Up

It will put you through every emotion that a human can experience, that is, if you are an adult and not a psychopath.

This is another film in which it really helps to know in advance what it is, or more specifically, what it isn't. Then, you go from there. I enjoyed the animated film very much but, some of that was due to the fact a friend clued me in first, saying "this isn't really a comedy or a film for little kids. Don't expect a ton of laughs." So, instead of seeking laughs (although I still got them here and there), I just enjoyed the adventure story and marveled at the amazing artwork.

Seen on Blu-Ray, this is yet another example in which you shake your head and wonder, "How does the artwork get any better than this?" Then, about six months from now, another will come along and I'll say the same thing. Overall movies may not be better today than "in the old days," but there is no dispute there are two areas in which films keep getting better and better: special-effects and animation. This is another example of that.

The colors and the detail in here are almost beyond description. The artwork ranges from bold to subdued, but always stunning. I lost track how many times I wanted to just pause and admire the picture for a few minutes. From super-sharp closeups of the old man's face to lush jungle scenery, this high-definition disc is worth every penny/

Back to the story, I found it a combination adventure-fantasy-comedy-suspense-sentimental story, about in that order, too. Generally-speaking, I would think adults would like this more than kids, but I may be wrong. Everyone - regardless of age - will have their jaw drop more than once viewing the incredible-looking scenes. It's really a feast for the eyes. Finally, if you like extras, there are tons of them in the four-disc DVD set.

Viewed at the Festival de Cannes 2009

The opening film of this year's festival, and the first animated film ever to have this honour, Up is truly a film for all ages. The story of the adventures of an old man and a young boy, a flying house tethered to countless balloons, a long-lost (and mad) explorer, a giant bird called Kevin and assorted 'talking' dogs gets funnier and more exciting as it goes along.

This isn't slapstick humour, although there are some lovely visual gags, but deeper, more thoughtful. At times Up is even touching and poignant.

Visually, this is a treat and while I was sceptical about the use of 3D to begin with, it is built into the story so seamlessly that it really is worth the effort to seek it out. At the same time, I can't help feeling the 2D version could be even better because the 3D glasses had the effect of dimming the picture. The use of colour in the film is especially noteworthy, with various palettes used according to mood, character and phase of the story. Character voicing and music are also spot on.

I have no connection with Pixar, Disney or the film whatsoever, even if this review reads like a puff piece. The fact is, Up is an incredible piece of cinema, was a big hit with a very demanding press audience, and is worthy of your time and money.

Anyone who says animated films cannot amuse and entertain, while at the same time delivering any kind of emotion, does not know what they are talking about.

Up is so good I can now forgive Pixar for Cars!

Honestly, I found the DVD of this film in my house and decided to give it a watch as I had nothing better to do. Truth is I really should have made the time before.

Although I enjoy all the other Disney/pixar movies, I am at that teenage age where I mainly seek Violence, sex and gore. Thankfully my teenage boredom did me a big favour in helping what this fantastic masterpiece. This film was so fantastically deep, meaningful and moving beyond relief, as soon as I switched it off I rang my grandparents to tell them I love them.

It should be made necessary that everyone everywhere should see this film and I think the world would be a much better place - it really is that good.

100/10

I was lucky enough to get a ticket to a special pre-release screening of Up at Pixar studios in Emeryville, organized by the San Francisco Film Society. After a hour-long reception in the atrium of their beautiful main building we went through some rigorous security (metal detectors!) and were treated to an hilarious short (Partly Cloudy) and Pixar's new high water mark, Up.

My favorites to date have definitely been Wall-E and the Incredibles, and Up is another slightly-left-of-center masterpiece. The emotional impact of the beautiful, wordless summation of Carl's life that opens the movie is the bass note that resonates through the whole film and is at least as affecting as the scene in Wall-E when he holds his own hands while watching Hello Dolly. The rest of the movie, of course, is breathtaking on just about every level, especially the tactile quality of all the characters and textures and the completely realized weather effects and action scenes. With no "new" technical milestones (fur in Monsters, Inc., water in Finding Nemo, realistic camera effects in Wall- E), the design is the main focus, from the hilariously stylized characters to the amazing setting of the tepui.

As the associate producer who participated in the Q&A following the movie pointed out, the past three Pixar movies have not been easy sells to their parent company Disney (they'll be back in familiar territory with Toy Story 3 and Cars 2), but Pixar's commitment to inventive, story-driven films continues to pay off here. All of the good press is true, and I can't wait to see it again. Thanks for staying true to yourselves Pixar!