Invictus - L'invincibile

Set in the early to mid 90's, Clint Eastwood's "Invictus" covers the first year of Nelson Mandela's presidency and how he pushed the nation's rugby team, led by captain Francois Pienaar, to achieve World Cup glory. However, Mandela's backing of the rugby team splits many hairs, as the "Sprinboks" have come to be a symbol of apartheid for millions of South Africans, making Mandela risk the very base that pushed him into office. He must also deal with personal security, his exhaustive schedule, and the strains on his personal life.

As much as I respect Morgan Freeman, I was concerned that his presence would be distracting, that I would be seeing him instead of Nelson Mandela. I shouldn't have worried. Freeman completely immerses himself into the role and gives one of the best performances of the year. Not only are his accent and tone of voice quite good, but he brings a true 3-dimensionality to the role. Compare, for example, him having tea with Francois, to talking with his family, and to making a political speech. Freeman nailed every facet of Mandela's life.

Damon also excels as Pienaar, the solid enough rugby player who must do more than just lead by example for his team. The screenplay, adapted by Anthony Peckham, doesn't offer many narrative surprises, but it does do a good job examining not only the strife South Africa was in when Mandela was elected, but also the value of the team to the entire nation. Eastwood wisely plays the material straight. Though the material may seem familiar, the performances by Damon and especially Freeman are what elevate this tale into a solid and even uplifting drama.

Invictus is an enjoyable film, Morgan Freeman is great as Mandela and it's an inspiring story. The movie revolves around the 1995 Rugby World Cup and Mandela's attempt to unite South Africa behind its rugby team. Mandela develops a relationship with team captain Francois Pienaar (Matt Damon)playing the role of mentor and motivational coach.

Although it's well-made and worth watching. As a rugby fan I was a little disappointed with the action on the field although most ordinary film-goers may not notice. I am not convinced the director (Clint Eastwood) really understands the game and the actors hired to play the Springboks didn't really look the part. At 5'10" Matt Damon is a little small to play the 6'3" and 240 lb Pienaar. Pienaar was a popular charmer with a ready smile and a real ambassador for South African rugby. Damon still seemed to be playing Jason Bourne. It was an intense performance but it wasn't how I remembered Pienaar.

South Africa had not been allowed to play in previous world cup tournaments and the years of isolation had left the Springboks uncompetitive. They were seeded ninth coming into the tournament but exceed expectations by reaching the final. The action focuses on the final match with New Zealand. New Zealand had an amazing wing (running back) in the 20 year old Jonah Lomu who at 6'5" and 265 pounds seemed unstoppable. South Africa really were the underdogs. It was also the only time that the All Blacks have managed to reach the final since 1987. They usually get beat by the French (1999, 2007) or Australia (1991 and 2003)in the quarters or semis.

Overall it's nice for rugby to finally receive some recognition from Hollywood, because it's a major global sport. It's a good film.

I discovered that "Invictus" is a short poem by the English poet William Ernest Henley. The title is Latin for "unconquered". It was first published in 1875.

People forget that Nelson Mandela came to power at a time when his country was bitterly divided. There was the bitter experience that white South Africans saw in their neighboring countries,i.e., Rhodesia, now Zimbabwe and other nations where the White colonialist had been replaced by Black African politicians and a stable government had been replaced by corrupt, self-serving regimes where those in power feathered their nests after seizing the assets of their former White citizens and placed all their friends in positions of authority with the result of the country going to the dogs. The scene where the Afrikaaner newspaper remarks, "Mendela can get elected but can he run a country," and the superb Morgan Freeman remarks to his bodyguard that the headline raises a good point.

In a sense, this film is about Mandela. The rugby team becomes a metaphor of what he faced when ascending to the presidency, a nation divided. Noting that the Black South Africans were cheering for the opposition in the face of the old Apartheid guard whose love of rugby unified them. It's easy to forget that there was a great division among White South Africans, i.e., the descendants of the Boers, Afrikaaners, and the rest. There was even a middle ground with the "Coloreds," Asian South Africans, being caught between these two worlds and there were bitter rivalries among the competing African political interest groups as well.

Mandela's focus on reviving the national rugby team and making it a symbol of a new united nation homes in on the role of Matt Damon, an Afrikaaner who's the captain of the team. Francois is the catalyst that makes this story work and Damon, the rugged Mick from Boston, does a fantastic job showing the transition from hopelessness to hope as many White South Africans felt at that time. The wonderful thing about this film is its touching on all the levels. It goes beyond being merely the story of a single man or group of men. Sure, we love a "feel good" movie and of course we love an "underdog can win" flick, but this film works works because its about people working together to rebuild something new for everybody.

The film reeks with great moments: Pienaar visiting the cell where Mandela spent more than 20 years of his life, thinking and planning; The New Zealand Rugby team doing their Maori threat dance before the match; the jet buzzing the field before the game-- and so on. See it. Enjoy it. And, don't forget, it's a bit of history. Romanticized? Somewhat. Mandela wasn't able to solve all of South Africa's big problems, but he did one bang-up job for the Springboks.

