L'anziano Carl Fredricksen arriva a Paradise Falls trasportando la sua intera abitazione con enormi palloni, accompagnato da un giovane inconsapevole passeggero.L'anziano Carl Fredricksen arriva a Paradise Falls trasportando la sua intera abitazione con enormi palloni, accompagnato da un giovane inconsapevole passeggero.L'anziano Carl Fredricksen arriva a Paradise Falls trasportando la sua intera abitazione con enormi palloni, accompagnato da un giovane inconsapevole passeggero.
- Regia
- Sceneggiatura
- Star
- Vincitore di 2 Oscar
- 81 vittorie e 88 candidature totali
- Carl Fredricksen
- (voce)
- (as Ed Asner)
- Russell
- (voce)
- Dug
- (voce)
- …
- Beta
- (voce)
- Gamma
- (voce)
- Young Ellie
- (voce)
- Young Carl
- (voce)
- Police Officer Edith
- (voce)
- (as Mickie T. McGowan)
- Nurse George
- (voce)
- (as Don Fullilove)
- Nurse AJ
- (voce)
- Omega
- (voce)
Riepilogo
Recensioni in evidenza
Up is by far the most emotional human drama of any Pixar movies thus far, very heavy, so much so if you're looking for pure fun with some jaw-dropping chase and/or thematic scenes and no downer moments, Up may not be for you. I saw it in a packed theatre of about a 65% adult, 35% adult split audience and it's the only time I can remember being in ANY animated movie where there was sniffles and watery eyes, and that was within the first 10 minutes of the movie. There's an undercurrent of life after losing a loved one in this movie, which I don't feel gives anything away. It's pretty heavy subject matter, Pixar handles it, like they do everything they touch, incredibly well, but it doesn't make it any less sad to have the material threaded throughout much of the movie you're reminded of it, but I suppose it's up to one's own interpretation of loss and how to place it in your life that perhaps will have an emotional effect on you.
Story is what makes a great movie great. Without story, you don't really have anything, maybe some effects, some action, maybe some cute or clever sight gags, maybe some laughs, hopefully some emotion, where Pixar shines above all others in animation and over a good 99% of the movies out there is they can intertwine it all and do it seemingly effortless, which is an incredible feat. To do this in a few movies is one thing, but Pixar has pretty much nailed this now for their entire career of making movies, that's just simply unprecedented.
I should note I saw the 3D version which, to be honest, didn't really take the movie to the next level. One of the more well known syndicated reviewers had said you're better off seeing the non-3D version on screen, and I actually agree. The 3D glasses added little to nothing to the movie except for an eye-strain headache later in the night. It didn't take away from Up mind you, it just didn't add to it either.
Up is a great movie either way you slice it and it should be noted, the theatre I saw it in gave it a fairly loud round of applause at the end. It's pretty rare these days that an audience applauds after a movie, perhaps we as a society has become too jaded, or too just expecting of the goods or feeling we're entitled to the entertainment. It's nice when a movie hits on all cylinders and elicits such a range and emotional reaction people who don't know each other in a packed room all gasp, laugh, cry, and applaud together. Great movies however can do that and Up is truly a great movie.
The first part of this movie is a real tear jerker. When Carl and Ellie's lives flash through the years, all the heart breaks and all the love just jump off the screen. Then there is comedy as the journey to Paradise Falls starts. The movie gets very surreal with dog translators, and a very colorful bird. The villain is a bit too villainy. The story gets too serious at times. But it ends almost as emotionally as it starts. It is one of the best of Pixar.
Seen on Blu-Ray, this is yet another example in which you shake your head and wonder, "How does the artwork get any better than this?" Then, about six months from now, another will come along and I'll say the same thing. Overall movies may not be better today than "in the old days," but there is no dispute there are two areas in which films keep getting better and better: special-effects and animation. This is another example of that.
