Brainwashed: Sex-Camera-Power
- 2022
- 1h 47min
VALUTAZIONE IMDb
6,3/10
1155
LA TUA VALUTAZIONE
Un'indagine sulla politica del design delle riprese cinematografiche e come questo si intersechi con le epidemie di abusi, aggressioni sessuali e discriminazione sul lavoro contro le donne, ... Leggi tuttoUn'indagine sulla politica del design delle riprese cinematografiche e come questo si intersechi con le epidemie di abusi, aggressioni sessuali e discriminazione sul lavoro contro le donne, con oltre 175 filmati dal 1896 al 2020.Un'indagine sulla politica del design delle riprese cinematografiche e come questo si intersechi con le epidemie di abusi, aggressioni sessuali e discriminazione sul lavoro contro le donne, con oltre 175 filmati dal 1896 al 2020.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 5 candidature totali
Raja Bhattar
- Self
- (as Dr. Raja Bhattar)
May Hong HaDuong
- Self
- (as May Hong Haduong)
Recensioni in evidenza
9OJT
Brainwashed: Sex-Camera-Power i s documentary that focuses on the male perspective to which becomes the narrative on 95-98 % of all films made. By men, seen by men and women seen as a object.
As a male I must say I am kinda baffled that I haven't seen that in all these movies. I have of course seen the obvious, but there's so many that I didn't see go into that narrative.
The fact that the male body is taboo in most movies, that you never see close up s of it i quite baffling.
A film to learn from, and be ashamed of, as a male? Yes, I'm sorry to say.
That is in fact the case. And it's really too much to handle.
We are almost always asked to see the male perspective, even in films made by women, because we are learned that's the way to do it.
Important stuff for any film school, and for any film buff.
As a male I must say I am kinda baffled that I haven't seen that in all these movies. I have of course seen the obvious, but there's so many that I didn't see go into that narrative.
The fact that the male body is taboo in most movies, that you never see close up s of it i quite baffling.
A film to learn from, and be ashamed of, as a male? Yes, I'm sorry to say.
That is in fact the case. And it's really too much to handle.
We are almost always asked to see the male perspective, even in films made by women, because we are learned that's the way to do it.
Important stuff for any film school, and for any film buff.
Film maker Nina Menkes delivers a lecture to film students etc advocating that the way films are made and specifically how camera shots of women are composed are still inherently objectifying women such that it is illegal / discriminatory. This is backed up by the analysis of many clips by many different women.
It has been said that you are not going to look at films the same way after this and that's probably true. Mendes puts forward strong, pretty much undeniable arguments to support her point and it is astounding to appreciate that this goes on - although I'm not sure the points she's making works convincingly with every clip. What's more worrying is that Hollywood is still a bastion of male film making with very few women film makers out there and with most men portraying women in a very specific objective and rather offensive way. Not a riveting documentary, but a good argument which like all such cases won't convince everyone - although I'm not sure why. My one complaint is that no one from the 'industry' is in attendance and not a single male to either argue or concede the point.
It has been said that you are not going to look at films the same way after this and that's probably true. Mendes puts forward strong, pretty much undeniable arguments to support her point and it is astounding to appreciate that this goes on - although I'm not sure the points she's making works convincingly with every clip. What's more worrying is that Hollywood is still a bastion of male film making with very few women film makers out there and with most men portraying women in a very specific objective and rather offensive way. Not a riveting documentary, but a good argument which like all such cases won't convince everyone - although I'm not sure why. My one complaint is that no one from the 'industry' is in attendance and not a single male to either argue or concede the point.
Coming here to read the reviews after finishing the documentary and seeing so many angry men labelling the director obnoxious, "bpd feminist", etc etc, just proves the point that this documentary was NEEDED in the field of filmmaking.
The documentary is a window towards a new perspective in filmmaking, where women directors (and anywhere in the movie industry) are empowered by having equal opportunities to express their creativity while having it valued justly by the industry.
