Aggiungi una trama nella tua linguaArtie and Diane Decker agree to look after their three grandchildren when their type-A helicopter parents go out of town for work; Problems arise when the kids' 21st-century behavior collide... Leggi tuttoArtie and Diane Decker agree to look after their three grandchildren when their type-A helicopter parents go out of town for work; Problems arise when the kids' 21st-century behavior collides with their grandparents' old-school methods.Artie and Diane Decker agree to look after their three grandchildren when their type-A helicopter parents go out of town for work; Problems arise when the kids' 21st-century behavior collides with their grandparents' old-school methods.
- Premi
- 1 vittoria e 4 candidature totali
- Barker Simmons
- (as Kyle Harrison Breitkopf)
- Brad Zolick
- (as Justin Kennedy)
Recensioni in evidenza
I will say this about the expert reviews, they helped give us excellent seats. Sometimes I wonder if they have lost touch with what movie goers want to see. They have gotten to wrapped up in the technique of the art to be able to recognize a good movie. Maybe the courses on movie making should modify their guidelines to include what the general public considers a good movie.
It is obvious to me that neither Billy Crystal or Bette Midler get too many good movie roles nowadays, and I think you can clearly see their joy at being back in the limelight in starring roles. They deliver strong performances and have great timing, and it is a pity that the source material is so weak to begin with. The basic plot is okay with me, but some of the comedy is far-fetched and grandchild Barker's bizarre behavior is used as an excuse for comedy too many times.
I liked a couple of scenes, which deal with the pressure of constantly keeping up with the technological advances of this day and age, with Artie losing his job because he doesn't tweet or know what an app is. This is a very relevant issue and unfortunately it is lightly dealt with.
All in all, the plot is thoroughly predictable and the points the movie wishes to make are obvious to all without any hint of subtlety, but the strong acting performances saves it from being a train wreck.
Lo sapevi?
- QuizThe movie was shot in late fall-early winter. The grass at the Atlanta home was dead, and had to be digitally colored green.
- BlooperWhen Artie is searched by the TSA there are (what appear to be) U.S. Marines behind him to his right wearing desert camouflage uniforms. U.S. Marines are not authorized to wear camouflage uniforms off-base unless authorized by their command(s). Also, from October 2011 through March 2014 Marines did not wear their sleeves rolled up.
- Citazioni
Drayton Glass: We're looking for guys who Tweet.
Artie Decker: I'll tweet, I make any kind of noise you want.
- Curiosità sui creditiThere is one final scene, after the end of the credits.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #21.48 (2012)
- Colonne sonorePossibilities
Written by William Peterkin, Barbara L. Jordan (as Barbara Jordan) and Daniel Mark Thompson
Performed by William Peterkin (as Pete Peterkin)
Courtesy of Heavy Hitters Music Group
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- S.0.S.: Familia en apuros
- Luoghi delle riprese
- Johns Creek, Georgia, Stati Uniti(OceePark)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 77.267.296 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.554.053 USD
- 30 dic 2012
- Lordo in tutto il mondo
- 119.772.232 USD
- Tempo di esecuzione1 ora 45 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1