L'ex marito violento di Cecilia si toglie la vita e le lascia la sua fortuna e lei sospetta che la sua morte sia stata una bufala.L'ex marito violento di Cecilia si toglie la vita e le lascia la sua fortuna e lei sospetta che la sua morte sia stata una bufala.L'ex marito violento di Cecilia si toglie la vita e le lascia la sua fortuna e lei sospetta che la sua morte sia stata una bufala.
- Regia
- Sceneggiatura
- Star
- Premi
- 43 vittorie e 84 candidature totali
Serag Mohamed
- Strike-Stun Guard
- (as Serag Mohammed)
Recensioni in evidenza
With the pandemic I think studios released the movies they were not in love with and are still holding on to their best movies for later this year or the beginning of next year. There was an abundance to stream but The Invisible Man was one of the few movies I thought was actually good.
Elisabeth Moss had an excellent performance. Really making me feel the horror of the situations she was in. The concept was nice. It was executed well with some terrifying scenes. Not just seeing the horror but making you imagine the horror. There were some by the book scenes but the creators also did create some memorable unique scenes. Worth the watch.
Elisabeth Moss had an excellent performance. Really making me feel the horror of the situations she was in. The concept was nice. It was executed well with some terrifying scenes. Not just seeing the horror but making you imagine the horror. There were some by the book scenes but the creators also did create some memorable unique scenes. Worth the watch.
I loved this movie so much. I loved Elisabeth Moss's performance if her acting didn't work then we wouldn't believe there is an invisible man but she sells it. I like the cinematography in the movie, I love it when they move the camera to a random spot in the room and we think the invisible man is there and them kinda showing he's somewhere in the room with her, which creates a lot of tension in the scenes. I love the tension in each scene and they do a very good job of capturing tension throughout the whole movie. They have an absolutely stacked cast and they all do an amazing job. I think they did a pretty job at the score it really worked in the tension of the scenes and it elevated each scene and the whole movie and it flowed with each scene it never felt off at all. I felt so bad for the character of Elisabeth Moss because the evidence is right there and the doctors aren't believing her, and everything that happens to her too. They do an amazing job at fleshing out the character of James who is played by Aldis Hodge he also does an amazing job and I cared about him so much throughout the whole story. The story kept me on the edge of my seat from start to finish, and it kept me wanting to learn more or see what was going to happen next. I only have two problems with the movie a bit of the dialogue is bad at times and there are times where the decisions that were made were not logical at all besides that I think it is pretty good. Overall I loved it and would recommend it to anyone.
Leigh Whannell is not a subtle filmmaker - at least, that's what I used to think. The Saw and Insidious movies are over-the-top and shocking, which is fine, and I enjoyed Upgrade quite a bit, but I was afraid the Invisible Man would fall into the same trap of shock-value over substance. Thankfully, I was wrong.
From the opening scene, the movie sucks you in with tension and unease. Cecilia (Elizabeth Moss) is trying to escape from her abusive boyfriend while he is asleep, and with practically no dialogue or exposition, we immediately understand the situation and feel for Moss' character. She's trapped in an abusive relationship and fears for her life. It's a testament to Whannell's deliberate direction, using visual cues to give us the information we need while slowly ratcheting up the suspense. The movie is not reliant on jump scares. There are a few, but they're 100% earned and actually effective because we care about the characters. The excellent score helps add to the atmosphere, alternating between pulsating ambience and melancholy orchestral bits.
From the concise writing, likable characters, clever directing, a powerhouse lead performance, and a genuinely scary villain, The Invisible Man gets just about everything right. I suppose you could nitpick some of the logic, but that's missing the point. It's a film about gaining freedom from a toxic relationship, and Whannell knows exactly how to pace the story so that we don't spend too much time dwelling on potential plot holes. Overall, a gripping and expertly crafted psychological thriller.
From the opening scene, the movie sucks you in with tension and unease. Cecilia (Elizabeth Moss) is trying to escape from her abusive boyfriend while he is asleep, and with practically no dialogue or exposition, we immediately understand the situation and feel for Moss' character. She's trapped in an abusive relationship and fears for her life. It's a testament to Whannell's deliberate direction, using visual cues to give us the information we need while slowly ratcheting up the suspense. The movie is not reliant on jump scares. There are a few, but they're 100% earned and actually effective because we care about the characters. The excellent score helps add to the atmosphere, alternating between pulsating ambience and melancholy orchestral bits.