The director Nina Menkes raises some essential questions which are upon the future generations of creatives to answer. She has a way of engrossing the viewer to what is being presented, while also making them an active part of it.
I hope this documentary sparks a new era in the filmmaking industry and beyond.
"The first feminist act is looking. To say, "Ok, you're looking at me, but I am looking right back." Agnes Varda.
The documentary is a window towards a new perspective in filmmaking, where women directors (and anywhere in the movie industry) are empowered by having equal opportunities to express their creativity while having it valued justly by the industry.
The director Nina Menkes raises some essential questions which are upon the future generations of creatives to answer. She has a way of engrossing the viewer to what is being presented, while also making them an active part of it.
I hope this documentary sparks a new era in the filmmaking industry and beyond.
"The first feminist act is looking. To say, "Ok, you're looking at me, but I am looking right back." Agnes Varda.
Warning: this film may take you on a rollercoaster of anger-grief-hope.
BRAINWASHED: SEX-CAMERA-POWER is striking in its simple, straightforward demonstration of power dynamics at play in the visual language of cinema, the impact of those dynamics on culture, and solutions for moving forward in a new way.
Filmmaker nina menkes treats the subject in a calm and measured manner, walking the audience through the topic like they're attending a graduate film studies class.
The audience is given a multitude of examples which demonstrate a visual pattern that is - whether intentionally or unintentionally - reinforced throughout a century of filmmaking, a pattern that most often objectifies women and minorities.
The film links this pattern to the wider, societal implications, its role in contributing to the everyday objectification of women and minorities in workplaces and interpersonal interactions, and the inequitable economics of filmmaking.
Then, rather than condemning the visual pattern, or shaming those who use it, the film plainly asks, "is this style of visual language effectively communicating the narrative?" and/or "is there another way to accomplish the goal that may be even more effective?" here, examples of alternatives are provided.
By bringing the pattern into conscious awareness without any shame or retribution, the film allows the audience an opportunity to choose to heal the collective trauma wrought by the normalization of on-screen dehumanization, and to be free of the unconscious visual language so that it can be transformed into an entirely new system.
BRAINWASHED: SEX-CAMERA-POWER is striking in its simple, straightforward demonstration of power dynamics at play in the visual language of cinema, the impact of those dynamics on culture, and solutions for moving forward in a new way.
Filmmaker nina menkes treats the subject in a calm and measured manner, walking the audience through the topic like they're attending a graduate film studies class.
The audience is given a multitude of examples which demonstrate a visual pattern that is - whether intentionally or unintentionally - reinforced throughout a century of filmmaking, a pattern that most often objectifies women and minorities.
The film links this pattern to the wider, societal implications, its role in contributing to the everyday objectification of women and minorities in workplaces and interpersonal interactions, and the inequitable economics of filmmaking.
Then, rather than condemning the visual pattern, or shaming those who use it, the film plainly asks, "is this style of visual language effectively communicating the narrative?" and/or "is there another way to accomplish the goal that may be even more effective?" here, examples of alternatives are provided.
By bringing the pattern into conscious awareness without any shame or retribution, the film allows the audience an opportunity to choose to heal the collective trauma wrought by the normalization of on-screen dehumanization, and to be free of the unconscious visual language so that it can be transformed into an entirely new system.
10shash
This is a must watch film. It is raw, honest and critically important. BRAINwASHED creates a much needed awareness in the film industry and describes how camera angle and other filmmaking elements contributes to issues that effect women: sexualization, employment discrimination and even the rape culture that sadly exists in our society. A must watch!
This is especially important for the younger generation of film makers, as they are the ones who can truly make a difference and show that it is possible to choose differently when filming the female body in a way that is engaging but not sexualizing.
This is especially important for the younger generation of film makers, as they are the ones who can truly make a difference and show that it is possible to choose differently when filming the female body in a way that is engaging but not sexualizing.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Brainwashed
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.550.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 28.826 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7409 USD
- 23 ott 2022
- Lordo in tutto il mondo
- 46.077 USD
- Tempo di esecuzione
- 1h 47min(107 min)
- Colore
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