The colors and the detail in here are almost beyond description. The artwork ranges from bold to subdued, but always stunning. I lost track how many times I wanted to just pause and admire the picture for a few minutes. From super-sharp closeups of the old man's face to lush jungle scenery, this high-definition disc is worth every penny/
Back to the story, I found it a combination adventure-fantasy-comedy-suspense-sentimental story, about in that order, too. Generally-speaking, I would think adults would like this more than kids, but I may be wrong. Everyone - regardless of age - will have their jaw drop more than once viewing the incredible-looking scenes. It's really a feast for the eyes. Finally, if you like extras, there are tons of them in the four-disc DVD set.
My favorites to date have definitely been Wall-E and the Incredibles, and Up is another slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.
As the associate producer who participated in the Q&A following the movie pointed out, the past three Pixar movies have not been easy sells to their parent company Disney (they'll be back in familiar territory with Toy Story 3 and Cars 2), but Pixar's commitment to inventive, story-driven films continues to pay off here. All of the good press is true, and I can't wait to see it again. Thanks for staying true to yourselves Pixar!
The opening film of this year's festival, and the first animated film ever to have this honour, Up is truly a film for all ages. The story of the adventures of an old man and a young boy, a flying house tethered to countless balloons, a long-lost (and mad) explorer, a giant bird called Kevin and assorted 'talking' dogs gets funnier and more exciting as it goes along.
This isn't slapstick humour, although there are some lovely visual gags, but deeper, more thoughtful. At times Up is even touching and poignant.
Visually, this is a treat and while I was sceptical about the use of 3D to begin with, it is built into the story so seamlessly that it really is worth the effort to seek it out. At the same time, I can't help feeling the 2D version could be even better because the 3D glasses had the effect of dimming the picture. The use of colour in the film is especially noteworthy, with various palettes used according to mood, character and phase of the story. Character voicing and music are also spot on.
I have no connection with Pixar, Disney or the film whatsoever, even if this review reads like a puff piece. The fact is, Up is an incredible piece of cinema, was a big hit with a very demanding press audience, and is worthy of your time and money.
Anyone who says animated films cannot amuse and entertain, while at the same time delivering any kind of emotion, does not know what they are talking about.
Up is so good I can now forgive Pixar for Cars!
Lo sapevi?
- QuizBefore the film's worldwide release date, Pixar granted a wish from 10-year-old Colby Curtin to see the movie before she died. Colby had been diagnosed with cancer and was too sick to go to a theater. A Pixar employee flew to the Curtins' house with a DVD of the finished film and screened it for her and her family. Curtin died seven hours later at 9:20 pm, shortly after seeing the movie.
- BlooperThe phrase "Jiminy Cricket" was used in common slang as a euphemism for "Jesus Christ" (in context of a "cuss" word) since the 1920s. The expression is spoken in movies like The L'eroico ammazzasette (1938) and Il mago di Oz (1939). Pinocchio (1940) had a character named Jiminy Cricket who was named after the expression, not the other way around.
- Citazioni
[Carl, in his once-again airborne house, suddenly hears a knock at the front door]
Carl Fredricksen: [Surprised] Russell?
[opens the door to find Dug on his doorstep and is very happy]
Carl Fredricksen: [Smiles] Dug!
Dug: [Looking sad] I was hiding under your porch because I love you. Can I stay?
Carl Fredricksen: [Delightfully] Can you stay? Why, you're my dog, aren't you? And I'm your master!
Dug: [His sadness turns to happiness. As he happily wags his tail] You are my master? Oh, boy! Oh, boy!
[lunges forward and covers Carl in slobbery kisses]
Carl Fredricksen: [laughing] Good boy, Dug. You're a good boy.
- Curiosità sui creditiThe photographs of characters shown during the end credits thematically match the crew members' positions, as do the "Wilderness Explorer" badges that also appear.
- Versioni alternativeIn international prints, the label on the savings jar for Paradise Falls bears a drawing of said place as opposed to text.
- ConnessioniEdited into La missione speciale di Dug (2009)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Up: Una aventura de altura
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 175.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 293.004.164 USD
- Fine settimana di apertura Stati Uniti e Canada
- 68.108.790 USD
- 31 mag 2009
- Lordo in tutto il mondo
- 735.103.954 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1