Nelson Mandela has been released from prison and was voted as the South African president. Wanting to unite his country, he found a way to do so with rugby and in the South African team captain, Francois Pienaar.

Morgan Freeman was born to play this role, he knew so, and that's why he produced this film. A dream project of his, waiting for someone to take the job of directing, his old friend Clint Eastwood steps in. Who says no to Clint? Especially Freeman, who under Eastwood's direction won an Oscar for Best Supporting Actor. Invictus, William Ernest Henley, which is read by Mandela in the film, is well crafted and has a strong lead role. Unfortunately, the film is a by the numbers product that you seem to forget once you leave the theatre.

My main problem with the film is the lack of emotion. I couldn't care for any of the characters in this film, save for Freeman, who as I stated does an excellent job. Matt Damon, who is shown on the poster, has the supporting role here. But he is given absolutely nothing to do except play rugby. His character has no story to him, but aren't we suppose to believe in him? After all, Mandela does. He gives him inspiration to win the world cup. Matt Damon does an alright job, but nothing worth mentioning. The same goes for the rest of the cast, they seem to be there just because the story is based on real life.

Eastwood knows how to direct a film, the Academy seems to think so too, so you know going into it that it well be well crafted. This is Eastwood's first step into a semi sports movie genre. The sport is rugby, and after watching the film, I still have no idea how to play it. The final act of the game is in slow motion as well, clichéd? You know it. You can hear every grunt from every player. It is elongated to the point of annoyance. The rugby sequences did not pull me in, nor did I care for who was going to win. It doesn't feel like he is trying to step out of his comfort zone either. It feels like an Eastwood movie, take that as you want.

The best parts of the film, are when Freeman commands the screen. His presence is more interesting and entertaining than any of the rugby scenes. Speaking of a rugby scenes, I must say that every 'epic' shot of the fans in the stands looked horribly fake. At some points I thought I was watching a PS3 game. It really took me out of the experience of the film.

If the film were a bit shorter and more focused (is it a sports film or character driven film?) than I could maybe invest my interest. It seemed to balance both as nice as it could, but ultimately gave out to one more than the other and unfortunately it's the weaker part. Eastwood chooses to sidestep more important things in the film. Is this because of the script? Are we suppose to want to keep watching Mandela inspire a rugby team to unite nation? The racial undertones are there at the beginning, then completely forgotten. In the end, I wanted more from this film.

The film is not bad, it's moderately good. Some scenes are actually inspiring, but that's more because of Freeman and not the generic script. I guess I wanted a little bit more from this one. Everyone involved made it seem like it should have been a great success, instead it comes off as something that everyone just decided to throw together. This is another film that belongs in that category of good, but not good enough for me to want to recommend it to you for theatre viewing.

In surely one of his lightest and straight-forward works of his career, Clint Eastwood has achieved one of the most inspirational films of the year with his new film, Invictus.

Starring Academy Award Winners Morgan Freeman as South African President Nelson Mandela and Matt Damon as Rugby Captain Francois Pienaar, Invictus is a picture full of emotion, magnetism, and revelation. What critics and audiences may be deceived by is belief that this is THE Nelson Mandela biopic which it is not. It is the story of Nelson Mandela's first years as President of the culturally separated country South Africa in 90's. In a way to unify his people, Mandela used the country's love for Rugby to connect the whites and the blacks. As their record has been less than impressive, no one expects anything notable from the Springboks. Mandela taps the captain of the team to rally his troops and surge into battle for the greater good of his country.

Everything about Invictus works on so many degrees of the medium based on the book "Playing the Enemy." The film never comes off as too pretentious or egotistical; it requires nothing more from the viewer than an open mind and heart. Eastwood directs the film perfectly, laying back when he needs to, never pushing the subject matter or shoving it down our throats. He utilizes all the skills we've come to love about his earlier works in Million Dollar Baby, Mystic River, and Letters from Iwo Jima. The use of light shows a character' s vulnerability inhabiting their souls or a score by Kyle Eastwood that offers both zeal and subtlety during a rugby match.

Cinematographer Tom Stern hits another one out of the park, catching all the fury and apprehension of all the different elements of this strenuous time. Joel Cox and Gary Roach edit the film with the perfect amount of precision and friction.

Morgan Freeman as Mandela is a wonderful charmer, showing the man's most hostile yet tranquil behaviors. Not necessarily the most engulfed characterization seen on film this year as Freeman's accent comes in and out of remission, but it's a tremendous performance worthy of an Oscar nomination.

Matt Damon, showing himself as one of the best working actors today, doesn't have enough of the character depth and arc to carry the picture. Damon's performance doesn't allow him to really go anywhere. It's a superb turn, with a great accent inhabitance, that warrants credit where the credit is due. However, Damon requires nothing more than a little motivational speaking and responsive humility.

Invictus, is one of the best pictures of the year, standing in the ranks of one of the best sports films of the decade. This is the type of film that Oscar will likely be all over and fall in love with. I concur.

****/****