RocknRolla

Whilst RocknRolla shares a number of elements with Guy Ritchie's pervious films "Lock, Stock and Twitter Smoking Barrels" and "Snatch", it doesn't quite have the humour and quotability of his earlier works.

A Stella cast revel in this London Underworld story of drugs, paintings, dodgy property deals and robberies.

With his recent return to the genre with "The Gentlemen", this is well worth checking out if you missed it first time around.

This is a typical Guy Ritchie film. With a wide range of characters and some very powerful performances to random shots making you wonder where the story is headed but just in time to converge in one final showdown leaving you with just word.. WOW!! I can't help but compare it to SNATCH..as they are similar in so many ways...but SNATCH was much more intense, funny and a better script.

Some very fine performances from Gerard Butler from 300, Tom Wilkinson from Michael Clayton but what really surprised me was outstanding performance by Toby Kebbell. His subtle dialogue and crazy laughter really spells horror and magic at the same time. The story takes you through the world of mafia and spins all dramatic sequences with blood, deceit and loads of humor. The scene where Gerard and his gang escape from the two Russian militants... that scene made me laugh like crazy.

I just loved this movie and i can't wait to see the sequel.

I enjoy Guy Ritchie films and this was good but not to the level of some of his other films but Guy does seem to be able to pick a good cast

Like other reviewers, I find Guy Ritchie very watchable. His cockney criminals are a delight to watch, all of them killing a human as easily as they might a fly and delivering punchlines all the way. Rirchie's screenplay brims with action and razor sharp dialogue for the first hour, then - very sadly - it loses direction.

The blueprint for ROCKNROLLA was SNATCH (UK, 2000), probably Ritchie's best, most rounded effort, with characters that pop out of the screen.

ROCKNROLLA does not quite match that highly original early Ritchie flick, it is unfortunately too long by easily 20 minutes, and its characters by and large do not stand out as much.

That said, Butler and Hardy make unlikely lovers who double up as criminals, Butler and Thandie have the briefest, least passionate love scene I have watched in some time, a real damp squib, and Tom Wilkinson as the fiendish Lenny Cole, Idris Elba as the ever supportive sidekick to Butler, and Mark Strong as the irrepressible Archy really steal the show.

Great cinematography, action sequences by David Higgs.

RocknRolla seems to be the beginning of the resurrection of Guy Ritchie's career. Not to anyone's surprise he does this with what he has been so potent with throughout his career; a British gangster film. If you've had any experience with Ritchie movies you know exactly what you're getting into here, a comedic thriller. This of course may seem problematic, in Ritchie's case it is not.

The writing and dialog is fast paced and quite witty and entertaining to watch. The movie as a whole maybe be a bit of a head scratcher here and there but the pay off is good and the idea is a bit of a parody of itself which is what makes this film so fun.

What Ritchie accomplishes though, in the same way he has with his past successful productions is putting together an extremely diverse and yet correlating cast. This starts with the lead man in Gerard Butler whose notoriety has steadily risen largely through his performances of comical caricatures (not an insult). With RocknRolla Butler seems to have found a role perfect for his appeal and charm he brings to the screen. This is largely because of a witty script and great, fun performances all around.

Then of course there is Mark Strong who until this year was largely a total unknown, at least in the American mainstream. While Gerard Butler may have found a genre he is most strongly suited for, Mark Strong could certainly use this along with Body of Lies to launch to the very least a respectable acting career. His posture, range and ability to change tone and style subtly not only between films but within them is something that should be and surely will be recognized.