo cuore trapiantato va in fuga prima che i creditori possano riaverlo.Nel prossimo futuro, un uomo incapace di pagare l'ipoteca sul suo cuore trapiantato va in fuga prima che i creditori possano riaverlo.Nel prossimo futuro, un uomo incapace di pagare l'ipoteca sul suo cuore trapiantato va in fuga prima che i creditori possano riaverlo.
- Premi
- 2 candidature totali
Recensioni in evidenza
Can't believe all the lowball ratings on here. It's a solid sci-fi, it's not going to blow you away but you're not going to be sorry you watched it.
Repo Men came out in 2010 so it's 9 years old but doesn't feel dated at all.
Stars Jude Law, Forest Whitaker and Liev Schreiber and they don't disappoint.
The movie is categorized as Action, Crime, Sci-Fi but i would add Dark Comedy as well.
I gave it an 8 but was tempted to go 9.
That's all i can think of right now :)
Stars Jude Law, Forest Whitaker and Liev Schreiber and they don't disappoint.
The movie is categorized as Action, Crime, Sci-Fi but i would add Dark Comedy as well.
I gave it an 8 but was tempted to go 9.
That's all i can think of right now :)
Just a great old fashioned action/thriller that is not watered down for a PG-13 rating. Thought it held up quite well and Jude Law, Forest Whitaker and Liev Schreiber were having a blast playing these over the top characters. Seems like a lot of reviewers are taking it much to seriously. Watch it for the entertainment that it is and you will not be disappointed!
All in all, I found this movie quite a disappointment. I have a soft spot for sci-fi, and as several others have commented, Jude Law is a good reliable actor in sci-fi roles. But this movie seems awkwardly assembled, not quite thought-out, and a bit too proud of itself to be taken seriously. Throughout the film, at what seem to be important developmental points or even plot twists, there are one-liners tossed out with great sincerity, which in most cases either sound silly, pretentious, intellectually impoverished, or simply misplaced in this film. The first scene of the film, for instance, we are given a summarization of the 'Schroedinger's Cat' experiment, complete with some of the horrible logic underlying the film--- 'if something isn't definably dead or alive, then it must be both'. The fact that this statement shows a misunderstanding of both the scientific and philosophic merit of the experiment isn't the problem, because even incorrect junk science can be a good vehicle in a movie. The problem is that there's no reason to bring this up in the first place. the movie doesn't tackle whether things are dead or alive, whether being comprised of 'rented organs' is an crisis of existential definitions or what have you. The reference is just thrown in there to sound smart, to seem thoughtful, when the film is anything but. And this sort of pseudo intellectual posturing contaminates the movie.
The whole film's pace feels quite forced, as well. Jude Law seems underutilized. One can't help but wonder if he got drunk for the majority of the shooting for this film. When his wife leaves him, there's almost no emotion in the scene. When twenty minutes later our hero has decided to dedicate his eternal love to a street girl he finds attractive, there's really no chemistry whatsoever--- but apparently the movie insists that there be a love interest, and so it's just thrown in there, pointlessly. Because even in this day and age, it's apparently impossible to propose a hero character without a token damsel in distress.
Then there's the kind of gratuitous and uncomfortable 'surgical sex' scene. It's apparent that whoever choreographed it thought they were being clever, but the whole thing just seems like an attempt to force some sort of correlation between sex and surgical procedures that really just felt misplaced, and kind of heavy-handed. Granted, it has a purpose within the plot, but it's basically a slice of experimental film amid a sci-fi action flick, and like a lot of experiments, it fails.
There are some positive points to the film. While Jude Law's acting is a disappointment, Forrest Whittaker delivers a solid role. The action scenes are quite good, and while the overbearing presence of music makes some of it feel like a weird music video, it's nonetheless well-choreographed fighting and slashing. Some of the sets are good, although a fair number of sets and sequences seem blatant rip-offs of 'Brazil' (to say nothing of the ending)...
