La felicità porta fortuna - Happy Go Lucky

This film is about a London school teacher who is constantly happy, and even childish.

I was hoping "Happy Go Lucky" would at least be a feel good happy movie. With this expectation, I was devastatingly disappointed by what I saw. Poppy is a person who does not take anything seriously. Instead of being cute and comical, she comes across as being very annoying and even offensively stupid at times. She and her friends engage in tireless and pointless conversations, making the whole film really boring. The driving instructor is unlikeable as he is uptight and rigid, but his scenes are the comparatively most captivating out of the whole film.

I don't see the reason for the rave reviews for this film. It's ever so boring and irritating.

Some UK critics have been saying that "Happy-Go-Lucky" is the happiest and most cheerful movie that Mike Leigh has ever made. Well, I don't know if I would exactly agree with that. It is and it isn't.

Sally Hawkins' primary school teacher Poppy is, indeed, a very happy individual. Annoyingly happy, insanely cheerful, depressingly optimistic and psychotically 'Up!', most of the time. It is a tribute to Sally Hawkins performance that, once you get past the initial irritation with her, you completely fall in love with Poppy, her goodness, her openness and, yes, her simple niceness.

Then there is Eddie Marsan's driving instructor Scott. Scott is the very antithesis of happy. Scott is rigid, angry, frustrated, impatient, knotted up and racist. A borderline OCD sufferer, who is tortured by who-knows-what in his past. Scott is the most bitter and overwhelming character in a Mike Leigh film since David Thewlis' Johnny in "Naked". It is a towering performance by Eddie Marsan.

If Poppy is the light, Scott is definitely the dark, but it seemed to me that dark shadows inhabit the whole of "Happy-Go-Lucky". The unhappy schoolboy, the glum Sister, the other sister - a social climber who dominates her husband. Little vignettes of irritation and annoyance. Typical Mike Leigh.

"Happy-Go-Lucky" is a really good film, if you stick with it. I liked the way that Poppy does stop smiling towards the end. Maybe the world is too much for even the most dedicated optimist?

When this film came out my girlfriend said she wanted to see it because she'd heard good things. After much time waiting for her to be in the mood for it, I eventually queued it up when by myself and I am glad I did as she would have truly hated this film. The plot (as light as it is) is about a 30-year-old woman who is as cheerful and perky as the day is long. She hangs out with her friends, she meets a guy, she learns how to drive and in all these things we see her infectious sense of happiness. There isn't much more to this and I do not thing I have seen a film that depends so totally on whether or not you like the main character.

I said she is infectious but then so are many diseases and to be honest I found Poppy to be as enjoyable. Her character is the type to speak to strangers, to constantly have a zany remark, to be the one making a spectacle of herself and so on. Of course her being the polar opposite of me didn't help, but I found nothing to make me question myself here and on the contrary I spent much of the film wondering if Polly isn't suffering from some sort of mental illness. The majority of the film sees Poppy in full-on zany mood, mostly in collaboration with others but occasionally contrasting her with a dull married couple and her driving instructor, who carries all of his anger with him all the time. When the film is letting Poppy just be herself I found it tiresome. As a character she says nothing real and everything is a little joke or witty episode. It is only the contrast where she comes out and I think there is really only one or two moments in the film where I felt a real person had come out of Poppy.

The cast are mixed and not in a goo way. Hawkins got lots of praise of this performance but I thought it was terrible. In one or two scenes she lets the façade drop so we see her at her most real. I loved these moments but the downside of them was that we then know the rest is a façade and not her really. Her acting involves cheeky mockney dialogue and little else. Marsan is much better. His rage and anger is convincing and his performance works well next to the moments when Hawkins is not OTT cheerful. The supporting cast is OK but really it is Hawkins' film and this is something to keep in mind.

Whether you like this film or not depends very much on liking Poppy. You may find her freewheeling color to be charmingly quirky but for me she used it as a barrier to any real discussion or humanity and she struck me as disingenuous throughout the film. The moments where she drops the wisecracks and zaniness and lets something like empathy or concern for others come through are great, but they are few and far between.

Well made with, as is usual for a Mike Leigh film, the actors taking centre stage and as such it's a very performance-driven piece. Sally Hawkins did a great job as Poppy, although I didn't much like her character, I thought she played it well. For me, the star of the show was Eddie Marsan as Scott; a much more complex and interesting character played with great aplomb. The supporting cast; Alexis Zegerman as Zoe, Sylvestra Le Touzel as Heather and Kate O'Flynn as Suzy were all very good.

A film that seemed to be made up of scenes that didn't really relate to each other particularly well. One minute she's going trampolineing, the next its flamenco and then there's a very interesting scene with a tramp, although I did enjoy some of the flamenco scenes too. The only thing that seems to tie her, seemingly chaotic, life together is the driving lessons with Scott; of which we don't see enough (IMO). Over all, a film that did have its moments but ultimately fell a bit wide of the mark for me.

My Score 6.4/10

IMDb Score: 7.0/10 (based on 21,275 votes at the time of going to press).

MetaScore: 84/100: (Based on 34 critic reviews provided by Metacritic.com at the time of going to press).

Rotten Tomatoes 'Tomatometer' Score: 93/100 (based on 151 reviews counted at the time of going to press).

Rotten Tomatoes 'Audience' Score: 65/100 'Liked It' (based on 32,911 user ratings counted at the time of going to press).

You can find an expanded version of this review on my blog: Thoughts of a SteelMonster.

Dear Readers, please see the movie before voting whether or not a review is helpful.

"Happy-Go-Lucky" (HGL) is being marketed as a lively comedy, in the vain of "Amelie," which is a far superior film that should be rented instead of seeing HGL (a search for Amelie at IMDb will bring up a review). HGL made me and my fiancée sad and annoyed that we had wasted two hours of our lives watching this dreck.

HGL is a film about several sad and miserable people and an annoying, overly-optimistic Poppy who sees the world though rose-colored-glasses no matter the problem or danger. Poppy come across as a lunatic surrounded by boring characters. No one in HGL does anything to endear themselves to any of the other characters or for that matter to the audience. Poppy may be "Happy" but her happiness is not infectious, and she does nothing that brings any joy into the film world or our world.

HGL has few laughs and fails as a comedy; it also fails as a drama about sad and miserable people.

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