Dopo essere stati banditi dalla loro tribu, due uomini primitivi incontrano vari personaggi della Bibbia e arrivano nella citta di Sodoma.Dopo essere stati banditi dalla loro tribu, due uomini primitivi incontrano vari personaggi della Bibbia e arrivano nella citta di Sodoma.Dopo essere stati banditi dalla loro tribu, due uomini primitivi incontrano vari personaggi della Bibbia e arrivano nella citta di Sodoma.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Matthew Willig
- Marlak
- (as Matthew J. Willig)
Recensioni in evidenza
Saw this at a matinée yesterday, with very lowered expectations. Don't quite get all the hate on here for it. If you like Jack Black and Michael Cera, they perform as expected here, loudmouthed braggart and wimpy foil, respectively. Amazing cast...David Cross as Cain and Paul Rudd as Abel? Inspired. Oliver Platt as a hairy-chested high priest? The "McLovin" Kid? There's even a member of Upright Citizens Brigade who puts in a very brief cameo. The story is dumb, and there's a few jokes that fall flat...but the sets are impressive and everyone involved seems to be having fun. A good rental, at least. But you people that are rating it a 1? Save your venom for movies that deserve that, like "Meet The Spartans" (unwatchable) or the latest Michael Bay atrocity.
I don't understand why some people dismiss this movie as stupid. Isn't that what comedy is usually about. Aristotle himself says that comedy should deal with the "ridiculous". The part where Black's character Zed eats the forbidden fruit of the tree of knowledge and within seconds feels himself "more intelligenter", is hilarious. He starts ruminating like a philosopher and comes to the conclusion that "everything is just so weeeird". Of course, all this is for comic purpose. So who are more stupid? The makers of the movie who make such scenes in a comedy, which being low brow is not really to be taken seriously, just enjoyed. Or the ones in real life who actually read about such a tree and believe it to be true. It's a comedy. Just enjoy it for laughs.
This is nowhere as bad as some are making out - it has touches of Python and a lot of Mel Brooks - it is pretty lazy in places with too much adlibbing - at least I hope it was adlibbing...
But this is pretty good entertainment - and it's not really about cavemen - it's about the Old Testament set mainly in Sodom - and it is kind of like Life of Brian - though clearly not in the same class.
One can understand why marketers don't want problems with an upset congregation, but at the end of the day this works pretty well as both broad comedy and a gentle satire.
Considering that I was expecting a total donkey with a side order of turkey this was pretty much a fun film - and no where near as bad as I'd heard. Can be watched without loss of brain cells...
But this is pretty good entertainment - and it's not really about cavemen - it's about the Old Testament set mainly in Sodom - and it is kind of like Life of Brian - though clearly not in the same class.
One can understand why marketers don't want problems with an upset congregation, but at the end of the day this works pretty well as both broad comedy and a gentle satire.
Considering that I was expecting a total donkey with a side order of turkey this was pretty much a fun film - and no where near as bad as I'd heard. Can be watched without loss of brain cells...
OK first let's take a quick paragraph to analyze the history of successful comedy duos. There's Abbot & Costello: a simple-minded clown (Costello) and his more-intelligent, straitlaced keeper (Abbott). Then there's Martin & Lewis: another simple-minded clown (Lewis) and his more intelligent, suave keeper (Martin). Laurel & Hardy: same formula. Mork & Mindy, Laverne & Shirley, Ren & Stimpy, the list goes on. This successful pattern, with minor variations, repeats itself through the years. The clown is always kept in line by his/her more intelligent & responsible keeper.
Here we have a switcheroo. With Black & Cera, the idiot (Jack Black) is in charge, while the smart one (Cera) is taking orders. The dynamic, especially with the extreme opposite personalities of Black & Cera (outgoing vs. introverted), is a riot. Both are equally hilarious, and when they play off each other, it can be downright asphyxiating. I can't believe that this is the only film that features the two of them together like this, but that alone makes "Year One" worth running out to see.
Apparently critics haven't been kind to this movie. I've read the reviews on Rotten Tomatoes and almost all of the negatives harp on how this doesn't stand up to writer/director Harold Ramis's past hits like Caddyshack, Vacation, Ghostbusters, etc. So what? Beethoven's 9th symphony may not have been as powerful as his 5th but we still like it.
"Year One" delivers some great laughs, period. Beginning in what seems to be caveman times but quickly shifting into Old Testament Biblical times, it takes us on a wild romp through episodes of Cain & Abel, Abraham & Isaac, Sodom & Gomorrah, and a particularly boy-hungry high priest played by Oliver Platt (you will NEVER recognize him). Irreverent, yes. Funny, yes. Offensive, I doubt it. Not any more than "History of the World Part 1" or "Monty Python's Holy Grail". Definitely less biting than "Life of Brian". But it does pack some bite.
The story isn't particularly new, but it serves its purpose to serve as a vehicle for some witty gags. And again I must harp on the Black-Cera delivery that makes it work. Jack Black plays an inept, loud-mouthed hunter who is constantly coming up with stupid ideas that get them in big trouble. Cera plays a meek gatherer who follows along with everything, quietly trying to explain the idiocy of it all while being ignored. The comedy flows so naturally you'd think it was all improvised like in a Christopher Guest film. But I read in an interview that there wasn't much improv at all. Just a carefully planned script and excellent delivery.
