Ruby è l'unica persona udente nella sua famiglia e quando l'attività di pesca famigliare è minacciata, si ritrova combattuta tra perseguire il suo amore per la musica e la sua paura di abban... Leggi tuttoRuby è l'unica persona udente nella sua famiglia e quando l'attività di pesca famigliare è minacciata, si ritrova combattuta tra perseguire il suo amore per la musica e la sua paura di abbandonare i suoi genitori non udenti.Ruby è l'unica persona udente nella sua famiglia e quando l'attività di pesca famigliare è minacciata, si ritrova combattuta tra perseguire il suo amore per la musica e la sua paura di abbandonare i suoi genitori non udenti.
- Regia
- Sceneggiatura
- Star
- Vincitore di 3 Oscar
- 69 vittorie e 149 candidature totali
- Audra
- (as Molly Beth Thomas)
Recensioni in evidenza
CODA means Child Of Deaf Adults. Imagine being a CODA and a singer.
Imagine not being able to feel the one thing your child is good at, what a weird feeling it can be. The concert scene from the parents' pov had me all teared up.
The movie has right amounts of all the things - laughter, romance, tension in family(you'll relate to this more if you're Asian) and is well directed in so that you never feel disconnected/ disinterested because of a basic story.
CODA is somewhat a similar coming of age story to Little Miss Sunshine and makes you value and support your family more!
Watch this with your close ones and you'll feel the emotions manifold :) P. S. I'm still laughing thinking about the small dog, medium dog, big dog scene!!!
Emilia Jones (HIGH-RISE, 2015) stars as Ruby, and we first see her slinging fish on the boat with her father Frank (Troy Kutsor) and brother Leo (newcomer Daniel Durant). Ruby belts out songs while the two men handle their duties, unaware of the lovely melodies filling the air. At home, the dinner table conversation is handled through ASL (American Sign Language) with mom/wife Jackie (Oscar winner Marlee Matlin, CHILDREN OF A LESSER GOD, 1986) leading the way.
At school, Ruby is an outcast due to her clothes, the lingering aroma of fish, and her "weird" family. With a silent crush on Miles (Ferdio Walsh-Peelo from the excellent SING STREET, 2016), Ruby signs up for choir, but freezes during the audition. The choir director, Bernardo (roll the r's) Villalobos, is played energetically and colorfully by Eugenio Derbez (OVERBOARD, 2018), and he offers encouragement to Ruby - mostly because she has a beautiful singing voice. Bernardo explains how her singing voice offers a path to college, something she's never before considered due to family responsibilities.
There is a lot going on in this film from writer-director Sian Heder (TALLULAH, 2016). It's obviously adapted from the 2014 French film LA FAMILLE BELIER, and plays as a mainstream crowd-pleaser, when it just as easily could have been a deep cut indie film. Ms. Heder's approach means a larger viewing audience, though there are elements we wish had been further explored. The teen romance never really clicks, and there are hints that Bernardo's story holds more levels than we get. However, the Rossi family dynamics are quite something to behold. Father Frank wears his emotions on his sleeve. Sometimes those emotions are angry and bitter, while other times quite comical or even horny (for his wife). Brother Leo wants desperately to lead the family business towards prosperity. He has ideas for growth, but is frustrated being dependent on Ruby as a conduit to the community.
Mother Jackie and Ruby have a typical mother-teenage daughter relationship. The mother wants status quo where the daughter remains an integral part of the family, while the daughter wants her mom to acknowledge the dreams for a different life - one that capitalizes on her talents. When Jackie questions her daughter on her singing, she does so in the most hurtful way possible (brilliant writing). And yet, when mom recounts Ruby's birth, the love is as clear as the disconnect ... and likely to draw a tear or two. Filmmaker Hader serves up numerous strong scenes, but two really stood out for this viewer. First, when Ruby is singing on stage, we "hear" what the parents hear, and their pride is obvious. The second occurs when dad asks Ruby to sing for him as they are perched on the backend of the car. It's phenomenal acting by Kutsor, and further clarifies a lifelong father-daughter bond ... and the first time he fully comprehends her talent. All four leads give strong performances, and it's a star-making performance from Ms. Jones (think a young Saoirse Ronan).
Apple paid a record-breaking $25 million for the film's rights at Sundance, and the mainstream appeal of this family drama sprinkled with comedy and life messages is indisputable. So while my preference would have been more focus on the 'outsider' aspect of the Rossi family in the community, it's easy to see why this choice was made. It's an entertaining film that will likely land on many year-end "Best" lists. Maybe even mine.
Streaming on AppleTV+ on August 13, 2021.
The movie truly is a masterpiece with the acting specially the deaf acting and the way they described how deaf people live their life is very realistic.
CODA (Child of Deaf Adults) The story of Ruby, a child who grow up in a deaf family, they depended on her as she the only one who could speak, and when she found her passion about singing, she has to decide whether she continue helping her family or leave them for college.
It's enjoyable and different I highly recommend this movie.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Lo sapevi?
- QuizEmilia Jones spent nine months learning American Sign Language, having singing lessons, and learning how to operate a fishing trawler.
- BlooperThe majority of the movie takes place in Massachusetts in autumn, yet the leaves on the trees are green. By October, all of the leaves would have changed colors or dropped entirely. The summer-appropriate costumes and the late evening light also reveal that the movie wasn't filmed in fall.
- Citazioni
Ruby Rossi: [signing] Did you ever wish I was deaf?
Jackie Rossi: [signing] When you were born, at the hospital, they gave you a hearing test. And there you were, so tiny and sweet, with those electrodes all over you. And I... prayed that you would be deaf. When they told us that you were hearing, I felt... My heart sank.
Ruby Rossi: [signing] Why?
Jackie Rossi: [signing] I was worried that we wouldn't connect. Like me and my mom, we're not close. I thought I would fail you. That being deaf would make me a bad mom.
Ruby Rossi: [signing] Don't worry. You are a bad mom for so many other reasons.
[They laugh]
- ConnessioniFeatured in CBS News Sunday Morning: Episodio #43.33 (2021)
- Colonne sonoreSomething's Got a Hold On Me
Written by Etta James, Leroy Kirkland and Pearl Woods
Performed by Etta James
Courtesy of Geffen Records under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- CODA: Señales del corazón
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo in tutto il mondo
- 1.905.058 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Proporzioni
- 1.85 : 1