Un trio di streghe è responsabile di una serie di morti improvvise o c'è una spiegazione razionale?Un trio di streghe è responsabile di una serie di morti improvvise o c'è una spiegazione razionale?Un trio di streghe è responsabile di una serie di morti improvvise o c'è una spiegazione razionale?
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This Sarah Phelps (am not British and know nothing of her work) seems to have aroused passionate criticism for her seemingly wholesale changes to the revered Agatha Christie's work.
If the accusations are correct and further reading seems to make that a fact then it seems rather pointless in even describing The Pale Horse (the TV serialisation) as based on Christie's novel. At no stage did this production feel like a Christie who-dunnit. The so-called three witches felt completely contrived from start to finish. And the ending? Well, there will be no use of spoilers here because this Phelps' yarn has none. Take your pick from a few guesses!
I fully agree with one review here which suggested the Christie estate should take legal proceedings against Sarah Phelps whose butchering of plot and character make this the worst Christie adaptation ever produced.
So disgusting that a rating is inappropriate.
The ending killed it. It was a good and enjoyable plot until it stoped making sense towards the end.
An unpleasant man does unpleasant things to his unpleasant friends and unpleasant acquaintances, who do unpleasant things back to him, possibly for all eternity.
There is no doubt an audience for this very classy, well-made and well-acted soap opera, consisting of people who think the world unpleasant and like to have their noses rubbed in it. There are such people, and they deserve to be entertained as much as the rest of us do.
However, viewers should be aware that, though it borrows Agatha Christie's title, her characters, and several plot elements, this bears no more than a superficial resemblance to Christie's novel, but free-rides on Christie's reputation, presumably in order to boost its viewing figures. I can think of no other reason for it to pose as a Christie adaptation.
There is no doubt an audience for this very classy, well-made and well-acted soap opera, consisting of people who think the world unpleasant and like to have their noses rubbed in it. There are such people, and they deserve to be entertained as much as the rest of us do.
However, viewers should be aware that, though it borrows Agatha Christie's title, her characters, and several plot elements, this bears no more than a superficial resemblance to Christie's novel, but free-rides on Christie's reputation, presumably in order to boost its viewing figures. I can think of no other reason for it to pose as a Christie adaptation.
I was really enjoying this until the very end. I didn't understand the ending and even reading the BBC's dissection on what it all meant left me none the wiser. I feel as if I wasted valuable TV time :-(
First part was promising something very good but then part two.. I am quite unsatisfied by the ending.
Lo sapevi?
- QuizMark and Hermia have paintings of four English nobles on horseback over their bed. These are likely meant to represent the four horsemen of the apocalypse.
- BlooperWhen Mark Easterbrook speeds down the lane and stops his car to speak to Oscar Venable, the top is clearly up on the car. In the next scene as he comes to a stop in town, the top is down and secured by a leather cover.
- Curiosità sui creditiNo cinematographer / director of photography / lighting cameraman was credited for either episode, although there was a credit for the 2nd unit DoP.
- ConnessioniVersion of The Pale Horse (1997)
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- The Pale Horse
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- Bristol, Inghilterra, Regno Unito(on location)
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- Vedi altri crediti dell’azienda su IMDbPro
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