Aggiungi una trama nella tua linguaA retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.A retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.A retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Alexander Newton
- Young Joseph
- (as Alexander Newton)
Veronica Milagros
- Bonita
- (voce)
- (as Veronica Diaz)
Recensioni in evidenza
It's clear the director put heart and soul into this. I just wish more movies had this dynamic level of storytelling. It's a great story. Scheider is great. His young co-star Alexander Newton is does a fine job too.
A wonderfully written, emotive, powerful,thought provoking film. Tense and unpredictable. It takes you to some unexpected places and earns a fitting place in its genre. It left me contemplative and aware of some aspects of the consequences of war that I wouldn't always be quick to respond too.
It's difficult to be too critical of the movie because the production coincided with not only the death of the great Roy Schieder, but also the director's father (a holocaust survivor) upon which Schieder's character is based...but:
This is a simply poor piece of filmaking that is close to risible due to the decision to use the holocaust as a background to make a quasi-action pic. Based on a Q&A with the director and his son (who co-stars), it seems that the holocaust is simply another way for Newton to get his directing kicks: as he said, a project he thought up while waiting to direct a "divorce thriller." Rather than a serious investigation of what his father's experience meant, Newton takes it as reason to portray gratuitous violence and hone his camera skills. A set-up that could lead to a veritable graduate seminar of fascinating themes and conflicts is dispensed with in order to follow a ridiculous whodunit.
Poor editing, acting (with the exception of Schieder and, surprisingly, Newton's son) and an absurd plot are hallmarks of many films, but few manage to be offensive, cloying, hilariously melodramatic, painstakingly dull, vain, and just shootstormingly bad. And this is just in a twenty minute section in the middle of the movie. There's actually some kind of anti-brilliance on display here because things start out fairly okay, like a cheesy made-for-TV movie, but develop into "holy cow - am I really watching this?" mode about halfway through.
Sadly, the ineptitude isn't easily available for a Room-like mockery because of Schieder's passing, but there are some classic moments where it would be fun to imagine a packed theater laughing at all of this. Nazis rounding up houses full of people speaking with British accents, the worst storytelling neighbor in cinema history, a fall-out-of-your-seat lesson in compassion through an analogy with a bee, and a visual style that seems like Edgar Wright without the wink would make for some brilliant midnight watching. If you get a chance, find the DVD and skip to the barn scene, but otherwise ignore the obvious planted reviews above.
This is a simply poor piece of filmaking that is close to risible due to the decision to use the holocaust as a background to make a quasi-action pic. Based on a Q&A with the director and his son (who co-stars), it seems that the holocaust is simply another way for Newton to get his directing kicks: as he said, a project he thought up while waiting to direct a "divorce thriller." Rather than a serious investigation of what his father's experience meant, Newton takes it as reason to portray gratuitous violence and hone his camera skills. A set-up that could lead to a veritable graduate seminar of fascinating themes and conflicts is dispensed with in order to follow a ridiculous whodunit.
Poor editing, acting (with the exception of Schieder and, surprisingly, Newton's son) and an absurd plot are hallmarks of many films, but few manage to be offensive, cloying, hilariously melodramatic, painstakingly dull, vain, and just shootstormingly bad. And this is just in a twenty minute section in the middle of the movie. There's actually some kind of anti-brilliance on display here because things start out fairly okay, like a cheesy made-for-TV movie, but develop into "holy cow - am I really watching this?" mode about halfway through.
Sadly, the ineptitude isn't easily available for a Room-like mockery because of Schieder's passing, but there are some classic moments where it would be fun to imagine a packed theater laughing at all of this. Nazis rounding up houses full of people speaking with British accents, the worst storytelling neighbor in cinema history, a fall-out-of-your-seat lesson in compassion through an analogy with a bee, and a visual style that seems like Edgar Wright without the wink would make for some brilliant midnight watching. If you get a chance, find the DVD and skip to the barn scene, but otherwise ignore the obvious planted reviews above.
The cinema photography was excellent.
Not only is it emotional, but this film builds to a quite intense and thrilling climax with a good twist at the end.
We give it a firm 8."
Not only is it emotional, but this film builds to a quite intense and thrilling climax with a good twist at the end.
We give it a firm 8."
My wife and I had heard of Joshua Newton's film being developed many years ago, and we were saddened by Roy Scheider's untimely death. With new technology, the film was able to be finished.
We were not disappointed. Beautiful Blue Eyes is constantly moving, always moving forward type of movie. The historical uniforms, trucks and equipment look very authentic.
So many people associate the Holocaust with Auschwitz alone, yet mass shootings were also a large part along eastern Europe. This movie illustrates another side of the Holocaust.
We strongly encourage everyone to watch this gripping film.
We were not disappointed. Beautiful Blue Eyes is constantly moving, always moving forward type of movie. The historical uniforms, trucks and equipment look very authentic.
So many people associate the Holocaust with Auschwitz alone, yet mass shootings were also a large part along eastern Europe. This movie illustrates another side of the Holocaust.
We strongly encourage everyone to watch this gripping film.
Lo sapevi?
- QuizRoy Scheider's final film.
- Versioni alternativeThe original version released in 2009 was later reworked because Roy Scheider had died a few days before all his scenes were filmed. A new version of the film, titled 'Beautful Blue Eyes' after a suggestion from the late Roy Scheider during filming, was released in September 2022; in this version a small amount of CGI and AI voice work has been used to complete the unfilmed scenes involving Scheider as per the original shooting script. The new edit is approx. 30 minutes shorter than the original cut.
- ConnessioniFeatured in WatchMojo: Top 10 Actors Recreated with Special Effects (2014)
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Dettagli
Botteghino
- Budget
- 9.000.000 USD (previsto)
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
- 2.39:1
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