Life Blood

Blood and all that. Although I reckon some would argue sucking differently. And there is no wrong or right when it comes to taste. You have two women playing the leads which might come off as a dream and a nightmare for male viewers. There is quite some bite behind them and they do have different personalities. Whether you will like where this is going will be up to you.

The movie is nicely done and more than decent. If you like your horror movies to be low budget and low key but still brutal, you could do worse

This "film" was made for people who were severely, nay - obsessively, disappointed that there wasn't more lesbianism on "Buffy the Vampire Slayer." I mean, why else would anyone make this half-hearted attempt at a movie? The plot, as divined from the back of the Burger King bag upon which it was scrawled, involves God (!) coming down to earth to select an earthly avenger. (Seems people didn't learn from that whole 40 day flood thing and she's cheesed off again.) God's plan for the chastisement of humanity? Simple - make a randomly selected lesbian into an unstoppable vampire killing machine and send her out to smite the wicked.

Seriously.

Yes, that's the best plan an omniscient, omnipresent and omni-benevolent Deity could come up with - a plot that would have been rejected by the pea-brained corporate cretins who run cable TV. And SHE created US? And the world and everything in it? AND She screws even *that* up, if you can believe it. When her chosen earthly avatar pleads for the life of her lover, who also happens to be a psychopathic killer, God takes pity and turns her, too, into an unstoppable vampire.

Did I say 'omniscient?' Sorry. I meant 'dumb as a bag of hammers.' All that is just the set up for the ultimate battle between the scantily clad lesbians of good and evil. That makes it sound a lot more interesting than it is, since there wasn't nearly enough budget for an apocalyptic showdown. In fact, there was barely enough for a minor skirmish between the forces of nice and mean. The only upside to this apocalyptic train wreck is that the evil vampire lesbian gets to kill as annoying a bunch of bit players, extras and has-beens as has ever been assembled.

Certainly not enough to build a movie around, nu? But that's the real secret of "Murder World." It isn't really a movie. "Murder World" is poorly made masturbation material for lonely vampire-obsessed comic book collecting fan-boys. Everyone else - feel free to avoid this sticky mess like you would one of the Ten Plagues of Egypt.

I LOVE this film. Of course, it's completely over the top campy ridiculous . . . and incredibly entertaining! Sophie Monk absolutely nails her character, "Brooke", but that's not to take anything away from her counterpart played by Anya Lahiri. Everyone must have been having a good time making this film; I can't imagine anyone getting too serious while creating this production, but that's the whole point. Scary? No, not even remotely. Flawed? Well, any variety of "flaws" can be noted. But there's not a dull moment. Even the original soundtrack songs performed by Nicole Chase were quite decent, fit well with the mood of the film. No, this is not a "serious" vampire story by any stretch of the imagination, but is it fun? Absolutely!

After dying and coming back to life as vampires, two women try to control their advanced powers in a new world but can't escape their pasts as they threaten their secret life and their friendship and forcing them to choose life or death.

Overall, this was a pretty decent and enjoyable if slightly flawed vampire effort. The main thing about this one is the fact that it tends to take an entirely different take on the genre which is not only wholly original but helps this one immensely by allowing this to take a different route through the story. By making the change occur as a result of a cosmic gift rather than a viral infection to be spread through neck-bites or blood-drinking, there's a different ethereal feel to them and how they go about being involved in the different confrontations takes a rather unusual turn here by keeping the remaining qualities of the creatures intact beyond this one simplistic change. That allows for some great moments in the diner where those powers are put into effect as there's the being impervious to bullets which makes for a fine shoot-out against the hapless officer, the superhuman strength which makes for quite an interesting brawl mid-way through where they get slammed through the surroundings to the point of breaking a normal human to pieces but they survive to continue the fight and even the burning of the skin due to the sunlight so there's the suspense of barricading themselves inside and how long that can work. As well with the plentiful and abundant nudity, these make up for some rather good times but it does have a couple problems with this. The most significant is the fact that the entire film is mostly centered around the diner so it feels way too stagnant and doesn't really seem like it actually does anything here which is quite troubling by letting scenes just go on and on just to eat up time. The fighting between the two is hardly all that original or interesting and these scenes are just maddeningly endless where one wants to exploit their powers and the other is trying to get her under control so they can utilize their powers for the better of their lives, and considering the amount of struggle that went into letting the one get imbued with those vampiric powers that really should've been seen coming quite early on so that kinda takes away from the burgeoning need to have to do that the film is clearly building towards. This does lead to a rather anti-climactic finale since it was clearly set-up from the beginning yet there's nothing really surprising about it, and when combined with the other flaws is a little disappointing.

Rated R: Graphic Language, Continuous Nudity, Graphic Violence and mild drug use.

A blonde model, Brooke, and her good-natured brunette English girlfriend, Rhea, are at a New Years party in 1969. When an arrogant actor at the party apparently abuses a young fan, Brooke kills him brutally. As the two girls escape in a car on a desert road, Brooke runs over a rat or some creature. Now both girls flip out. She stops the car and Rhea has a breakdown. A small sandstorm appears and wipes out Brooke leaving only her clothes behind. Out of the sandstorm walks a masculine looking woman. It's god. God has a mission for Rhea- to fight evil. As a result she will gain immortality. But Brooke will be her challenge, she doesn't have a good heart.

40 years later they are resurrected at the same spot. A driver stops for a hitchhiker nearby and the two girls catch up. Brooke has an insatiable hunger for blood and devours the two much to the protests of Rhea. They escape in the car to a gas station where they try to hide from the rising sun. There, a poor attendant has to witness these two girls arguing. Brooke can't control her hunger and wants the attendant. Rhea wants to fulfill her mission since she is god's warrior. Somehow Brooke manages to kill Rhea. Other patrons show up, the police show up, but they are no match for Brooke. Until god reappears.

Life Blood sure has an interesting premise- vampires as avenging angels for god. However in this movie we don't get to see a lot of that. It's just about the two girls. And Rhea's challenge of dealing with Brooke. The cops and the store patrons are a Hollywood-correct diverse bunch of very silly people.

Despite the low budget, strange story, this movie is very watchable thanks to some nudity at the beginning, lots of making-out between the girls, and the excellent acting of the two leads. It could have been a disaster of a movie but the entire cast takes it seriously and they make it work. The script has some signs of intelligence. The arrogant actor gives an appropriate speech about society letting him get away with anything because he is a star, and he sure is going to test the limits of that submission by society. God also gives an interesting speech but it's as if a limited budget forced the filmmakers to go off course and tell a very limited story.