Article 15

Anubhav Sinha is back with this crime drama, starring Ayushmann Khurrana in the lead. June is going superb for Hindi Film Indutsry. Kabir Singh is still running houseful. Now, this has come.

Ayushmann is an IPS officer. He has been posted in a small village in UP. However, the next day itself, the police get two bodies of minor girls hanging on the tree. They were raped multiple times. The story gets its pace. And this crime drama continues with the subtext of casteism.

Anubhav Sinha has tried to cover as many incidents of Dalits and other backward class people as possible which happened in our country in last few years. The motto is just to aware people on how this things work. From whatsapp messages to arrangement of strikes and rallys, this is how we are dividing us into groups. Also, this is 2019, not just 19! Justice should prevail for everyone without considering his/her caste. And there comes the title, Article 15, which gives each Indian basic rights.

Ayushmann has given a splendid performances. He is too good for this role. Isha Talwar gives a needful support to him. Sayami Gupta shines in her effective role. Best of her was crying with Kumud Mishra in this film. Kumud Mishra is terrific. He has played this role like no one can. His slap scene is clap worthy. Manoj Pahwa again delivers wonderful performance. Mohd Zeeshan Ayyub has a special appearance. The time he comes in the story, the film picks up very high. Fantabulous performance by him.

Movie has no songs in it. Just a satire song at the starting. And a rap song at the end credits.

Dialogues are absolutely fantastic. 'Power ki alag hi jaat hoti hai!' Hard hitting one liners will blow your mind. Entire speech by Zeeshan Ayyub in the jeep is perfectly written. Audience were clapping on the last line of that dialogue by him. While my most favorite one has been spoken by Ayushmann to his officer, that 'Jab Aag Lagi Hui Ho Aur Aap Neutral Rahen, To Iska Matlab Hai Ki Aap Unn Logon Ke Side Hain Jo Aag Laga Rahe Hain!'

This is going to be a hit in Anubhav Sinha's kitty. While in first half, I was not sure whether this one is more good or that Mulk! But I got clear answer in second half. Film picks up very high. There is a greatest twist too. Public were stunned in that scene. Film is superbly written by Sinha and Gaurav Solanki.

There is scene of bodies of rape victims hanging on the tree, and a kid passes by. It gave me goosebumps. Another one is a man coming out of the gutter. One at the interval point, nd one at the last line of a long dialogue by Mohd Zeeshan. Also, it is not a serious film. This year's the most comic scene is in this one. Ayushmann discussing castes with his team.

Overall, Article 15 a is very much needful film in this time. It may not be linked with metro cities, but India is a nation of villages and small towns. Kudos to Anubhav Sinha and team for choosing this subject. Police were there in the theater for safety purpose. But there is nothing wrong in the film for any community or caste. This film will run with mouth publicity. So go and watch this entertaining crime drama. And ask yourself a question that Kaun Hain Aap! Bahujan, Harijan.. Ke Jan Gan Man me aate sirf Jan. #FarqAayega

First things first, this is a very important movie. This is a movie about something that we almost everyday read about in news or our Facebook feed but choose to scroll past. It talks about issues that our politicians pick up at slight popularity and turn it into vote machines. Some of us even join the band. Some of us leave thoughts and prayers and move on.

In a country that on paper and figures is a fastest developing nation, the citizens certainly don't act like it. Article 15 doesn't pull it's punches when it comes to baring these harsh realities. Problem is, instead of focussing on one, it tries to over reach and takes on several issues but only satisfies us with the two main plot, while other things we have been following are kept open. While I understand that writers don't want to give us a happy ending, or make us feel all is well in the end , these sub plots certainly didn't deserve to be wrapped so quickly to reach the climax. It felt like they shot a long movie but had to let go of important scenes to cut down the run time.

Other than that, the writers do a great job setting the characters and the director understands how to tackle this heavy subject. The director and DP work together to shoot every frame with grit and the environment is foggy with low visibility, just as the mindset of people living there.

Ayushman does a great job as usual but this time he is not the best part of the movie. Supporting actors Kumud Mishra, Manoj Pahwa and Sayani Gupta give towering performance. Mohammad Zeeshan Ayyub is credited as guest appearance but with limited screen time he leaves lasting impact. It's a shame his character and storyline was cut short.

Background score is superb. Last but not the least, the casting director has handpicked each character nicely.

In the end, this movie deserves to be screened everywhere all around the country. I am enjoying the reviews by trolls who are triggered and claiming this 'work of fiction' a Propaganda.

Article 15 as formed by the Indian Constitution of India prohibits discrimination on grounds of religion, race, caste, sex or place of birth. Unfortunately, this is not case on the records in the real India.

Article 15 tells the story of IPS officer, Ayan Ranjan (played by Ayushmann Khurrana), who has been posted in a small village, Laal Gaon, Uttar Pradesh. The day he takes up duty, he is welcomed with the murder case of three girls which leads to the "real" issues of the caste system which is very much prevalent in the "real" India.

Last year Anubhav Sinha proved that he is more than just making candyfloss film,Tum Bin, or forgettable Cash with Mulk. This year, he goes one step ahead with Article 15 which is based on true life event of the 2014 Badaun gang rape case where two Dalit girls were gang raped continuously for two days, murdered and hung from a tree. There are no songs in this 2 hours 10 minutes film as Anubhav Sinha takes the audience right into the the truth which is harsh but was never elaborated. There are couple of questions raised by Ayushmann Khurrana to his peers relating to the different levels of caste and to his dismay, he gets the answer that there are different levels of caste and even sub-caste below. The scene is funny yet exposes the harsh truth existing in the few parts of rural India. Two scenes stands out - a lower caste worker coming out of a pit full of waste, his face smeared with sludge and goes back again to complete manual removal of untreated human excreta. The second scene is where a factory owner proudly admits to hitting the three girls who demanded a pay-hike of just Rs 3 and the reason he gives for beating these girls "Unko Aukat Unki Dikhane ke Liye"

Article 15 details out the struggles and challenges faced by the cops mentally and physically. The crime-drama boast off some strong technical support. I should start with an outstanding editing work. The background score is haunting and yet mesmerizing. The cinematography is brilliant, portraying a real-life crime with aplomb. Screenplay is fantastic, though it becomes little sluggish towards the second half.

Coming to the performances, it is Ayushmann Khurrana who will make you believe with enduring transformation from uninformed IPS officer into a angry man who stands for the righteous act. Ayushmann Khurrana lives and breathes the character of Ayan Ranjan and is complimented by Kumd Mishra, Manoj Pahwa, Sayani Gupta and the dependable Mohammed Zeeshan Ayyub (who shines in a small role).

Article 15 is not easy watch but it will expose the harsh reality of what happened on that fateful night and it will definitely make you angry. Go for it ...MIND-BLOWING 4/5

One of the greatest movie in bollywood i 've ever watched. No words to describe this movie. Ayushmann role is very very incredible.

No words. The film boldly engages all the parties involved in the social justice system. The story could have satisfied viewers even with limited domain, but instead of narrow approach of pin pointing, it chooses to broaden.

Ayushmann is reaching new heights in every other film and other actors also nailed it. And some shots are spine chilling.