Tyson

An excellent narrative on Mike Tyson's life from his point of view. The narrative is all done by Mike himself. Watching this movie you feel like you're sitting in front of Mike Tyson asking him to tell you his life story.

The movie itself I believe is not scripted since it's Mike Tyson himself telling us and the way he spoke seems genuine and full of holes in logic. In short it seemed honest enough.

Seeing this documentary, you gain a good amount of perspective about Tyson's personality, his life, how he think, his problems, and the people around him. The best part for me was when he explained why he bite Holyfield's ears.

Definitely one to watch for his fans. If you're not a Tyson or boxing fan, you might get a little bored.

What a great documentary. For anyone who likes boxing, this is a must-see. You hear Mike talking, almost non-stop, throughout giving numerous details about his personal life. The techniques used to present the film were terrific, though it does require you to pay attention; at several points, Toback runs multiple moving split-screens - it's an interesting device as you are forced to "follow" the dialog as one screen box goes quiet as another picks up where it left off.

The fight footage is incredible. I felt like I was watching all this footage again for the first time.

Throughout, the viewer is given access to a side of Tyson I doubt any but his closest friends and associates have ever witnessed. At many points he chokes up, fighting back tears - it's an amazing thing to watch.

And there's a lot of laughs. I won't reveal them, but there is some really funny stuff.

Truth, they say, is stranger than fiction. No more so than when it comes to documentaries. Even the average documentary can be far more gripping than many a feature film. And a great documentary is a wonder to behold. Such is the case with the film "Tyson", by James Toback. Of the ten films James Toback has directed over a period of thirty-one years, only "Fingers", and "The Pick-Up Artist" have made it to DVD, at least here in Australia. The first I knew of "Tyson" was a review I had read in The New Yorker. So when I saw it was one of the films to be screened at this year's Melbourne Film Festival, I made damn sure I got a ticket. Mike Tyson, in his career as a boxer, became the youngest heavy weight champion in the world. He floored one opponent in just eight seconds! Of the fifty -eight fights he fought, he won fifty. He knocked out his opponent forty -four times, and lost just six fights, before retiring from the fight game. "Tyson" is not an objective film as such. It is 100% subjective with Tyson doing all the talking. The death of his trainer, Constantine 'Cus' D'Amato hit Tyson hard, though there is no way of telling, his public and private life seemed to go off the rails not long after, the bulk of this film is devoted to having Tyson look at the camera and tell his story the best way he can. Yes, he probably leaves out a lot (who knows how much extra footage didn't make it into the final film), but what remains is like a cinematic jolt of electricity. He doesn't pull any punches. He tells it like it is, warts and all. He comments on the 'leaches' like Don King. Then again, knowing how explosive a temper he has, he says nothing while his wife, Robin Givens, lashes out at him in front of Barbera Walters on television. He tells about growing up in the Brownsville section of Brooklyn, where he was bullied by neighbourhood kids, his life of petty crime, time in jail and when his luck changed on meeting Constantine 'Cus' D'Amato, who taught him all he knew about the craft of boxing, both physical and spiritual. You have to pay close attention as many of his fights are shown on a split screen, so when one image fades, another immediately takes its place. Whether you like to see two men pummel each other into submission, or wouldn't watch a boxing match to save your life, "Tyson" is a film that you really should see.

"Tyson" has it all. A confessional film that showcases just how crazy, funny, spiritual, fun, pained, and fascinating the troubled boxer is as a man. He grew up in Brooklyn, the product of a rough neighborhood and constant bullying. He tried to escape the humiliation he felt by stealing, which landed him in jail where he picked up boxing as a hobby. When he got out he found his first real father figure in Constantine "Cus" D'Amato, an old trainer who taught him the spiritual side of boxing and the confidence that went along with it. He studied tape of guys like Rocky Marciano, Jack Dempsey, and Muhammad Ali, and during the 80's became a force to be reckoned with. Then "Cus" died and Mike lost his way, becoming very taken with his own indestructible image and like all great tragic stories, that always guarantees a fall. First his disastrous marriage to Robin Givens made him known as a cheater and a beater, and then he got cocky and lazy and lost a big fight to Buster Douglass. Then as the cherry on top, he was accused of rape and sentenced to 3 years in jail. His career would continue to go down hill from there.

This is Tyson's side of the story, so don't expect fair and balanced, but also don't expect him to pull any punches. He takes on some tough questions here and succeeds mightily in turning the tide in his favor. With that voice and that facial tattoo your instantly hooked, but what keeps you rooted to the screen is an insightful character study as well as a sad tale of how a guy with a "me against the world" mentality managed to take himself places he never dreamed of going, but also let his pit-bull-like emotions and out of control pride get the better of his reasoning. Director James Toback does a great job adding pictures and video clips for some flavor but this is Tyson's movie and his commentary just offers highlight after highlight after highlight.

His recollection of "Cus" D'Amato is surprisingly moving. His description of his mindset as a boxer is something next to God-like arrogance, and his views on women and sex expose more of that same type of domination. The commentary on the Holyfield fight, as well as the ear biting re-match, is fascinating to listen to. His description of prison is a haunting nightmare. He describes the people around him as leaches, especially Don King who he says would "Kill his own mother for a dollar." There are too many great moments in this movie to name but expect to be consistently riveted by the controversy, adversity, vulnerability, anger, and yes even his exaggerated sense of humor too. The "I want to eat his children" comment right before the Lennox Lewis fight is just one of many priceless things this man says.

Tyson's life has taken a sad turn. The fight has gone out of him. His last fight in 2005 was held strictly so he could get some money to pay the bills. Just you feel like your watching the real Tyson now. He is much more sobered and at peace, a man whose demeanor reflects someone whose been thru hell and been humbled by it. He admits his mistakes, makes you question some of his others, but above all just makes you feel for him anyway. "Tyson" succeeds in showcasing the boxer as someone much more vulnerable than the guy you see in the ring or shouting out "faggot" during a weigh-in. There is more dimension here than I expected and that makes this one of the years biggest surprises thus far.

I was fortunate (?) to have been in the Catskill (later Cus D'Amato) Boxing club with Mike in the early to mid 80's and as such got to see him just as he was starting to get the acclaim that would later get ridiculous. I remember that he was still like a little kid in a lot of ways---pushing his friend's motorcycle on Main Street in Catskill for him to pop start it, walking around with a NY paper's cartoon showing a drawing of him holding the world in his hands, and exclaiming to anyone who would listen "This is so fly!" And much more. He was happy, healthy, and on a course for greatness. Then Cus died, and after an incredible series of fights that left him with all the belts, Mike threw it all away. He doesn't shy away from telling the world how foolish he was, and it is heartbreaking to see him on the verge of tears as he seems to relive it in his memory. Director Toback does a brilliant job in letting his subject do all the talking, and it is riveting. One star off for not making it clearer why he let Don King take over and basically destroy his career. While he does acknowledge the piece of crap that King is, he needed to go a little further, since King was sort of the anti-Cus, if you will. I know Mike knew that he was always welcome to come back to Catskill, where Cus's knowledge is still being imparted even today.