A pretty mindless flick. It's better than watching dust settle on your screen. A prettily-packaged emptiness.
The whole film's pace feels quite forced, as well. Jude Law seems underutilized. One can't help but wonder if he got drunk for the majority of the shooting for this film. When his wife leaves him, there's almost no emotion in the scene. When twenty minutes later our hero has decided to dedicate his eternal love to a street girl he finds attractive, there's really no chemistry whatsoever--- but apparently the movie insists that there be a love interest, and so it's just thrown in there, pointlessly. Because even in this day and age, it's apparently impossible to propose a hero character without a token damsel in distress.
Then there's the kind of gratuitous and uncomfortable 'surgical sex' scene. It's apparent that whoever choreographed it thought they were being clever, but the whole thing just seems like an attempt to force some sort of correlation between sex and surgical procedures that really just felt misplaced, and kind of heavy-handed. Granted, it has a purpose within the plot, but it's basically a slice of experimental film amid a sci-fi action flick, and like a lot of experiments, it fails.
There are some positive points to the film. While Jude Law's acting is a disappointment, Forrest Whittaker delivers a solid role. The action scenes are quite good, and while the overbearing presence of music makes some of it feel like a weird music video, it's nonetheless well-choreographed fighting and slashing. Some of the sets are good, although a fair number of sets and sequences seem blatant rip-offs of 'Brazil' (to say nothing of the ending)...
A pretty mindless flick. It's better than watching dust settle on your screen. A prettily-packaged emptiness.
This movie is a great analogy between what happened due to "the innovations" in the financial world. Example: "Sure you need to buy this house and sign for the mortgage ... you owe it to yourself ... you owe it to your family" ... And a couple of years later they take away your house and leave you with a great debt that also ruins your life and may even cost your life. More and more people are not able to cope anymore and commit suicide and sometimes even kill their own young children to "spare them". The people that come to collect or sell your stuff can be compared with the repo man. They can do it, until they're a victim themselves ... What I didn't like about this representation of how the system has become way more important than what is was for ... is the amount of blood. Still, it makes it all the more horribly and painfully clear what we're dealing with here ... What I liked about the story, is how it's presented that the bond between two people ain't all that clear. It was astounding to find out how it finally turns out what Jake has arranged for Remy.
Lo sapevi?
- QuizMoments before the filming of the Chinatown scene a crew member was approached by a local Chinese person who pointed out to him that all the neon signs with Chinese characters were upside down. A frantic rigging crew proceeded to flip all the signs while the shooting crew shot in the direction of the newly flipped signs.
- BlooperWhen Jake and Remy fight in the derelict apartment and Remy wins, he is wearing street clothes. But when, at the end of the film, he is shown on the stretcher attached to the Neural Network machine after, in reality, losing this fight with Jake, he is wearing the combat clothing that he wore in the Union headquarters building, which was when he was in a dream state.
- Curiosità sui creditiAn advertisement screen for The Union appears at the end of the closing credits.
- Versioni alternativeThe Unrated version released on home video contains ~10 minutes of additional/alternative footage.
- ConnessioniFeatured in The Rotten Tomatoes Show: Repo Men/The Bounty Hunter/The Runaways (2010)
- Colonne sonoreSway (Mucho Mambo)
Written by Norman Gimbel, Pablo Beltrán Ruiz, Luis Demetrio (as Luis Demetrio Traconis Molina)
Performed by Rosemary Clooney featuring Dámaso Pérez Prado (as Perez Prado) and His Orchestra
Courtesy of The RCA Records Label
By Arrangement with Sony Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Los Recolectores
- Luoghi delle riprese
- Lower Bay Station, Toronto, Ontario, Canada(subway station and subway train)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 32.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.794.835 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.126.170 USD
- 21 mar 2010
- Lordo in tutto il mondo
- 18.409.891 USD
- Tempo di esecuzione
- 1h 51min(111 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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