The comedy is mostly family-friendly, but there are some adult innuendos and suggestive gags that may cross the line on occasion. If you & your family feel comfortable laughing about circumcisions, then hey no problem.
Although similar in theme, I would never compare "Year One" to "History of the World" or "Holy Grail". Instead, the comedy reminds me more of "The Rocker" (with Rainn Wilson playing a washed-up 80s metal drummer trying to survive in a band today) or maybe even "Men in Black", odd as that may seem.
There are rumors that Black & Cera may have parts in Ramis's upcoming "Ghostbusters III", and if so I'll definitely run out and see it. Until then, "Year One" remains your only chance to experience this one-of-a-kind matchup. Don't miss out.
Here we have a switcheroo. With Black & Cera, the idiot (Jack Black) is in charge, while the smart one (Cera) is taking orders. The dynamic, especially with the extreme opposite personalities of Black & Cera (outgoing vs. introverted), is a riot. Both are equally hilarious, and when they play off each other, it can be downright asphyxiating. I can't believe that this is the only film that features the two of them together like this, but that alone makes "Year One" worth running out to see.
Apparently critics haven't been kind to this movie. I've read the reviews on Rotten Tomatoes and almost all of the negatives harp on how this doesn't stand up to writer/director Harold Ramis's past hits like Caddyshack, Vacation, Ghostbusters, etc. So what? Beethoven's 9th symphony may not have been as powerful as his 5th but we still like it.
"Year One" delivers some great laughs, period. Beginning in what seems to be caveman times but quickly shifting into Old Testament Biblical times, it takes us on a wild romp through episodes of Cain & Abel, Abraham & Isaac, Sodom & Gomorrah, and a particularly boy-hungry high priest played by Oliver Platt (you will NEVER recognize him). Irreverent, yes. Funny, yes. Offensive, I doubt it. Not any more than "History of the World Part 1" or "Monty Python's Holy Grail". Definitely less biting than "Life of Brian". But it does pack some bite.
The story isn't particularly new, but it serves its purpose to serve as a vehicle for some witty gags. And again I must harp on the Black-Cera delivery that makes it work. Jack Black plays an inept, loud-mouthed hunter who is constantly coming up with stupid ideas that get them in big trouble. Cera plays a meek gatherer who follows along with everything, quietly trying to explain the idiocy of it all while being ignored. The comedy flows so naturally you'd think it was all improvised like in a Christopher Guest film. But I read in an interview that there wasn't much improv at all. Just a carefully planned script and excellent delivery.
The comedy is mostly family-friendly, but there are some adult innuendos and suggestive gags that may cross the line on occasion. If you & your family feel comfortable laughing about circumcisions, then hey no problem.
Although similar in theme, I would never compare "Year One" to "History of the World" or "Holy Grail". Instead, the comedy reminds me more of "The Rocker" (with Rainn Wilson playing a washed-up 80s metal drummer trying to survive in a band today) or maybe even "Men in Black", odd as that may seem.
There are rumors that Black & Cera may have parts in Ramis's upcoming "Ghostbusters III", and if so I'll definitely run out and see it. Until then, "Year One" remains your only chance to experience this one-of-a-kind matchup. Don't miss out.
"Just wait right there. I'll be right back to cut your pen*ses"
Harold Ramis' final film before he passed away in 2014. May his soul rest in peace. His works will continue to inspire and make people happy.
Harold Ramis' final film before he passed away in 2014. May his soul rest in peace. His works will continue to inspire and make people happy.
Lo sapevi?
- QuizFinal film directed by Harold Ramis. It's also his last acting role.
- BlooperWhen Oh first appears with gold paint, he has no eyeliner. Midway through his conversation, he has thick black eyeliner.
- Curiosità sui creditiSeveral bloopers are shown during the first half of the end credits.
- Versioni alternativeThe UK release was cut, this film was originally shown to the BBFC in an unfinished version. The BBFC advised the distributor that the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by making changes to dialogue. In particular the BBFC suggested that the distributor remove the line, "my thingy smells like lamb chops" when a character talks about 'multiplying with sheep'; that they remove the line, "did you know he can put his penis in his mouth, the whole thing"; and the line "his poor rectum is absolutely pulverised, which is not usual for a sheep in this region". When the finished version of the film was submitted these changes had been made and the film was classified 12A.
- ConnessioniFeatured in The Rotten Tomatoes Show: Taking of Pelham 123/Imagine That/Moon (2009)
- Colonne sonoreKecak Dance
Traditional
Performed by Tojan
Courtesy of Celestial Harmonies
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Año uno
- Luoghi delle riprese
- White Sands National Monument, New Mexico, Stati Uniti(Alamogordo Daily News Apr 19, 2008, "Funnyman Jack Black films at WSNM.")
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 43.337.279 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.610.304 USD
- 21 giu 2009
- Lordo in tutto il mondo
- 62.357.900 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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