Man in Room 301

Unfortunately for me this show delivered characters that seemed to have very little emotion or energy. After watching all the episodes I actually read somewhere, that the script was British and that it was modified to better suit "the Finnish way of communication and self expression" which was considered to be more low-key. I cannot see why this would have been necessary, and cannot be happy with the result. They could have left a pulse at least...

There are some great supporting roles and actors such as Elias Gould and Elias Salonen, who bring the show to life. I was more interested in them, than in the "main family". The story itself is great, I liked the game with timelines and it did kind of pick up towards the end.

I really liked this series. I can understand the people who felt lukewarm about it - it has its fair share of contrivances and slightly unbelievable plot twists. But what made it for me were the performances - mostly 10/10 imo - and the way it didn't overreach into the backgrounds of the families to try and explain why they were so dysfunctional. I thought the direction was good and the storyline just about plausible. And the ending was satisfying - obviously very contrived, but the key message that the sins of the fathers do not necessarily have to be visited on the generations that follow left me feeling a bit more upbeat about life, especially after being in Covid isolation for a few days :)

I have to admit I nearly gave up after the first episode. The constant toing and froing between now and back then was wearying and confusing. I stuck with it and by the end of episode two, things had started coming together.

I think this production suffers when compared to some of the other excellent stuff that has recently come out of Finland. It's nowhere near on the level of Sorjonen or All The Sins. Nonetheless, it's a competent, if predictable drama that entertains in a series of six manageable-length segments.

The plot twists and revelations are obvious a mile off. We know that the original accident cannot be as was alleged because we are not shown it in its entirety. It's also pretty obvious that the least likely person is going to be the baddie. And that the original plotters are going to get their just desserts.

There are gigantic plot holes, unfortunately. It's unlikely to the point of impossibility that any Finn (or even any Western European) would waltz off with someone else's kid, on one occasion taking him to another island, without parental consent which was not even sought. There were also dichotomies in some of the characters' personalities that made them act in ways that were not consistent with their previous motivations. I can't believe how superficial the police investigation was either nor how forensics, which were mentioned, didn't manage to drill down further to the truth.

I didn't binge watch. I took it at a pace of two episodes a day and that was quite enough. I was perfectly happy to have watched this for what it was which is an easy bit of confectionary to while away some empty afternoons (we are still locked down here).

Wasted potential. Starts off strong and I was intrigued by the family secrets. But...This show was so frustrating to watch and the ending made no sense. Multiple creepy young men creep around, but no one ever seems to be creeped out until it's too late. I yelled "ASK WHY?!?!" at the screen many times. No one seems to want to know why anyone does inexplicable creepy things.

We've now got used to these thrillers dramas etc . I looked forward to this one , my biggest problem is the way they've put it together , jumping to different years so if you look away for a second suddenly you find it's leapt back or forward to a random year it seems !! Otherwise it's pretty enjoyable but it does need your full concentration