From the concise writing, likable characters, clever directing, a powerhouse lead performance, and a genuinely scary villain, The Invisible Man gets just about everything right. I suppose you could nitpick some of the logic, but that's missing the point. It's a film about gaining freedom from a toxic relationship, and Whannell knows exactly how to pace the story so that we don't spend too much time dwelling on potential plot holes. Overall, a gripping and expertly crafted psychological thriller.
Mad scientist is also an abusive stalker. Starting when Cecelia gets away from the abusive stalker, she nonetheless continues to be impacted by the echoes of the emotional abuse. But these aren't echoes. Elizabeth Moss does well to turn the woman of domestic violence into one of psychological breakdown. She keeps the movie engaging. Whannell manages the direction of this film well (he also wrote the story and screenplay). He frames shots expertly to give empty space a personality. Worth the rental.
I absolutely hate scary movies & try to avoid them wherever I can, however, my housemate got free tickets to a preview screening & I can't say no to popcorn.
I was so pleased with this film & im so glad I went. This movie was like Gone Girl on crack, it was sooooo good! Kept you on edge majority of the movie & Elizabeth Moss' performance is one to remember. Her acting was so good, even I began to believe she was insane.
The music & sound effects are loud af & as always, makes everything ten times scarier than it needs to be but storyline is magnificent & the twists kept coming.
And if you hate horrors just like me, the lead up to any jump scares is predictable af so you know when they're coming lmaooo.
I was so pleased with this film & im so glad I went. This movie was like Gone Girl on crack, it was sooooo good! Kept you on edge majority of the movie & Elizabeth Moss' performance is one to remember. Her acting was so good, even I began to believe she was insane.
The music & sound effects are loud af & as always, makes everything ten times scarier than it needs to be but storyline is magnificent & the twists kept coming.
And if you hate horrors just like me, the lead up to any jump scares is predictable af so you know when they're coming lmaooo.
Lo sapevi?
- QuizLeigh Whannell chose not to have an opening establishing Cecilia's predicament with Adrian "because I wanted to just drop the audience into Cecilia's situation without any back story and make them feel everything through her, and luckily I had Elisabeth Moss who is very good at communicating a lot to the audience without saying anything."
- Blooper(at around 37 mins) Cecilia passes out at a job interview from a high dose of diazepam (Valium). But if she had that much drug in her system she likely wouldn't have been able to walk into that interview, at least not in a straight line.
- Citazioni
Cecilia Kass: He said that wherever I went, he would find me, walk right up to me, and I wouldn't be able to see him.
- Curiosità sui creditiThe opening credits appear amidst large waves crashing against a cliff, appearing invisible until the waves crash against them and reveal them briefly.
- Versioni alternativeThe UK release was cut, this film was originally seen for advice. The distributor was advised it was likely to be classified 18 uncut but that their preferred 15 classification could be obtained by making small changes to one scene to remove bloody injury detail during an attempted suicide. When the film was submitted for formal classification, the shots in question had been removed and the film was classified 15.
- ConnessioniFeatured in Jimmy Kimmel Live!: Elisabeth Moss/Dan Abrams/Dustin Lynch (2020)
- Colonne sonoreKids
Performed by Rich Brian
Courtesy of 88rising
Written by Rappy (as Sergiu Gherman), Tyler Mehlenbacher, Daniel Tannenbaum, Rich Brian (as Brian Soewarno), Adam Feeney (as Adam Feeney), Sean Miyashiro and Craig Balmoris
© Published by 88Rising Publishing LLC
© Published by One77 Music LLC
Administered by Kobalt Music Publishing Australia Pty Ltd
Universal Music Corp., Song of Universal Inc.
Administered by Universal Music Publishing Pty Ltd
© Quiet as Kept Music Inc. Licensed by EMI Music Publishing Australia Pty Limited
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Suitable Flesh
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 70.410.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 28.205.665 USD
- 1 mar 2020
- Lordo in tutto il mondo
- 144.492.724 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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